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Sam Gilling

@sgllng

Colourist • @_baconx_ • Copenhagen @ethos_studio • US @selectedworks.tv • UK @sec.color • Germany
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ShotDeck Spotlight: NIKE, NIKE FOOTBALL - “SCARY GOOD - KYLIAN MBAPPÉ” (2025) @nike @k.mbappe Media Type: Commercial Dir: Ian Pons Jewell @ianponsjewell DP: Octavio Arias @oztavio Production Designers: George Karalashvili, RODO @__ab__normal @rodo_fs_ Costume Designer: Ameena Kara Callender @ameenakaracallender Editor: Tom Lindsay @trimediting tom_lindsay Colorists: Sam Gilling, Hannibal Lang @_baconx_@sgllng@hanniballang_colour Production Company: ProdCo @prodcofficial Additional Credits via Octavio Arias’s Instagram: ProdCo Co-founders / EPs: @ianponsjewell  & Zico Judge Managing Director / Partner / EP: Jon Adams Executive Producer: Cathy Green Head of Production / EP: @samlevene99 Producer: @currynneon Production Manager: @mikeychoudhury Associate Producer: @lottie_aspinall Movement Director: @mariegabriellerotie Sports Choreography: @sportsonscreen Hair/Makeup: @evaquilezmakeup Stylist: Irene Peralta 1st AD: @mr_stollery VFX: @_baconx_ EP/Partners: Lorene Lescanne, Lars Wagner VFX Supervisor/CD: Jonas Drehn, Jan Tvilling 2D Artists: Olivia O’Neil, Timo Huber, Adam Fenwick 3D Leads: Thomas Haas-Christensen, Dennis Brahnson 3D Artists: Julia Forsman, Sebastian Schafer, Mike Monster, Mats Andersson, Rickard Didriksson, Gabi Popov, Tue Toft Sørensen, Marie Alsing, Arthur Dalvig, Julián Sánchez González Lead Compositor: Thomas Banner Compositors: Oliver Buus, Mikkel Hansen, Lonni Wong, Anselm Leir, Linnea Petersson, Dan Dirckinck, Robert Rankin Conform: Søren Gorm Knudsen VFX Producer: Crystal Campbell Production Coordinator: Charly K Martensson HOP: Rikke Gjerlov Hansen Shoot Supervisor: Jonas Drehn, Mikkel Hansen Service production company @blur__________ Camera 1st AC: @adrianrodna 2nd AC: @marina.carasa 1st AC: Mario Pérez  2nd AC: Luis Ruiz  Clapper: @furgomueks VTR: @siroonthego VTR Assist.: Laura Bragado  DIT: Vico Martín @rendeando 2nd AC 35mm Tests: Joaquin Alonso  Ember Tech: @antoniourquijo Grip  Key Grip: @jordihidalgogarcia Grip: @sebastian.rotaru98 EPC: Alberto Mendoza & @tonigrip_kmx Electricians  Gaffer: @pedrosanchez3020 Best Boy: Omar Lopez Ramirez @omar87lp @kodak_shootfilm @lagence @artistry.agency
2,878 13
17 days ago
‘House of Magnum’ Director: Martin Werner DOP: @gudnason Agency: Lola MullenLowe Prod co: @proppafilms Sound: @ballad.co Colour & VFX by: @_baconx_ VFX Supervisor / Creative Director: Jan Tvilling EP: Lorène Lescanne Head of Production: Rikke Gjerløv Hansen VFX Producer: Daniella Nicole Strand CG-Lead: Dennis Bahnson CG Artists: Arthur Dalvig, Julia Forsman, Marie Alsing Lead Compositor: Oliver Buus Compositors: Kai Hauswirth, Mikkel Hansen, Thomas Banner Conform: Søren Gorm Knudsen, Preston Drake-Hillyard Graded on: @filmlight_ #baselight
247 4
26 days ago
‘Neighbours’ Dir: @andersonwright DOP: @_jeremycox Edit: @talia.pasqua @cabinedit Colour by: @_baconx_ Shot on: @kodak_shootfilm Graded on: @filmlight_ #baselight Loved grading these portraits for Anderson and Jeremy, captured beautifully on lovely 4-perf film.
809 12
1 month ago
‘Solomamma’ Director: @janickeaskevold DOP: @torjusthesen Production: @baconproduction Bacon Pictures Producers: @magnusalbertsen @rebekkahr @mlyngner @garycranner Had the huge pleasure of grading this @baconproduction feature @solomammafilm with Janicke and Torjus last year. Lots of fun coming up with a slice-of-life no-look look to complement the Oslo scenery. Premiered at Locarno last year and has been doing the rounds at the festival circuit since.
212 2
1 month ago
‘Make It Suprême’ for Kronenbourg 1664 - Breakdown An absolute dream project to be asked to colour. It didn’t end up getting much love around the craft awards but is the proudest I’ve been of a grade for a while so am sharing the little breakdown I put together for its submissions; from the source R3D plates through to the final image. Hopefully it showcases how gorgeously the shots were designed and lit by @cprinz__ and @mauro.chiarello ; could not have been more beautiful images to work with. My rationale was to imagine how the spot would look if you were to be standing in front of it hanging in a gallery, then simulate the physical attributes an oil painting would have in that scenario; i.e. softer and diffused highlights and a detailed but rolled off black. The longer I’ve done the job the less I’ve relied on keys and masks, but we had the luxury of time on this one so was able to go a little nuts dodging and burning to try keep the focus on our hero amongst all that was going on around him. Director: @cprinz__ DOP: @mauro.chiarello Editor: @willhtown @modern.post Production: @smugglersite @_lucachapman Agency: @fold7 Post & VFX by: @selectedworks.tv VFX supervisor: @wesflame VFX producer: @dancroz Colour by: @selectedworks.tv @_baconx_ Colour producer: @sophwinifred Colour coordinator: @zarabaekkelund Conform: @sorenggk Graded on: @filmlight_ #baselight
907 37
1 month ago
‘Asking Life’s Big Questions’ for @bell Director: @by.chrisbrown DOP: @olivier_gossot Prod co: @animals.tv_ Agency: @zulualphakiloinc Colour by: @_baconx_ Colour producer: @sophwinifred Colour coordinator: @zarabaekkelund Conform: @sorenggk Graded on: @filmlight_ #baselight
269 4
1 month ago
‘Be With You’ by @muse Director: @nicopoalillo DOP: @_____persona._ Prod co: @pulsefilms Editor: @shanepford @hiatus.post Creative: @jesseleestout @metaform.studio Colour by: @_baconx_ @ethos_studio Colour producers: @zarabaekkelund @sashapace Conform: @pdh Graded on: @filmlight_ #baselight 13 y/o Sam would not have believed he’d be working on videos for Muse 20 years later. Crazy fun one to get to do so thank you to Nico for bringing us onto it and all involved for putting together such gorgeous visuals.
184 1
1 month ago
‘Get that Toyota Electric Feeling’ for @toyota Director: Martin Werner @baconproduction DOP: @gudnason Agency: @tandp.group Prod Co: @papaya_films Colour & VFX by: @_baconx_ VFX Supervisor: @jonasdrehn HOP: Rikke Gjerløv Hansen VFX Producers: Lars Wagner, @daniella.strand , Morten Stahlhut CG Lead: Thomas Haas-Christensen Compositors: Oliver Buus, Mikkel Hansen, Thomas Banner, Dan Dirckinck-Holmfeld, Sammy Larsen, Simon Engström Conform: @sorenggk Graded on: @filmlight_ #baselight Shot beautifully by Ottar and put together by the one, the only Martin Werner. Gorgeous work by the VFX team here as always.
218 2
2 months ago
‘Some Moments Deserve Gold’ for @yorkshiretea Director: @andrewgaynord DOP: @dannersscdop Production: @mindseyedotco Agency: Lucky Generals Editor: @adam_likes_to_edit @shiftpostldn Post & VFX by: @selectedworks.tv Colour by: @selectedworks.tv @_baconx_ Colour producer: @sophwinifred Colour coordinator: @zarabaekkelund Conform: @sorenggk @p_dh Graded on: @filmlight_ #baselight You can take the man out of England etc…
172 1
2 months ago
‘Leave Your Mark’ for Intact Director: @andrewdezen DOP: @oli_millar Prod co: @revolverfilmsco Editor: @michaelbbarker @outsidereditorial VFX: @chemistry_film Colour by: @_baconx_ Colour producer: @sophwinifred Colour coordinator: @zarabaekkelund Conform: @sorenggk @pdh Graded on: @filmlight_ #baselight
379 5
2 months ago
‘Holocene’ by @alaskantapes Director: @andrewdezen DOP: @cole__graham Prod co: @filmboldly Editor: @michaelbbarker @outsidereditorial VFX: @chemistry_film Colour by: @_baconx_ Colour producer: @sophwinifred Colour coordinator: @zarabaekkelund Conform: @sorenggk @pdh Shot on: @kodak_shootfilm Graded on: @filmlight_ #baselight A privilege to be asked back onto another Alaskan Tapes film. Put together beautifully once again by Andrew and shot by Cole.
647 17
3 months ago
‘Stories That Stick With You’ (DC) for @hbomaxde Director: @daniel__warwick DOP: @joaopadua Prod co: @zauberbergproductions Editor: @davidgesslbauer VFX: @bepic.studio Colour by: @_baconx_ Colour producer: @sophwinifred Colour coordinator: @zarabaekkelund Conform: @sorenggk @pdh Graded on: @filmlight_ #baselight Crazy fun one to get to do! A treat to work with Daniel after a 4am chat in Berlin a few years ago, and gorgeously shot by Joao. Amazing job by the team here to wrangle this one into Baselight and at Zauberberg for piecing it all back together.
194 2
3 months ago