David Henry Hwang

@thedavidhenryhwang

Playwright/screenwriter/librettist. Affirmative action beneficiary.
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Weeks posts
Repost from @thirdanglenewmusic • The first complete recording - 3.6.26 1000 AIRPLANES ON THE ROOF Philip Glass / David Henry Hwang Third Angle New Music / Nicolas Caoile Ithica Tell as “M” Order two-disk CD today @thirdanglenewmusic @philipglass @thedavidhenryhwang @nikolascaoile @ithicatell
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2 months ago
A new chapter for a classic story. Get a first look of our radiant principal cast for @thedavidhenryhwang ’s 2026 book update to RODGERS & HAMMERSTEIN’S FLOWER DRUM SONG, directed by @lilytungcrystal , on stage at the iconic Aratani Theatre at @jaccc_la . Seventeen days from first rehearsal, and the magic is already in bloom. Grace Yoo as Mei-Li Emily Kuroda as Madame Liang Marc Oka as Wang Scott Keiji Takeda as Ta Gedde Watanabe as Chin Krista Marie Yu as Linda Low Kenton Chen as Harvard Cooper Bennett as Chao {Ensemble and understudy reveal coming soon} Your seats won’t save themselves. Not with a cast this 🔥 📸: @hashimoto_images #flowerdrumsong #lathtr
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2 months ago
Repost from @aapip_org • Since December 2025, the Twin Cities has been the site of the largest ice raids in U.S. history. The Twin Cities is home to the largest urban Hmong population in the country and the largest concentration of Karen refugees in the U.S. Southeast Asian families are being detained and deported at a scale we have never seen before. Many came to the U.S. as refugee children and are now being sent to countries they left as infants or have never visited.⁠ ⁠ Community members are afraid to leave their homes, go to work, or take their children to school.⁠ ⁠ AANHPI-serving organizations are responding, providing legal defense, food assistance, know-your-rights education, and emergency support. These organizations are trusted in the community, speak the languages, and understand the cultural context. But they are critically underfunded. Only 0.13% of philanthropic dollars in the Twin Cities go to AANHPI causes and organizations.⁠ ⁠ Community leaders on the ground asked AAPIP to create the Twin Cities Rapid Response Fund to move resources to these organizations quickly. Grants are unrestricted and will be distributed on a rolling basis, guided by a local Advisory Committee.⁠ ⁠ This fund is one option among several. Give directly to local AANHPI organizations if you know them. Support multiracial rapid response funds. And if you want your gift to reach AANHPI-serving organizations through a trusted intermediary, contribute here.⁠ ⁠ 🔗 Link in bio to donate.⁠ ⁠ Please donate and share.
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3 months ago
I love these videos of us walking. The 2026 Grammys is an experience and journey, and we all move forward to continue our work. #AnAmericanSoliderOpera @huang.ruo @thedavidhenryhwang @ninayoshidanelsen @vouski @sopranohannahcho @desociobaritone @melissa.c.ngan @jongwon_han
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3 months ago
You’re going to like it here. Meet the principal cast and creative team for our Spring 2026 production of Rodgers and Hammerstein’s FLOWER DRUM SONG! Grace Yoo* as Mei-Li Emily Kuroda* as Madame Liang Marc Oka* as Wang Scott Keiji Takeda* as Da Gedde Watanabe* as Chin Krista Marie Yu* as Linda Low Kenton Chen* as Harvard Cooper Bennett as Chao David Henry Hwang (Writer of the 2002 & 2026 book) Lily Tung Crystalº (Director) Marc Macalintal (Music Director) Chen-Wei Liao^ (Scenic Designer) Ruoxuan Li (Costume Designer) Jiyoun Chang^ (Lighting Designer, three-time Tony nominee) Brian Hsieh (Sound Designer) Naomi Kasahara (Properties Designer) Darlene Miyakawa* (Stage Manager) Annie Jin Wang (Dramaturg) Jamie Guan (Chinese Opera Specialist) Patrick Chew (Cultural and Language Consultant) Mara Palma (Assistant Director/Directing Fellow) Robert Elhai (Additional Arrangements), Brandon Hong Cheng*, Jaclyn Gehringer, Bonifacia-Erlinda Montaño (Assistant Stage Managers) Ruth Araujo (Assistant Costume Designer) Kevin Dajay (Assistant Properties Designer) Ensemble cast to be announced soon! Full announcement at our link! Join us at The Aratani Theatre (244 San Pedro St, Los Angeles) in historic Little Tokyo, April 16–May 31, 2026. 🎟️ Single tickets are on sale now at eastwestplayers.org/flower or by calling (213) 625-7000. Get full details and snag tickets now for the best seats! *Member of Actors’ Equity Association ºMember of Stage Directors and Choreographers Society ^Member of United Scenic Artists 829
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3 months ago
FOR YOUR GRAMMY® CONSIDERATION in Best Opera Recording An American Soldier “How do you define what it means to be an American?” Telling Danny’s story and bringing an Asian American hero to the stage has been the honor of a lifetime. This nomination belongs to our army of a team and family 🌙🤍 Listen on all music platforms, like, and share this piece with anyone who has ever fought for what they believe in Composer: @huang.ruo Tony & GRAMMY® Winning librettist: @thedavidhenryhwang Conductor: @carolynkuan.conductor Orchestra: @amercomporch Production: @pac_nyc Label: @weareplatoon featuring: @vouski @ninayoshidanelsen @sopranohannahcho @desociobaritone #fyc #grammynominee #contemporaryopera #newmusic #aapiartists
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4 months ago
“June 8th, 2025, New York City: It was the night of the Tony Awards, & actor @francisjueactor —a Broadway, television, & film veteran of nearly four decades—was nominated for Best Performance by an Actor in a Featured Role in a Play for Yellow Face, @thedavidhenryhwang ’s satire of the long-standing practice of casting white actors in yellowface to play Asian characters.” “I’ve known Francis since 1988, when he appeared as one of the stagehands in M. Butterfly on Broadway. (He later stepped into the touring production as the play’s cross-dressing lead.) From there, our paths crossed intermittently over the years—emails & quick hellos at stage doors whenever we were in the same town: Pacific Overtures in New York, Soft Power in Los Angeles. Some of his numerous film & television credits include Good Sex, Our Son, White Noise, Joyful Noise, Madam Secretary, New Amsterdam, & Law & Order: Special Victims Unit. Francis told me recently, “I’ve always been motivated to show that an out Asian American person can tell universal human stories.” Indeed, he’s currently appearing as Cléante @nytw79 ’s production of Tartuffe.” “The 2025 production of Yellow Face was itself a revival. Francis had first earned both an @obieawards & a @lortelawards for the play’s 2008 @publictheaterny production. By the time the 2025 @thetonyawards rolled around, he had already won the @outercriticscircle Award for his scene-stealing performance. When Francis’ name was called, I raised my iPhone & snapped this photo of him on stage, capturing the moment the honor became real. But it was what he said next that made the evening momentous. Addressing the audience, Francis offered words that reached well beyond the theater: “To those who are being targeted in these authoritarian times, I see you. At its best, this community sees you. And I hope that encourages you to be brave, to dream, & to dream big.” Francis Jue’s Tony Award win for Yellow Face is @theacademy Award-nominated filmmaker @arthurdongfilm ’s LGBTQ+ highlight of the year. Read this & more selections at TheQueerReview.com. 📸 Arthur Dong / DeepFocus Productions #francisjue #tonyawards #broadway #thequeerreview #thequeerreview2025
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4 months ago
“Best Classical Performances of 2025” @nytimes ! Thanks @joshbarone @nytimesopinionart for selecting our magical Kung-fu opera THE MONKEY KING 猴王悟空🐒 @sfopera as one of the Best Classical Performances of 2025. Congratulations to all👏 THE MONKEY KING “You couldn’t ask for a better world premiere than “The Monkey King” at San Francisco Opera in November. It was a special case of opera firing on all cylinders: in David Henry Hwang’s libretto, based on the Chinese classic “Journey to the West”; in Huang Ruo’s thrillingly propulsive score; in excellent performances throughout the cast, chorus and orchestra; and, above all, in Diane Paulus’s silky production, which heavily featured the sublime puppetry of Basil Twist. With a sold-out run, it was also a hit at the box office. If that doesn’t speak to the vitality of opera, I don’t know what does. (Read our review of “The Monkey King.”) /2025/12/09/arts/music/best-classical-performances-of-2025.html @sfoperaorchestra @sfopera.chorus @thedavidhenryhwang @carolynkuan.conductor @kangwang @matthew_shilvock @basiltwist3 @anitaherro @poe.light @mei.gui.zhang @hongni.wu @hana.s.kim @konu_kim.tenor @pexinchen @baritonejoowonkang @jusunggabrielpark @keenejohn @jamiehjguan @DianePaulus @AnnYee @mattphatt @leekeuna @dhwang57 @keenejohn
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5 months ago
Final performance today of @huang.ruo and my opera THE MONKEY KING @sfopera Very grateful for all the amazing artists who brought this story to such brilliant life, as well as the audiences and critics that have embraced us. Special thanks to @matthew_shilvock for his uncompromising support and visionary leadership. [email protected] Director- #DianePaulus @basiltwist3 @ayeecollection #saracwalsh @anitaherro @poe.light @hana.s.kim #keloncen #jamiegodwin #choullee #yilinzhao. Photos by Cory Weaver and Matthew Washburn
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5 months ago
Amazing to see tech leaders such as Nvidia CEO Jensen Huang and Yahoo’s Jerry Yang are coming in to support our opera THE MONKEY KING 猴王悟空 and San Francisco Opera, especially with Jensen Huang’s announcement last night of a multi-year commitment of $5 million a year to @sfopera 🙏❤️ /press/press-releases/Huang-commitment-to-SFO/ @thedavidhenryhwang
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5 months ago
In this week's episode of the TALKBACK podcast, Christine sits down with a true pioneer of the field and fellow Guild Council member, David Henry Hwang. They talk about how naming some of his characters after himself changed his perspective on telling his own story, breaking the cycle of Asian Americans portrayed as “perpetual foreigners” on Broadway, writing for themselves, and how the Guild is fighting for them. Listen now wherever you get your podcasts, or click the link in our bio to watch the video version!
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5 months ago
🐒 Today is the day! After years of meticulous ideation and creation by hundreds of the world’s greatest artists, our beloved Monkey becomes yours. We cannot wait to share this extraordinary opera with you. Tickets are nearly sold out — for the best availability, please call the Box Office at 415-864-3330. Composer- @huang.ruo Librettist- @thedavidhenryhwang Conductor- @carolynkuan.conductor Director- #DianePaulus Costume Designer- @anitaherro Monkey King- @kangwang Jade Emperor- @konu.kim.tenor Guanyin- @mei.gui.zhang Supreme Sage Laojun- @peixinchen Dragon King Ao Guang/Lord Erlang- @baritonejoowonkang Crab General/Venus Star- @hongni.wu Master Subhuti/Buddha- @jusunggabrielpark 📸 Matthew Washburn
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6 months ago