Iain Trimble

Commercial Feature: Onyx Weightlifting - “Every Rep” “Iain and I decided from the beginning to shoot this on film. It was a relatively scrappy project otherwise, so we didn’t have a ton of tools or fancy ways to move the camera. We had to tweak some of our original ideas because our options were a tripod, handheld, or a dana dolly. One technical thing we did use was a time shift box to streak the film in a few places, like going from competition injury to the doctor’s office. We also used strobes and filters to create the ending flash montage. We wanted to create a few fragmented and impressionist moments that tried to visualize the feeling of exhaustion and dissociation that comes in the middle of training and otherwise traumatic moments.” - Alex Cook, director Director: @w.a.cook DP: @iaintrimble Editor: @edward_editss Colorist: @sgllng Production Designer: @taylor.venegas 1st AC: @ryansax 2nd AC: @miloclaytonkim VFX Artist: Nick Chamberlain Film Scanner: @thom_kuo Composer: @soundslikegiosue Sound Mixer: @jeremyjeremy Production Coordinator: @zopressey Producer: @nuertaqa Executive Producer: Michael Sagol & Salim El Arja Starring: @sunny_richesson & @brentedwardmckay Production Company: @caviar.tv & @radiancepictures Post House: @cosmostreeteditorial Color House: @_baconx_

Shot a little spot for @onyx_straps x @usa_weightlifting 💪🏼 “Every Rep” Prod Co @caviar.tv Prod Co @radiancepictures EP - Michael Sagol and Salim El Arja Producer - @nuertaqa Prod Coor - @zopressey Director @w.a.cook Cinematographer @iaintrimble Production Designer @taylor.venegas 1st AC - @ryansax 2nd AC - @miloclaytonkim Digital Utility - @coryvetter Gaffer - @zied_jendoubi_zj Key Grip - @willgbergdp    Sound - @yao_morendo Edit - @edward_editss , @cosmostreeteditorial VFX - Nick Chamberlain Color @sgllng , @_baconx_ Composer - @soundslikegiosue Mix - @jeremyjeremy Camera - @standard.camera Scanning - @thom_kuo Featuring - @sunny_richesson , Rose Russom, @brentedwardmckay , @mrhuber

Shaboozey - VEVO Origin Stories @shaboozey Director: Skyler Brown @skylerisbrown Executive Producer: JP Evangelista Executive Producer: Chris Pereira Executive Producer: Jennifer Heath, Radical Media Director, Line Production: Yanina Molina Producer: Lola Gatti @lolagatti Producer: Daniel Lachman, Radical Media @daniellachman Director of Photography: Iain Trimble Head of Design: Sydney Emery Associate Creative Director: Brian Parisi Director, Post Production: Michael Colman Senior Manager, Post Production: Dominic Siri Senior Director, Talent Booking: Parul Chokshi Director, Talent Booking: Gabby Prisciandaro Senior Manager, Artist & Label Relations: Jordan Ferree 1st AD: Derek Jaeschke 2nd AD: Delaney Forrey Production Manager: PK Adhikary 1st AC: Ryan Sax @ryansax 2nd AC: Jonathan Cypress Stedicam: Zac Stanke @steadistanke DIT: Aashish Gandhi Chief Lighting Technician: Kurtis Myers @celluloid_kurt Asst Set Lighting Technician: James Flynn SLT: Ryan Altman SLT: Harley Lally Lighting Console Programmer: Christopher Smith Key Grip: Kyle Pugsley @pugskd Best Boy Grip: Jeff Clark Grip: Garrett Waite Grip / Driver: Dietmar Wendelin VTR: Ignacio Martinez Audio Recording Engineer: Casey Graham Audio Recording Engineer: Maja Sazdic Set Decorator: Melisa Jusufi Set Dresser: Kenneth Ojeda Set Dresser: Jamaal Hollis Production Assistant, Talent: Izzy Eyre Production Assistant: Sam Rojano Production Assistant: Rodrigo Giangregorio Production Assistant: Carla Gress Production Assistant: Stephen Shea Production Assistant: Edie Owen Editorial Company: Cut + Run @cutandrunedit Editor: Ethan Mitchell @enmitchell Assistant Editor: Abby Doherty Finishing Assistant: Sarah Mlcoch Associate Producer: Jessica Antonacci Head of Production: Marcia Wigley Executive Producer: Ellese Shell Managing Partner: Lauren Hertzberg Additional Cleanup: Jogger Studios Color House: Primary @color.with.primary Colorist: Jacob McKee @jalob Producer: Alex Zhao Producer: Sasha Pace Executive Producer: Christina Roldan Photographer: Allan Pimenta

“Modern mass culture, aimed at the ‘consumer’, the civilisation of prosthetics, is crippling people’s souls, setting up barriers between man and the crucial questions of his existence, his consciousness of himself as a spiritual being.” ― Andrei Tarkovsky, Sculpting in Time

HE GETS US — “More” Today I turn 40. For years I’ve felt like I’ve been staring down the barrel of this mid-life moment. There’s the “ego” part of me that asks, “What have I done with my life?” And then there’s the “essence” part that asks, “Have you been faithful with the gift that’s been given you?” The nuance is subtle but polar opposite in effect. One says, “climb on the hamster wheel and run faster.” The other says, “get off it.” I’d be lying if I said the ego voice isn’t loud — or hasn’t had its benefits — pushing for more clicks, more recognition, more accumulation (just ask my wife). That voice feels very American tbh — no shade thrown, just facts (and I’m guilty). It feels baptized in a culture that sells the lie, “the one who dies with the most toys wins,” very convincingly — with a million-dollar smile. And let’s be honest, a lot done in the name of faith in this country has fed that machine. The American Industrial Church Complex has often mirrored the very systems it was meant to resist — power, influence, image, hypocrisy. It’s often looked more like empire than love. That tension is part of why this film felt personal. Because beneath the noise, I still hear something quieter. A whisper telling me to slow down. Get off the devices. Sit in stillness. Like my dad still does: “sit on God’s lap.” — he would say. I’m learning to tune my senses to the One who reminds me who I actually am — not a brand, not a hype reel, not a vibey Instagram profile — but a (very flawed) yet deeply loved kid, learning to grow up without losing his childlikeness. This film exists because of that tension. We wanted it — launching on perhaps the biggest excess-machine of them all, the Super Bowl — to open with that visceral reaction: “that’s a vibe.” And then slowly unravel into something darker. Because, more often than not, that’s what excess does: it starts as an irresistible rush and ends in quiet emptiness. “MORE” isn’t a condemnation. It’s a question. Maybe even an invitation. There’s a hole in us that “MORE” cannot fill. Just ask Marty Supreme. Credits in comments. Full res in bio. Shot on 4-perf @kodak_shootfilm Additional footage by FilmSupply & Stalker

May 2026 bring us courage for the challenges, the changes, and the moments that call us to be brave. 💖🥂💖A lesson from the coolest two year old I know ✨🦸✌️

@rundatback ‘IDK’ Dir : @vincenthaycock DoP : @iaintrimble Creative Collaboration : @barringtondarius @vincenthaycock @rundatback Prod Co : @somesuchandco Producer : @whitjack Edit : @vincenthaycock BTS : @toniomola Dir Asst : @tano4g

Shot a little spot for @zalando earlier this year with @trustntry.tv and the lovely people of Georgia Director @w.a.cook DP @iaintrimble Photographer @alexkilian Styling @nfarnaus Edit @amzek Color @sgllng , @_baconx_ Music Tracks&Fields  Graphics @onomoto.studio VFX JMK Media-Solutions  Prod @trustntry.tv EP @timm_gillner Prod @nikitamano Service Prod @the_martini_shot EP @nikitakochkarev Prod. @k8boyko Shot in Georgia, Tbilisi

W062 ‘No Lie’ directed by @onda for Adidas with Johannes Leonardo starring @theanthonyedwards_ Director: @onda Production Company: ProdCo @prodcofficial Founding Partners / EPs: @ianponsjewell & Zico Judge EP: Emma Wilcockson Head of Production: Kerry Haynie Producer: @iamspark DP: @iaintrimble Production Designer: @hannahcarlene Starring: @theanthonyedwards_ Client: @adidasbasketball Director Of Storytelling, Adidas Basketball: Paul Webber Director Of Performance Basketball: Brandon Carr Creative Direction Ae1: Miles Jackson-Cartwright Production: Miles Bergstrom + Bex Silver Adidas: Erin McQuatters Adidas: Aneesh Ahija Adidas: Cameron Mason Agency: @johannesleonardo GCDs: @jephburton , @herelieshunter CDs: @alfonso____ruiz , Zack Browne Copy: @chrischance.art Art Director: Kelechi Mamapoungo GAD: @kakibjorklund AD: @jackhaley AE: Jess Levy Producer: Oliver Macavoy JL: Tina Diep JL: Wave Spencer JL: Christian Bermudez Service Production Company: @freenjoy EPs: Nathan Scherrer, @tarasheree Production Supervisor: @david_ka Production Coordinator: Sebastian Urrea Assistant Production Coordinator: Macey Small Key Production Assistant: Jae Dosouza PA - Office: Jacob Cannon PA - Camera Truck: Ben Norfleet Passenger Van #1 Driver: Khyree Pleasant (KP) PAs: Charissa Palmer, Matt Beaty, Jacob Ortiz Production Assistant Photographer: DeAndre DeRoche Edit: @tom.hohle @cabinedit Sound: @barkingowlsound Sound mixer: @figggzzz Music: @consortium.film Composer: Seth Olinsky Music Post Producer: Maggie Flatley Music Editor: Justin Miller Color: @alteregopost VFX: @pendulum.vfx Art Department Art Producer: Savannah Elder Prop Master: Kelsey Wittman Set Decorator: Hannah Davis Set Decorator Assistant / Driver: Isaac Guest Set Decorator Photographer: Tanner Marvin Painters: Hank Samuels, Josh Lynch Pyro Techs: JJ Madaris, Jasun Madaris Styling Stylist: @metta_conchetta Stylist Assistants: Rashen Holland, Felicia Loewy, Whitney Jackson. Chris Sosa Key Makeup: @sylviahmua Key Hair: Kevin Rousser

Summer, NYC 2020 Vision3 200T #35mm #film #kodakshootfilm #newyork dev/scan by @midwestfilmcompany

This experience is nothing short of wondrous. We are humbled to welcome our very strong….very stubborn…. And very handsome 🥰🥰baby boy to the family- William “Alistair” Ford Trimble, we love you beyond measure!