When she accepted the Oscar for Best Cinematography for the film âSinners,â
@addp âthe first woman and first woman of color to do so in the Academy Awardsâ 98-year historyâasked every woman in the room to stand up, saying that she wouldnât be there without them.
Thousands of miles away in the Philippines, a generation of Filipina cinematographers may well have stood up with her.
The camera department, like many spaces in film, has traditionally been dominated by men, and its institutional barriers have made it exclusionaryâespecially for women. So, when the local film community saw a Filipino American woman clutch that prized trophy, the sentiment wasnât just about validation, representation, or Filipino pride. In a way, the milestone also felt like a salve for âmany collective wounds.â
In this forum, Preen asked
@ulyaningbumbilya (âThird World Romance,â âBecky & Badetteâ),
@teyclamor (âBalota,â âBabae at Barilâ),
@cescalee.dp (âLove is Color Blind,â âUtopiaâ), and
@geiadevra (âAgapito,â âRadikalsâ) what Arkapawâs achievement means to themâand what needs to be done to ensure that her win doesnât remain purely symbolic.
Story by
@gagopolis
Layout by
@zoesabandal
#preenph