Omnitype

📩 OT Capitalis Monoline Weight Update 📩 We updated the weight range of our Capitalis typeface. Now ranging from Hairline to Heavy with an extended character set. You can find them in our trial pack (Link in bio). Designed by Omnitype. Font extension by Omnitype with @luxpio

Graphic design for “Vico Magistretti and Japan”, organised at the Fondazione Vico Magistretti. The exhibition examines how a persistent interest in Japanese culture emerges throughout the work of the Milanese architect and designer, who developed projects with Japanese clients and designers, as well as with Italian companies operating in Japan. Archival materials (drawings, photographs, models, objects, videos) are presented alongside 1:6 miniature versions of Magistretti’s furniture, produced within ECAL’s Bachelor Industrial Design programme, and representations of his Japanese architectural projects by Dogma. Exhibition at @fondazionemagistretti In collaboration with @ecal_ch With the support of @hessoeducation Curated by @davide.m.fornari Coordination @chiaratorterolo Exhibition design @xpo_works @camillebien @anthonyguex @christian.spiess Graphic design @omni.gr Typeface OT Trace @omni.type (Assisted by @lucasportronn ) Drawings @dogma.name Miniature models BADI1 students @ecal_design @stephane.halmai.voisard #nadègegallay Exhibition photographs by @niccoloquaresima

OT Scholar in use by @_a_language_ for the publication Monia Ben Hamouda. Path of Totality “Monia Ben Hamouda. Path of Totality” is the first monograph dedicated to the work of Monia Ben Hamouda (Milan, 1991) and is published on the occasion of her exhibition at Museo Casa Rusca in Locarno, curated by Gioia Dal Molin. Drawing on the metaphor of the total solar eclipse – the “path of totality” is the area on Earth in which this phenomenon can be seen – the book reflects on night, suspension, and the conditions of making art in a time of political and existential uncertainty. Conceived as the “crystallization of a moment,” the publication brings together images and texts in a porous, polyphonic structure. Contributions by Övül Ö. Durmuşoğlu, Beya Othmani, and Sira Pizà expand the project through multiple perspectives, situating Ben Hamouda’s work within Mediterranean, spiritual, and political contexts. “Monia Ben Hamouda. Path of Totality”, 2025 Texts by @hello_gioia (Ed.), ovulodrmsgl, beya_othmani, @sira_piza Published by @moussemagazine Print: @grafiche_veneziane Typeface: OT Scholar by @omni.type 🌚 Book launch on April 18 at @miartmilano . @monia.benhamouda.studio and @hello_gioia (Director, @hausfuerkunsturi ) in conversation with @barbara_casavecchia (Editor-in-Chief, @moussemagazine )

From the very beginning of the curatorial process for “Pour tout faire, il faut une fleur,” I wanted to create a publication that would offer greater transparency into the exhibition’s conceptualization and production, thereby involving the public in the design process. The result is a DIY publication, inspired by Enzo Mari’s “Autoprogettazione?”, designed to allow the public to build an object from scratch and then discover the museum and the various relationships between artists and the curatorial process. The publication consists of a text presenting the exhibition in dialogue with the various artists, accompanied by a series of images taken during the installation of the exhibition itself. It comprises four untrimmed sheets of paper and a cover printed on blueback paper—the true star of the show :) The exhibition is visible at @mbalelocle till 06.09.2026 Font in use: Rima by @omni.type and Bradford by @laurenzbrunner design by @atelier_ciao pictures and curatorial text by me with PDF comments by @federicachiocchetti

Nice use of OT Sono by @nicola_chemotti_beutel for the record Francesca Naibo & Theresa Wong - Weather Eye [KHS 038] @kohlhaasrecords First recorded collaboration between Italian guitarist @francesca.naebow and American cellist @tree_wong , this collection of improvisations reveals a dialogue of care as the duo uncovers delicate and unexpected sonorities of the electric guitar, cello and two voices. Comes on digital and a limited edition CD, housed in a sleeve featuring cover artwork by visual artist @marta_ravasi All tracks improvised by Francesca Naibo - electric guitar, objects, effects, voice Theresa Wong - cello, voice Recorded by Enrico Mangione and Luca Martegani at Nitön Studio in Barasso, Italy, on 13th February, 2023. Mastered by Giuseppe Ielasi @senufoeditions Cover artwork: ‘Mink’ (detail), Oil on Canvas by @marta_ravasi @galleria_acappella , Napoli 2d

Beautiful use of OT Kairo by @tomotomo.studio This book documents the first three years of Garage BENTIVOGLIO, a street-facing exhibition space embedded in Palazzo Bentivoglio, Bologna, conceived as a place of encounter between the collection, the city, and its passers-by. @palazzobentivoglio @thegreatcaulfield Published by @curamagazine Still life by @_matteopasin Thanks to @lapinotta Typeface extension and development with @joanasiniavskaja @albertomalossi

Winter issue of Mousse Magazine featuring our upcoming release Costumes on @formagari Art direction by @francescovaltolina Graphic design @anna_azzali @glorio.favaro @matteogualandris @masssimilianopace Font extension and development with our very own @luxpio For early trials get in touch with @formagari

Still on display: The exhibition “Lehnert & Landrock. Revisiting a Colonial Archive”, which offers a critical reinterpretation of the Lehnert & Landrock collection, is free to view until 1 February 2026 at 📍Photo Elysée, Lausanne. Through its dissemination, the collection has shaped a Eurocentric view of the East. In dialogue with these images, Gloria Oyarzabal @gloria_oyarzabal (*1971) questions how museums exhibit and interpret collections on colonial history. Meanwhile, Nouf Aljowaysir @nouf.py (*1993) explores how artificial intelligence can perpetuate the stereotypes inherent in these representations. We were delighted to develop the graphic, typographic and colour concept for this fantastic exhibition in close collaboration with the scenographers from Atelier Gut and curator Fanny Brülhart. Thank you very much for the great collaboration! Curated by Fanny Brülhart @miserabilis , in collaboration with Julie Dayer @juliedayer , Julie Bonzon @juliebonzon10 and Elisa Rodriguez Exhibition architecture by @ateliergut 🫶🏼🫶🏼🫶🏼 Graphic design by @herendiartemisio 👩🏻‍💻👩🏻‍💻, typeset in OT Parallel drawn by @joanasiniavskaja ✍️ and OT Marmo, both published by @omni.type Client: Photo Elysée @photo.elysee , Lausanne Images: © @kjavanmardi / Photo Elysée / @plateforme_10

OT Alpha in use by @bonbon_zurich #janivawittmer for “Spillover – Switzerland’s Financial Center in Crisis Mode” by Peter Püntener. An examination of the recent past of Switzerland’s financial center and an invitation to reflect on its future. Published by @scheidegger_und_spiess

Nice use of OT Format Display by @bollo_mollo for Reflector Gallery featuring the exhibition “Drifted Spaces” reflector_gallery @stillalive.ruff @_simonehaug @rosyone @attilawittmer @maschi_up Hosted at Volume, Lorrainestrasse 14, 3013 Bern @volumekunstraum