🏘️ 居流所 Unanchored Harbour
一場「家」與「失所」之間漂流的演出與空間實驗
A performance and spatial experiment drifting between home and displacement.
從上年6月開始,到今年2月中實現,
這場創作由編舞從建築師的家到各自的家慢慢展開。
討論「家的構成」,傾聽她們的記憶與牽掛,
讓每一段作品的最後,訴說出屬於她們自己的「家」。
We started since last June, growing from a generic or architects to each of their own home.
家是原生一股巨力,影響她後續的故事。
Home is a primal force, shaping the stories that follow…
家會不斷遷徙移植,對應世界變幻更改。
Home migrates and takes root, mirroring the shifting world around you…
家是對母親的恩念,沒有她們就不成家。
Home is an enduring tenderness for one’s mother, without her, there is no home…
家似心臟蔓延血管,血脈相連先會有家。
Home branches like vessels from the heart, a shared network of blood, memory, and care…
這些敘述令人思考:
當家經常被簡化成具象的、清晰的、光鮮的模樣。
但現實裡的家,往往更流動、更複雜、更柔軟——
像舞者的身體一樣,總在變化中尋找平衡與歸屬。
We often picture home as something clear, stable, complete. Whilst in movement, we find its true nature: Fluid, searching for balance, always becoming.
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Organiser: Passover Dance
Artistic Director: Pewan Chow
Choreographer: Gabbie Chan, Ho Ming Yan, Elaine Kwok, Gigi Yang
Special: Cally Yip
Scenography, Exhibition and Curation: Anthony Ko, Beng Kian Saw
Lighting Designer: Denzel Yung
Sound Designer: Man Kai Hei
Production Manager: Candace Tse
Assistant Stage Manager: Cola Li
Producer: Anthea Chan
Publicity Designer: Stitch Chan
Photographer: Worldwide Dancer Project
🏠 荃灣大會堂 Tsuen Wan Town Hall
@passoverdance @gabbie_chanhiuling @callyip_5678 @gigi_yang_yizi @bengkian2019 @antheachan1910 @stitch.wwy @lee_wai_leung @calisleung
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1-4. Set Design for Gabbie
5. Murakami’s Listening Room
@__kwl___
6-9. Set Design for Ming Yan
10. John Soane’s Migrate to Hong Kong
@sze_pak_yan
11-12. 呢兩單嘢唔係我跟開 (But looks good)
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🏚️ 「家」對你嚟講係咩⋯⋯?
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