Neus Olle AEC BSC

📢 BSC AWARDS ALERT! The following women are amongst the nominees at the 2026 Awards for their outstanding work and killer creativity. Congrats Autumn Durald Arkapaw ASC @addp , Suzie Lavelle BSC ISC @suziecine , Laura Bellingham @laurabellinghamdp , Neus Ollé BSC AEC @la_neus , Rina Yang BSC @the_rinayang , and we include here winner Linda Wu @lil.wontons 🎥Feature Film Category ➡️Autumn Durald Arkapaw ASC - Sinners 🛜Television Drama (International / Streaming)
 ➡️Suzie Lavelle BSC ISC - Severance “Goodbye, Mrs. Selvig” 📺Television Drama (UK Terrestrial)
 ➡️ Laura Bellingham - Towards Zero “Episode Two” ➡️ Neus Ollé BSC AEC - What It Feels Like for a Girl “Episode Seven” 🎸Music Video 
 ➡️ Rina Yang BSC - ‘Flood’ (Little Simz) 🎦Shortfilm (BSC Club winner) ➡️ Linda Wu - Flock ✨Swipe through to see some fantastic stills from Neus’s set on What It Feels Like For a Girl, and from Autumn´s Sinners. To read the full list of nominees visit @bscine ’s account.

🏆 The Awards Ceremony will be tonight the 7th of Feb and can be followed on Youtube and Facebook. 
 🥳 From WBTC we want to congratulate all the nominees (and winners) in each category, it’s an incredible recognition. Best of luck to you all! @illuminatrix_dops #womenbehindthecamera

So honored to be nominated for a BSC award for my work in ‘What it Feels like for a Girl’. I shot the final block of the tv series. Very grateful to @sibell1984 and @katereiddp who went before me, and put together an amazing team who made my work joyful and easy (@beargripsuk @cai.thompson @lewiss_williams Gary Chaisty) Thanks to @mariekristiansen for trusting me and creating the vision together. Episode 7 happens all inside a prison. Just one location but we tried to make it visually interesting, emotional and very subjective to our main character (beautifully played by @ellisfrancishoward ) @gemrandall_ built an incredible cell elevated so we could play with the camera But above all, thanks to my peers the @bscine for thinking our work was worth a nomination. It’s an incredible honor

2025 was a year full of ups and downs. There was some hard moments, full of grief and desperation. Luckily @allan.sherry was always next to me. And we pushed through the year together. 2025 was also full of happy moments. On of them being the day we got married, surrounded by people we love, celebrating we are all alive, dancing a ceilidh in a my grandad old farm (Granja Soronellas) This lovely picture was take by Maider 📷@yolaviyolavi

🔥 A La Furia la càmera acompanya cada pas de la protagonista. 📽️Neus Ollé, candidata a Millor Fotografia als Premis Gaudí i Goya, explica com va construir la proposta visual de la mà de la directora, Gemma Blasco. 🔗🗳️ Ja disponible a Veogaudí i Veomac per a la seva consideració. #XVIIIPremisGaudí #PremiosGoya2026 __ 🔥 En La Furia, la cámara acompaña cada paso de la protagonista. 📽️ Neus Ollé, candidata a Mejor Fotografía en los Premios Gaudí y Goya, explica cómo construyó la propuesta visual de la mano de la directora, Gemma Blasco. 🔗🗳️ Ya disponible en Veogaudí y Veomac para su consideración. #XVIIIPremisGaudí #PremiosGoya2026 📹 @marcsirisi

‘Amoeba’ is a film I shot in Singapore last year. Directed by @seeuoo follow four misfit teenagers who are trying to find their space on an authoritarian all-girls school. It reflect on growing up in Singapor, feeling rebellious and exploring life. It had its premiere in the Toronto film Festival and since then it has been travelling to different festivals around the world winning some awards in the way. I had an amazing hard working team that took so much care of me while shooting lost in translation Focus puller: @kerxx 2nd AC: @zolynnphua 3rd AC: @hx__ DIT: @muneshvaradaraju Gaffer: @kingofilm Best boy: @misuse90 Key grip: @keltech90 Grips: @kosweekheng @viviennechonggg

Here @la_neus For my last post I thought I’ll share some frames from my first feature film ‘El Cant dels Ocells’ (Birdsong) directed by Albert Serra. I had just finished my course at the NFTS when I got a call from Albert. I had worked on his first movie as a camera assistant and he wanted me to film his second film. He is an unconventional filmmaker, very interesting. The film tells the journey of the three wise men on their way to find Jesús. We used non actors, and the script was only a guide, the scenes had no dialogues on specific actions. It was mainly an improvisation. Our way of shooting was closer to documentary but we had set dogma: the composition had to be very pictorial, we’ll shoot B&W and camera was not allowed to move. Which is tricky when the actors are improvising, and there is no repetition of the actions… so we used 2 cameras to have angles, and options on the edit. Most days we didn’t know what we’ll be shooting, and the director was creating the scenes while filming… It was a huge learning experience, I had to be open to the present. And forget about any conventional way of making a film. I was also pulling my own focus. On the last picture you can see me being held by the director to get a shot while the tide is rushing in… The film premiered at Cannes at the Quinzaine de Cineastes and we got a Gaudi Award for best cinematography (I share the credit with Jimmy Gimferrer who was operating the 2nd camera). A prove that sometimes the simpler things go very far, and that you don’t need much to create beautiful work

Here @la_neus , ‘Las Largas Sombras’ (Past Lies) was a limited Tv series directed by @clararoquet for @disneyplus A story about group of friends whose lives get turned upside down when they discover the remains of a high school classmate, who disappeared on a trip 20 years ago. It’s a thriller, a story about friendship, with very rich multi layered characters. We were lucky to have an amazing cast with some of the best actress in Spain @elenaanayaoficial @belencuesta @irene_escolar @martaetura @itziatienza @lorenalomar @anarayoruano Shot on Alexa 35 with Cooke Panchro and Zeiss High Speed Uncoated. We also had some mini DV scenes that we shot with a Sony DCR TVR900 Gaffer: Jorge Sequeira 2nd unit DoP / Bcam: @beatriz_sastre Steadicam: @raulsteadi Focus puller: @vircamino @ivi_koyck DIT: @aran_littlebeetle & Javier Castillo Grader: @noemi.lallave.color

Here @la_neus . On 2020 we were about to shoot the limited series ‘Too Close’ for ITV when the pandemic hit. After some months of lock down, we finally started filming. The tv series follows the story of a woman who drove her car with 2 children on the back off a bridge in the middle of a rainy night. Her conversation with a psychiatrist while waiting for trial. The scenes of the woman driving off the bridge were quite complicated for security reasons, the stunt, the rain,… plus the actress couldn’t drive. We shot a combination of real location for the action. And all the interiors were shot on a set. This was 2020 when the volume just came up for Mandalorian. The car was shot on a combination of projection and some LEDs screens for lights and reflections. Directed by: Sue Tully and Bruce Goodison Staring: @denisegough1 and Emily Watson Produced:@snowedin Gaffer: Chris Georgas Focus puller: @pauljosephdain Grip: @edlancasterphoto Grade: @jodiemdavidson Production designer: Tom Bowyer Shot on the Alexa Mini + Cooke Panchro

Here @la_neus today to show a bit from a film very close to my heart The feature film ‘La Furia’ debut film from @la.blasco produced by @ringomedia . It premiered at the @sxsw this year. The film follows a woman who is raped and all her journey afterwards. All the feelings and rage that she feels and how through the theatre she finds a way to heal… on the other hand her brother chooses the path of fury. We wanted the film to have a very visceral and raw look. Feeling very close to our main character. We chose to go handheld. I really enjoy the closeness to the actress and all the dance we create with the camera. The film didn’t have a great budget but we used all of it very wisely. I had a great crew and a great gaffer @lluismaymo behind me who I trusted to be my extra pair of eye on the monitor. A key when you’re operating and running around with the camera in your shoulder. @ivi_koyck my focus puller did a brilliant job following me around We shot with an @arri Alexa Mini LF and the wonderful @7isatribe T Tuned

Here @la_neus the last episode of ‘What it Feels Like for a Girl’ had a completely different look from previous episode set inside the prison. Byron is living life as girl finally. The colorful palette of the tv series is back, and we embrace the contrast of colors and saturation. @mariekristiansen , the director wanted a very poppy and playful look for the finale of the series. We shot in a combination of real locations and sets beautifully crafted by gemrandall_ and her team. They had so much texture and layer that it was a joy to light. And with a few light we could create beautiful images Director: @mariekristiansen Gaffer: Gary Chaisty Focus puller: @cai.thompson Key Grip: @beargripsuk DIT: @lewiss_williams Grader: @cort.in.colour

Hello Neus Ollé BSC AEC @la_neus here and it’s an honor to be taking over for the next week. I’ll be sharing some of my work, please feel free to ask anything or get I touch! Here a bit about myself: I’m originally from a town near Barcelona, as a teenager I was always hiding behind a stills camera as I was quite shy. I went to a film school in Barcelona (ESCAC) and after that I worked briefly as a camera assistant. I moved to UK to attend the NFTS and studied a MA in cinematography that was years ago… and since then I have been fortunate to be able to work as a cinematographer. I have shot several films, tv series and commercials mainly between Spain and the UK. But work has taken me to work in countries all around the world. I love how different each project can be and all the people you meet along the way. I really enjoy working with the camera and my shoulder close to the actors but also love when we have a very technical scene with some gadgets to play with. Being a cinematographer is not a easy path, but sometimes when I feel low, between projects or not sure about the next job…. I think about that teenager who dreamt about doing movies and I can’t believe that I’m actually living that life.

What It Feels Like To Be A Girl premieres tomorrow on BBC Three at 9pm and later the same night on BBC One. This groundbreaking LGBQT+ drama is adapted from Paris Lees' coming of age memoir of the same name and tells the story of rebellious teenager Byron, determined to escape their small town at any cost. This wonderful show features the beautiful Cinematography of three of our members, Si Bell BSC (@sibell1984 ), Kate Reid BSC (@katereiddp ) and Neus Olle BSC AEC (@la_neus ). The series has already had rave reviews with the Guardian calling it an electric coming-of-age tale. Si, Kate and Neus opted to shoot the show with the Alexa 35 camera and Hawk V-Lite lenses. Make sure to tune in tomorow to BBC Three at 9pm and catch the first episode. #Cinematography #Cinematographer #LGBT #PrideMonth #Drama #BBC #DOP #Filmmaking