From the series 1:234567890
(2025)
165 cm x 195 cm
Mixed technique on the reverse of a vintage map.
The series consists of 42 paintings.
#scale #realities #overwhelmed #map #painting #abstractart #abstractpainting #gesturalpainting #trace
1:234567890
(2025)
D: What ist the series 1:234567890 about?
S: It is about current world events.
D: Do you dare to approach such immense disproportions?
S: I wanted to try to grasp what exceeds me.
Mixed technique on the reverse of large-scale vintage maps.
The series consists of 27 paintings, 24 of them are unrolled, as part of the installation.
Exhibition view: Kunsthaus Biel
@kbcb_kunsthaus_centredart@cantonale.ch
photo: @lea__kunz
#scales #realities #overwhelmed #globaluncertainty #map #translation #painting #abstractpainting #gesturalpainting #installation
Untitled (2025)
ink on paper, 29.7 cm x 42 cm
#workonpaper #drawing #inkonpaper #score #minimal #minimalism #abstract #abstractnarrative #abstractart #contemporaryart
Extract of my contribution for the "Berner Almanach Fotografieâ (2019),
about my work in the context of carpets and textiles.
With a text by Konrad Tobler
Full article: /doc/almanach.pdf
Edition Atelier
https://www.editionatelier.ch/
Michael Krethlow, Konrad Tobler, Martin Wiesli (Hg)
@simonehaugphotography , #konradtobler, #editionatelier,
#berneralmanachfotografie #photography #photobook #textiles #carpet #weaving #weavingasametaphor #zeroone #xyz #conditions #grid #sign #translation #abstraction #network #storytelling #background
From "Von Hier bis Hier" (2019)
Part C: The space in mind
/vonhierbishier.html
Inkjet print (drawing, digital collage)
21 x 15.5 cm
#thespaceinmind #fragment #imagination #escape #prison
#drawing #digitalcollage
Gästezimmer (2024- )
The wall around the construction site is located on the Robert-Walser-Platz, a busy, very heterogeneous place of passage and lingering, right at the back exit of Biel train station. (CH)
In the first period, I spend 10 days (September 2nd - September 12th, 2024) on the site and let myself be inspired by encounters, conversations and moods.
The mural grows continuously and integrates and reacts to any interventions and contributions from passers-by and other artists.
After the first intensive phase, I continue to observe the wall and react to eventual interventions at longer intervals. I document the intermediate states photographically.
#Gästezimmer #wallpainting #painting #streetart #sitespecificart #sitespecific #publicspace #artinpublicspace #process #interaction #construction #participation #democratic #improvisation #experimental #abstract #abstractart #abstractpainting#kunstimÜffentlichenraum #artinpublicspace #biel #bienneguide #contemporaryart #art #simonehaug
Gästezimmer (2024- )
The wall around the construction site is located on the Robert-Walser-Platz, a busy, very heterogeneous place of passage and lingering, right at the back exit of Biel train station. (CH)
In the first period, I spend 10 days (September 2nd - September 12th, 2024) on the site and let myself be inspired by encounters, conversations and moods.
The mural grows continuously and integrates and reacts to any interventions and contributions from passers-by and other artists.
After the first intensive phase, I continue to observe the wall and react to eventual interventions at longer intervals. I document the intermediate states photographically.
#Gästezimmer #wallpainting #painting #sitespecificart #sitespecific #publicspace #artinpublicspace #streetart #process #interaction #construction #participation #democraticart #improvisation #experimental #kunstimÜffentlichenraum #artinpublicspace #biel #bienneguide #contemporaryart #simonehaug
Remembering âSale e Pepeâ (2018)
1 Exhibition view Villa Massimo, June 2018
Mixed technique waxed tablecloth, 190 x 120 cm
2 + 3 Eating marks on waxed tablecloth 140 x 140 cm
The dining table - stable base on shaking ground
During my residency in Olevano Romano (IT), I bought waxed tablecloths for families and friends and asked them to have a meal on their primed, white backsides.
The tablecloths became living documents.
My paintings originated in parallel, as
commentaries and free interpretations.
/saleepepe.html
#saleepepe #villaserpentara @villamassimo.de@akademiederkuenste #olevanoromano #painting #abstractpainting #participatoryart #contemporaryart #abstractstorytelling #fieldwork #sofra #simonehaug
