In a complicated world, TRIBE7 OBSCURA37 offers a simple solution - a pinhole imager made using best available materials and production processes, combined with a PL mount port cap for convenience in everyday use.
OBSCURA37 was conceived as a precise and universal device to turn back time, to return to the embryonic days of photography.
With recent advancements in modern sensor and in-camera processing technologies, EI sensitivities well over EI 10,000 allow real time motion picture capture of pinhole images with OBSCURA37 - from Super 16 to Medium format.
And in support of a revival in pinhole camera imaging aesthetics, OBSCURA37 allows both stills and moving images to be captured to further the creative art of storytelling.
Launching with stills photographed by co-founder Bradford Young ASC, shot on @leica_camera M11 monochrome, and a motion picture short shot in Sardinia by Diana Olifirova @didiontheroll on @sony FX3, we’re proud to release OBSCURA37 to creatives world-wide.
Available directly and only from TRIBE7, please order via the OBSCURA37 link in our bio, or DM for more details.
Shipping from stock this month.
#OBSCURA37
EZANA. BLACKWING7 evolved.
Designed for filmmakers looking to embrace the future of 65mm format capture, EZANA features unique multi-coated lens structures, flare tuning and iris performance characteristics—specifically optimized for 65mm film and beyond.
Inspired by the history of ultra-widescreen Cinerama (traditionally a 2.76:1 anamorphic format), EZANA reimagines the aesthetic, blending spherical optics with an anamorphic look.
Head to our contact page (link in bio) to connect and find out more.
#blackwing7 #blackwing7ezana
@bejikemota mixes BLACKWING7 prime lens footage with OBSCURA37 pinhole motion picture capture to create a stunning teaser for the forthcoming @quisqueyanosvalientes_tv production.
@sonycine FX9 was used throughout, demonstrating that with today’s higher ISO/EI digital cinema camera platforms, pinhole motion picture capture can be mixed into the edit with traditional lens footage to create a mixed media story with new emotional and creative dimensions.
Stills shown are all pinhole OBSCURA37.
Congratulations to Oliver and the production team for making the magic happen !
#obscura37 link in bio for more details.
Small town. Big secret.
From director Ben Wheatley and DP Armando Salas, ASC - NORMAL is now playing in theaters everywhere.
DP | Armando Salas, ASC (@cinesalas )
Serviced By | #KeslowCameraToronto
Thank you to Magnolia Pictures for the photos!
(Image #1: Armando Salas, ASC, between takes on the set of NORMAL. Photo credit: Allen Fraser, SMPSP.
Image #2: Armando Salas, ASC, poses for a selfie in the relfection of the Keslow Camera proprietary "Kes-LOW Angle Mirror" on the set of NORMAL
Image #3: Bob Odenkirk as Ulysses Richardson in NORMAL - shot accomplished with the "Kes-LOW Angle Mirror"
Image #4: A still from NORMAL, highlighting the Tribe7 Blackwing7 T-Tuned Cinema Primes)
#NormalMovie
#ShotOnRED
@mr_wheatley@reddigitalcinema@7isatribe@magnoliapics
Macmillan Cancer Support shines a light on the realities of cancer care with a new national UK campaign created with AMV BBDO. The charity aims to deepen understanding of how experiences of cancer can be unfairly affected by where a person lives, their income, background, or how they communicate.
Created by : @amvbbdo@macmillancancer
Directed by : @childartiste
Cinematography by : BRADFORD YOUNG ASC
TRIBE7 is extremely proud and humbled to reference this important charitable campaign as our first commercial EZANA lens production. Congratulations to all production staff and crew involved in realising this beautiful work.
Thanks to @onestopfilms for EZANA primes, and @arri_rental for ALEXA265 cameras.
📍 🕳️
I am leaving behind a year
Full of wanderlust
Within
Manifested into the film
I feel drawn to share
Today
The day
I turn
36 ✨
Thank you - all
For support, inspiration
And the indescribable
Will to live
Will to be.
We will be!
Shot on the magical new pinhole lens
Obscura 37 @7isatribe 🙏
Music @josefcfi
Sound John Cohen
Grade @alexgascoigne_colour@harborpictureco
#pinhol #pinhole #cinematography #artfilm
“With a lean shooting team and incredibly challenging access, we wanted a lens set with character, solid housings and wide open performance. Beautiful rendering of faces was essential, combined with the option to dial up abstraction, bringing in a mythical sci-fi feel the deeper we went” Cinematographer RUBEN DECHAMPS
Shot on Red Raptor with Tribe 7 Blackwing7 T-Tuned primes provided by @mcx_films
Premiered at @tribeca 2025, European premier @cameraimage 2025
Director Rob Petit @robmilkwood
Cinematography @rwdfilm
1st AC Richard Savage
Studio Gaffer @billrae
Colourist @alexgregorycolour@harborpictureco
Camera rental @mcx_films
Produced by
@jessharrop@sandboxfilms
Lauren Greenwood @planetoctopusstudios@darrenaronofsky & Ari Handel @protozoapictures
An adaptation of ‘Underland’ by @robgmacfarlane
Narration by Sandra Hüller