Luis Herrera

@lightclimb

Lighting for short-form work. 🚐 1-Ton G&E Van Package ⚡️ Gaffer Owner-Operator 📍 Los Angeles Commercials / Branded Content / Interviews / MVs
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Weeks posts
@mlb x @mitchellandness - Deion Sanders ‘97 Fun, nostalgic commercial on film! Always happy to bust out the light meter for projects on film. Main Set-Up: Nanlux 600C thru 8x8 Half-Silent Grid (very dim), 150CR w/ 36° Spotlight & Leaf Gobo for back wall texture. 60CR w/ 19° Spotlight for ping on middle ground, camera left elements. Titan tube for ping on middle ground, camera right elements. Godox F400R set 10,000k for a subtle blue lift in the shadows & ambiance. MC Pros with @small_footlighting ’s MC Sockets on the practical for full control over the shade’s exposure (the one facing the back-wall was quite dim). For the exterior night baseball field, we used a Nanlux 1200B bare face running off an Ecoflow, with a Titan Tube and beadboard for fill. The output and 120° native beam spread really hero’d for that scene. Prod Co @tripoli.la Creative Dir @louiebowling_ Dir @keatongreene_ EP @richiedandan Prod @jd_calvo / @vh3studios DP @zeddekiah 1st AC @70mm_ 2nd AC @tesssprice Gaffer @luis_peaks Key Grip @ewan.films Dolly Grip @badfaithed Editor @ciaraboniface Color @cameronmarygold / @fairchild.color VFX @dbamarco / @hrdwrestudio VO Mad Mac Production Designer @tonybangprops PD Assist @stoopidpainter PD Assist @zavalaspies PA @arxmando__ PA @spliffbreaks Tailor @brentthetailor_ Groundskeeper Paul Janeway Grip & Electric rentals provided by @lightclimb . #lightingbreakdown #setlighting #gaffer #nanlux #nanlite
0 15
1 day ago
@yonasarahh - porcelain Main Set-Up: (2) F400s with skirts on 16’ menace arms for overhead key & ambiance. Titan into 2x3 Beadboard for fill on close-ups, and another on the chandelier to give it some information. When the Titan/Beadboard eye-light didn’t catch, we’d pivot to an MC Pro with a Bubble. 150C w/ Spotlight for hard back edge for speciality shots, and a Pavoslim 240C for a more aggressive fill for speciality shots. Floated a floppy around to kill background reflections. The house chandelier made it a slight challenge to get the F400s in the perfect spot, but Ewan and Ivan were able to thread the needle. 🪡 Director: Ryder Lee (@ryderlee ) Director of Photography: Colin Wong (@colinnwong ) 1st AC: Kai Kouretchian: (@bykaiii ) Gaffer: Luis Herrera (@lightclimb )
G&E Swing: Ivan Perez (@ivanperez_323 ) Key Grip: Ewan McNeil (@ewan.film ) Art Department: Sydney Vena (@sydneyvena ) Production Assistant: Allison Harbour (@alisonharbourr ) Editor: Cami Starkman (@countcamster ) Color: Artem Velichkovskyi (@artveli.color ) Design + Typography: Jeremiah H. (@helpurm1nd ) Cover Art Photography: Carter Christman (@carter_christman ) Behind the Scenes Photography: Samuel David (@excessam ) Grip & Electric rentals provided by @lightclimb . #lightingbreakdown #setlighting #gaffer #nanlux #knowled
0 8
4 days ago
@clair_health - “Have It All” Set-Up: 1200X and 1200B through the windows for a sunset vibe (it was night outside). Pavoslim 240C thru 4x4 Unbleached Floppy for main key. Titan Dooplo for wrap, DMG Dash with Dot for eyelight, 150C for ambient lift, and pizza box for talent fill. These were our main units for the rest of the ad as well (along with MC Pros, Nova 600, and an F400R). Lots of shots, tight schedule and company moves, but we came up with a playbook and it carried us through the day with speed and grace. 🦌 Director: @oribenshahar Producers: Travis Knox, Stephanie Christie Production Coordinator: @sarinammoore DP: @grahambyers_dp Gaffer: @luis_peaks KG: @hyeyoung_ra 1st AC: @jordanlandryfilms Production Designer: @harper.wilken Set Decorator: @makenna.rhoades_ Art PA: Kailey Schultz Sound Mixer: @_raandersen_ Editor: @evannowack Sound Designer: @evannowack Colorist: @josephpyao Talent: Clair Girl: @moriahnboone Extra 1: Sam Knox Extra 2: Samantha Robichaud Extra 3: Sayer Kanakriyeh Grip & Electric rentals provided by @lightclimb . Sub-rentals by @otm_cameralighting . #lightingbreakdown #setlighting #gaffer #nanlux #nanlite
0 4
7 days ago
Cetaphil Spec Ad - Starring @lilia & feat. @matt.stone57 It was pouring outside, but you wouldn’t know. ⛈️ We only had a half-day to get through two full scenes & setups—since the Nanlux 1200B is IP rated, I didn’t need to cover it, which was a big time saver. Key: 1200B thru a small window, largely covered by a 4x4 Magic Cloth for a soft key & room ambiance (some hard light crept through to give background texture). Pavoslim 120C thru a 2x3 Half-Silent Grid to extend the window wrap on talent. 60CR w/ 19° spotlight into a 15CM CRLS No. 2 for a nice highlight on the edge of the bed. MC Pro w/ bubble for an eye-light in the close-ups. 6x6 unbleached muslin t-boned camera right to suck up some of the green cast return from the green walls. Director: @maya_lou_who   DP & Colorist: @wheresjd Producer: @thereallseabass Editor: @heyitsvalpal Sound Design & Mix: @jaude_ Art Director: Solal Marvel Gaffer: @luis_peaks 1st AC: @e30rp Grip & Electric rentals provided by @lightclimb . #lightingbreakdown #setlighting #gaffer #nanlux #nanlite
0 6
1 month ago
Aveeno x TOGETHXR - The Strength Issue feat. @cameronbrink22 Solo multi-cam interview set-up! Evoke 1200B thru 8x8 Magic Cloth T-Bone for main key. Evoke 600C w/ Light Dome 150 for secondary key. (2) Pavoslim 240CLs with LCDs for hair lights. (1) 4x2 Flex Mat boomed overhead for top fill. Finally (2) Pavoslim 120Cs to help evenly expose the cyc behind talent. 

I had 3 hours for load-in & set-up, by myself (including the distro run, which was short). The Pavoslims really help with speed of set-up and tear down. The 240CLs’ punch was perfect for hair lights (powerful enough to play alongside our bright key lights). The 120Cs had enough spread, and good overhead, to fill in the cyc to taste. Every unit had its thickest diffusion option on for maximum softness.

Besides the 120Cs and the 4x2 Flex Mat, everything was running at, or close to, 100%. We were able to land at a F5.6/8 split on talent. DP: @macshoop 
2nd Unit DP: @bawwse Gaffer: @luis_peaks   1st AC: Ben Palmer
Sound Mixer: Joe Mullins Grip & Electric rentals provided by @lightclimb . #lightingbreakdown #setlighting #gaffer #nanlux #nanlite
0 14
2 months ago
The Smashing Machine - Press Junket for @a24 & @kodak_shootfilm Had the privilege to light some legends, and listen in on them talk about their craft. 🔨 Set-Up: (2) 8x8 Booklights on both sides of the cameras for keys; Hudson Spider boomed overhead for a backlight; LiteMats & Titans to evenly expose the 20x20 backdrop (and adjust color to taste by changing the Titans & LiteMats temps). 650w Tungsten dimmed all the way down for practical and subtle edge. For some scenes we added a 4x4 floppy to the camera right book light to reduce glare on the glasses. Prod. Co: @sunnyboyent Producer: @ellennmm DP: @lssnchz_jr Gaffer: @luis_peaks KG: @backlotbandit Cam Ops: @silentstormsai & @skdll ACs: @mateoarturo3 & @anthonygodinezl Sound: @marcstewart_veralux #lightingbreakdown #setlighting #gaffer #nanlux #astera
139 6
4 months ago
One year anniversary with the van! I tossed and turned for months before the keys were in my hand. I wasn’t sure if I was ready, or if it was the right time. But I couldn’t shake the feeling of wanting to find out. Twelve months and a mountain of new experiences later, I’m glad I did. I’ve learned a lot about my craft, business, people, and myself. A living off creative problem solving: the van helps me live that dream every day. But I know it’s not the van that’s responsible—it’s me, and all my choices. And I owe many thanks to the many people who’ve helped shape who I am and how I act: @lowkeygaffer and @ryho.rentals for all the wisdom you shared with me about the owner operator route—it was invaluable. To hear and see you both live the kind of life I wanted for myself, gave me the final push I needed. @stevenwetrich for my first paid gig years ago, which jumpstarted my freelancing career. @dimasalang_ who introduced me to G&E during COVID, and let me fail in a safe enviornment. @andrew.lock.545 who told me about his pivots in freelancing at CINEGEAR, which inspired me to pivot and take some risks too. @colorado_gaffer who answered all my business questions over email, and whose breakdowns were a big help in the beginning. @shaniagez who always listens to my rambles and lets me lean on her shoulder. And of course to every DP/Director/Producer/KG/BB/colleague for their trust, input, and warm presence on set. Hopeful of what is to come!
261 29
4 months ago
DEX - “Sorry I Can’t Call Right Now” Main Set-Up: Nova 600 double broke with 4x4 Bleached Muslin & 8x8 Magic Cloth. Pavoslim 60CL for edge light on talent’s hair. 60CR outside window to add texture to back wall. Pavoslim 240C for room ambiance. NYX bulb in practical. Floppy for negative fill. For the night switch, the grips created a 12x12 tent outside for our moonlight to read, and blacked out all the skylights. For the coffee shop scene, we had a 1200b, P600c, 600c, and 240c near full blast thru diffs and bounces to compete with the windows outside (lotta light on house power). DP @e30rp had a great color contrast for the “stood up at dinner” scene. Key was a Pavoslim 120c overhead thru a 2x3 Half Grid, cooler temp with plus green for a moody fluorescent motivation—all other lights were around 2700k. Starring @madeleine.i.s @woohyunsuh   Directed by @zelihaiacar   Produced by @ceceish @ll.iya   1st AD: @laylaalawii   DOP: @e30rp   1st AC: @jeremiahchoww   2nd AC: @james.cine @magician_anto   Gaffer: @luis_peaks   Key Grip: @tirekim   Swing: @jayoh_jongho_jung @alexxccss @emlngyn PD: karlinna.sanchez Art Director: @criticaldroll Art PA: @nandar_mmt @acuna_162   HMU & Wardrobe: @sophiegow   Sound Recordist/Boom Op: @tina___luo @chloelimjy   PA: Michael Vince, @matias_lievano VFX Artist/Supervisor: @throughthelensoflogan   Editor: @zuzufarrington   Colorist: @color.miiin   Composer: @benjaminjdavidson Sound Designer: @emanuel.ortiiz Grip & Electric rentals provided by @lightclimb . #lightingbreakdown #setlighting #gaffer #nanlux #nanlite #aputure
82 6
6 months ago
@ebay x @teenvogue - Watchlist ft. @thenavarose Fun tungsten shoot! I love the form factor of tungsten units; self-contained, ready to work off the shelf, grab and go. Hopefully more LED fixtures can follow suit. For the side and overhead fills, I could quickly change exposure levels by flooding/spotting the 5ks depending on the coverage. Last slide includes the math I did for the distro run. Key: 9-Eye Maxibrute thru 12x12 Quarter Grid Booklight. (2) 4x4 Double Nets stacked to slow the back wall down. 5k Baby Senior into 20x20 UB overhead for ceiling fill & 5k into 8x8 UB for side fill. 1k thru half-soft frost as a hair light. Walked in negative fill as needed for close-ups. Director: @emmieamerica @saintlukeartists DP: @mattpj @walterschupfermanagement Production: @sun.daypictures Stylist: @ashleyfurnival @forwardartists Hair: @virginie.pineda @thevisionariesagency Makeup: @zaheersyn Manicurist: @meechynails @saintlukeartists Set Designer: @stefanialucchesi Gaffer: @luis_peaks Key Grip: @hweilight Grip: @backlotbandit 1st AC/ B-Cam: @e30rp Sound: @luizasadavis 1st AD: @megan500000 VTR: John Placencia PA: Trey Butler PA: Sam Erickson PA: Karlie Ofstedahl Set Assistant: @scottalbrecht Set Assistant: Sky Prey Stylist Assistant: Dawn Duke Tailor: @hasmik_scdinc Edit: @logan.k.triplett Color: @josephbicknell @company_3 #lightingbreakdown #lightingsetup #setlighting #gaffer #tungsten
75 4
7 months ago
@juliacampbellmusic - “Ohio Song” CRLS has made me more conscious over what areas of the frame I want to emphasize. I can easily fine tune the exact parts I want to draw the viewer’s eye. Here, the officiant was in a tricky spot to light. We wanted some level, but still have it feel believable in the established visual language (2000s romance, higher-key vibe). The #2 25cm CRLS was the perfect tool; its long throw and precise spread pinged just the officiant’s face perfectly for the shot. Rest of Set-Up: 1200b thru 4x4 quarter grid to key new-weds, #2 50cm to ping bush leaves in background, 42” shiny board to ping foreground tree leaves and attendees. For the other scenes, we used CRLS #2 thru 4x4 Half-Soft Frost for the close-ups in the shade (and #3 for hair lights). Then used a 4x4 Quarter Grid, 6x6 UB, 4x4 Beadboard, to key and paint the group shots as needed. Director & Producer @rebeccasshapiro DP @tomer.keysar Gaffer @luis_peaks AC @triscuit_01 MUA @ellaelizamusic DIT/Color/BTS @sethdunlap Editor @rebeccashapiro Special Thanks @louphilly @jamworth @leahameliashapiro Grip & Electric rentals provided by @lightclimb . #lightingbreakdown #setlighting #gaffer #nanlux #CRLS #lightbridge
59 5
7 months ago
@vuoriclothing x @gavincasalegno - “Daily Practice” & “Summer Style” Main Set-Up: 1200b into 4x4 UB & 6x6 magic book-light as key. 600d w/ spotlight for wall sun slash. 60CR w/ spotlight to edge talent/clothes. Pavoslim 2x2 for wrap (& key) as needed. Also had a 2x3 bounce card & Titan Tube for fill as needed, with a 4x4 and 2x3 floppy for neg as needed. 6x6 solid to kill outside spill, and keep the key from one direction. For the other scenes & videos in the house, (2) Godox F400bis also hero’d for soft keys and wraps. Creative Director @alisonguidrygates Creative Producer @_daniella_carrera_ Director of Brand Content @kelcuttrell Director, Creative Operations and Production @sachiajo Production Co @studio109.nyc Director & Producer @ryanespi DP @waleedsokkar Gaffer @luis_peaks Key Grip @ivanperez_323 1st AC @jeremiahchoww Sound Ryan Canestro HMU @jamie_grooming Film BTS + Photography @harrytoohey Edit @ryanespi Color House @house__post Color @connorjbailey Film Development + Scan @fotokem_la 16mm 500T @kodak_shootfilm Grip & Electric rentals provided by @lightclimb . #lightingbreakdown #setlighting #gaffer #nanlux #nanlite #astera
70 7
8 months ago
@generalmills x @hispanickitchen - “You Better Be Playing” Ads Fun product shoot! Set-Up: Nanlux 1200b w/ 45° Dish, double broke through a 4x4 Magic Cloth and an 8x8 Magic Cloth (floppies on the sides) for key. 60CR w/ spotlight for a sun streak on the wall (2x3 Double Net on for even exposure on the slash). Another 60CR w/ spotlight to edge talent (4x4 half-soft frost covered talent’s hands). 4x1 Pavoslim thru a 4x4 Bleached Muslin Floppy for camera right fill. 2x1 Pavoslim into a 4x4 Beadboard behind camera for some frontal fill. (2) Godox F400s rigged over head w/ half grid cloth, butted up together to create a 4x4 source. 6x6 Magic Cloth was draped on top to double break. 600c w/F10 into a 4x4 UB & 50cm CRLS #2 for some specular highlights on the leaves in the back window, and 2x2 Pavoslim for fill. Titan tube to fill bottom left corner of the wall to have an even exposure across. (2) Titans floated around in the foreground to add sheens to the products as needed. This was my first set with @blackoutlightingconsole ; night & day difference for efficiency. Having one console to control everything allowed me to make adjustments on the fly regardless of the manufacturer. I’ve used it on every set since then and can’t go back. Production Company: @wearemitu Director / Producer: @KimHoyos ) DP: @Rafaxii 1st AC: @SamBamBurtonHam Art Direction: @iamSkot Gaffer: @luis_peaks Key Grip: @NathanKadota Editor / DIT @kelseysante Studio Assistant @Teddy_Time_Bomb PAs: Justyce Kaelin & Betsy Delacruz Talent: @DanielaSalazarrrr Grip & Electric rentals provided by @lightclimb . #lightingbreakdown #setlighting #gaffer #nanlux #nanlite #astera
71 5
8 months ago