Frame Set

"Coordinating an international shoot within a sacred location while preserving both the artistic vision and deep respect for the space required great sensitivity. Managing four different languages on set, working with a non-trained dog, and completing the entire shoot within a single day demanded constant adaptation and precision." - Director @bax.bunni Lamante "Una Magia più forte della Morte" Directed by @bax.bunni Production company @borotalco.tv Executive Producer: @pazzeus Cinematographer: @ale_ressia Producer: @ceciliaterence 1st AD: @niicoliino Prop Maker: @edith.dimonda Editor: @bax.bunni VFX Artist: @nic_uzza Graphics: @ruggeeeeeeero Film Lab: @augustuscolor Service Production: @conartist.job Executive Producer: @ievacrn Production Manager: @milda_buskeviciue Line Producer: @sunchhi 1st AC: @jokubas.miskinis 2nd AC: @mjlda Costume Designer: @paulinasinkunaite MUA / SFX Artist: @mr._.clear Casting Director: @jurga_kauneckiene Tech Specs: Shot on Arriflex SR3 and Kodak 500T 16mm with Canon 11-165mm S16 and Zeiss Ultra16 9.5mm

"For the human helicopter sequence, we used a large crane rig with performers and stunties attached in the shape of helicopter rotors, allowing us to capture the effect fully in-camera. Shooting on 16mm film felt essential from the beginning. It gave the project the texture and rawness we were after. The camera was mounted on a Ronin 2 gimbal, suspended from a jib arm attached to a dolly. This setup gave us the flexibility to move quickly and stay efficient throughout the day." - DP @zigzz Westpac "Project Alpha" Director: @daniel__warwick DOP: @zigzz Production Company: @scoundrel_films_projects Exec Producer: @adrian_awesome Prod. Manager: @sue.sparks Producer:@ctkelly65 Ist AD: Jonny Moffatt Production Designer / @nevillegstevenson Costume Stylist: Olivia Dobson Gaffer: @moody.lights_ Grip: @tomsmovingcompany 1st AC: @ethankjames 2nd AC: @jonastawharu Editor: @_adamwills Post Production VFX: @fathom_vfx Colourist: @maticprusnik Agency: Goldilocks Agency Exec Producer: Judy Thompson Senior Integrated Producer: Em Robertson-McCoy Executive Creative Director: Dan Wright Creative Director: Erin Mattingly / Rob Graves Account Manager / Anna Bentley Tech Specs: Camera: ARRIFLEX 416 PLUS Lenses: Zeiss Super Speeds Film Stock: 16mm, Kodak VISION3 200T Color Negative Film

"Budget constraint was tough. We had to fit in a lot: multiple actions, two characters, and a variety of visual setups. In the director’s cut, a lot of what made it into the client version didn’t make it through, so that might not fully come across. But in reality, it was almost a full 20-hour shoot just to fit everything into a single day." - Director / DP @millermarc Demix / Aytlo "2.0" Project for @demix x @outlaw_moscow Director / DP @millermarc Production @outlaw_creative + @innapluskatya Creative Dir @di_minrakhmanova Creative Prod @yukka.katya Exec Producer @innabakh Line Prod @unknwn.user296765771 1st AD @_nazar.ka_ Model @byredoboy @lumpenmen PD @breadsoul PD Assist @eekizm Styling @lizavsegdarada Style Assist @annlagoon Makeup @kattercy MUA Assist @deadann 2nd Unit DP @vadimdelovoy 1st AC @n.shevtsoff 2nd AC @1egorisaev Gaffer @mike.kolushev Key Grip @molotoboom Dolly @kashinsdollygang Camera @kirillincamerarental Light & Grip @42light_and_grip Location @realdenis_iordanov Edit @neculturniy Dir Cut @kiyashqo CG @nea_max Music / Sound @em14ka @hypression Dir Cut Sound @kiyashqo Color @andrey_garny @jojo_agency_ Design fuckingawesomething Tech Edit @iurus0v UPM @kirillsosedino Tech Specs: 1, 2, 3 - Canon 10.6-180mm 4 - Vantage One4 105mm 5 - Vantage One4 22mm 6 - Vantage One4 50mm 1 - Red Raptor 2 - Alexa Mini LF

"Just as we were setting up the first shot, a wall of fog rolled in, wiping out the entire landscape within minutes. Rain and wind followed, leaving us stuck in vans for hours and losing a big part of the day. Thankful for the team that pushed through and made it work." - Director @burakerinmezzz X-BIONIC "Feel Supernatural SS26" Director: @burakerinmezzz Director of Photography: @baefante Photographer: @lukassaxer Production: @farbfilm.studio Executive Producer: @9two7 Producer: @yanik.png Production Assistant: @michelelsasser Casting Director: @lauren__isabel_ 1st AC: @Nino_ubezio Gaffer: @lean__o Talent: @asianayz Talent: @noahosamede Talent: @lucas__reynaud Editor: @burakerinmezzz & @bycrisci Print Sequence @noel.oppliger Colorist: @imriagmon via @sec.color Sound: @industries_soniques Tech Specs: Red Raptor, Red Komodo-X, Freefly Ember s5k, AATON LTR s16, Nikon P1000

"The goal was to tell an emotional story from the pov of a Coca-Cola can and personify the product in a subtle way. Before the shoot I cut an animatic from existing material. We pulled hundreds of references, searching for the perfect shots to inspire the language and tone of the film. My favorite moment is the CGI droplet, which falls away from the lens and flies through the air like a spacecraft reentering earths atmosphere. Our animatic really informed how that moment could work in the film." Editor @thekidmatt Coca-Cola "Uncanned Emotions" DC Production Company: @biscuit.filmworks Founding Partner: @shawnlacy22 Director: @isaiahseret Executive Producer: @andrewtravelstead Head of Production: @seanlmoody Producer: @jeffmcdougall Director of Photography: @_guillermo_garza Production Design: @jadeheals Agency: WPP Open X led by Oglivy Editor: @cabinedit @thekidmatt VFX: @electric_theatre_collective VFX Artists: @tdantassss and @referri Color: @royal.muster @mikeypackage Music: @jameswilliamblades Sound Studio: @concret.form Sound Design & Mix: @rphljls & @whykaisofly SECOND UNIT: Avion Films (@avionfilms ) Assistant Production Supervisor: Giorgos Bikas 1st AD: Andreas Oikonomakis Director of Photography: Evan Maragkoudakis (@evansteez ) 1st AC: Nikos Sembos 2nd AC: Manos Kalafatelis (@manos_kalafatelis ) Key Grip: Kostas Zimarakis Tech Specs: We used the sony venice, and the freefly ember for highspeed shots. For lenses we used ARRI signature primes as our main set but also used canon K35s, the DZO probe zoom, and the cooke sp3 on some shots like the robot arm for keeping things light.

"Something you can feel with your stomach instead of your eyes." - Director @angelo_cerisara “Don’t Be Big Nicotine’s Lab Rat” UNDO.org director @angelo_cerisara producer @csmml dp @voxstraume prod designer @mirandalorenz styling @mstr_of_disguise edit @mahferraz grade @dantegiani sound @caron.xyz vfx @ethos_studio Tech Specs: It was shot with an Alexa 35, Panaspeed and a Nikon 6mm

"The agency wanted all of these characters singing a unique song where the only lyric was the word chicken. Due to new regulations in the UK, we weren't allowed to show the food being prepared or consumed, so we really had to make this song stand out and be infectious. The second most challenging aspect was that this needed to be shot in one day alongside a ton of photography that was happening simultaneously. It was important to me that the actors were also singing the song and on time so everything had to be meticulously planned out days beforehand." - Director @rickdarge Popeyes "Chicken, Chicken, Chicken" Production Company - @prodcofficial Founding Partners - @ianponsjewell & Zico Judge Agency - @truantlondon Founder & ECD - David Gamble CD - George Bartlett & Charlie Lindsay EP - @ella.t.g Head of Production - @samlevene99 Producer - @jack.bradley Production Manager - Zoe Papworth DOP - @adambentel Wardrobe - BRATSK Hair & Makeup - @luluhinton Production Designer - @thomasdanbury Edit House - @thequarryedit Editor - @bencampbelledit Color, VFX, Sound House - @harborpictureco Colorist - @alexgregorycolour VFX Creative Director - @fergalhendrick Sound Design + Mix - @gcastlesound & @jim_db Music Composer/Director - @jenniferann.music Tech Specs: We shot almost the entire spot using the ARRI Alexa 35 and a set of TLS rehoused Zeiss Super Speeds. There's one shot, a close up of the delivery driver walking through the glass door that was shot using the Nikon ZR and the 85mm Zeiss Super Speed. Budget: Over $50k

We'll be having cinematographer @toddbanhazl on the podcast to break this down. What questions should we ask him? Olivia Rodrigo "drop dead" Director: Petra Collins Co-Founder & Executive Producer: Gary Farkas Executive Producer : Sarah Gabay-Rehel Line Producer : Alix Baltauss Production Coordinators : Guillaume Pennec, Victoire Bouchayer Production Assistant : Mila Brun Beguinot Editor: Sofia Kerpan at Modern Post Executive Producer: Andrew Illson Post Producer: Morgan Escobar Assistant Editors: Trevor Clifford, Juliana Fagan and Robert Laird Color: Company 3 Colorist: Sofie Borup Producer: Shannen Troup Color Assist: Matt Paul Associate Producer: Morgan Coyle-Howard Unit Managers: Benoit Hardouin, Adjoint: Isabelle Ogel Truck Units: Baptiste Merle, Flavien Cheval, Melissa Nkoko Driver: Tiphaine Houel, Julien Fouilhe, Pierrick Menez, Charlotte De Montmarin PA Artist: Jean-Baptiste Saint Martin Unit Assistant: Vanessa Altmeyer, Roman Krassoullia, Frederic Olivier Logeman: Philippe Coutureau Location scout: Caroline Vandenbussche DOP: Todd Banhazl Agent @ CAA: Erin Randol 1st Camera Assistant: Vincent Toubel 2nd Camera Assistant - Loader: Alejandro Asencio 3rd Camera Assitsant: Mona Zanovello DIT: Théo Lopez Steadicam: Aymeric Colas B Camera Operator: Matthew Larson Movement Director: Anna Collins 1er Assistant Director: Marie Le Grevellec 2nd Assistant Director: François Guerin Production Designer: Louise Mekylla Bachir Title : Louise Mekylla Bachir Agent @ XO Film: Nathalie Cohen 1st assistant : Anna Talec Set Dresser : Paul de Laroche 2nd assistant: Margot Carreca Rippeur : Alex Miranda Tech Specs: SONY DXC D30 Betacam SONY HD-Dvcam HVR-Z7U PANASONIC 2 Ms4 S-Vhs

"The initiative aims to challenge public perception and reveal the true reality of Parkinson’s disease, while reinforcing the urgent need to support research. A campaign that uses storytelling and craft to raise awareness and drive meaningful impact." - @hiersoir.tv Prisoner” FRANCE PARKINSON @france_parkinson Directed by @luciebou2 Starring @monawalraven Agency @tbwaparis TV Producer @helloanneclaire Creatives @seb.guinet & @josselin_pacreau Produced by @hiersoir.tv Executive Producer @annececile_jemin Line producer @n_jbrt DOP @nikitapopkov Casting @teodora_doslov 1st AD @matj0p Stylist @roxane_noel HMUA @donia_bna Set designer @213annie_sperling SFX supervisor / Latex artist @moniquefei Editor @pierre.saunier Colorist @nico_gautier_colorist @filmsduperiscope Music - Tbwa\Else Camera: Arriflex 416 Plus Lens: Arri/Zeiss Ultra16 Film stock: Kodak Vision 3 500T 16mm Budget: Over $50k

"We lost almost half our planned shots on the day. Technical problems, running overtime, the usual chaos. Everything we couldn't get in camera, we ended up constructing in CG in post. In a way, the limitations shaped the final piece." - Director: @yeeiid Güneş- Al Ya Da Bırak PRODUCTION BY @ocurenscontent Producer: @robingermain Executive Producer: @lea.letr Production Director: @rimswithlove Production Coordinator: @roxhanne Production Assistant: @lizarozze Director: @yeeiid Director of Photography: @izzybelage Editor: @ipekkadrii Colorist: @aktasufukk 1st AD: @adelemoutaud 1st AC: @aurel.djrs Gaffer: @mathetsacam Electrician: @noahvlm Electrician: @antonioo_dgn Key Grip: @roman_popsing Production Designer: @lvact Set Decorator: @lizarozze HMC: @maya.palermo Hairstylist: @maromtw Stylist: @charlesbeugniot Photographer: @019osmose POST PRODUCTION BY @monumental_fx Head of Studio: @laila.hammor VFX Creative Directors: @colin.journee & Mathieu Jussreandot Head of Post-Production: zoedeurloom Post-Production Coordinator: @rubenrgt VFX Production Manager: Clémence Magne VFX Artists: @martin_gold_was_here , @tristan_ctyc Flame Artist: @s0ciete_secrete Graphic Design: @rionmabr & @margotsoubrier Thanks to @photocinerent / @idecors.studio / Les sirènes Tech Specs: The project was shot on ARRI ALEXA 35 with ARRI lenses, with extensive visual effects and CGI work carried out in post-production.

"The hardest part was filming inside the Rolls-Royce facility in Derby, where their jet engines are built and tested, while everything was still live and constantly moving around us. We couldn’t interrupt the workflow, stage the space, or fully control the light, so we had to adapt to the rhythm of the facility itself. That meant working light, fast, and quietly, while still searching for cinematic moments within the reality of the day." - DP @patrick___pichler Rolls Royce "Aerospace" DC Director: Simon Gustafsson @oldirtysimpaj Production Company: Common People Studio @common.people.studio Executive Producers: Ramy Dance @ramydance  , Tony Roberts @asroberts74 Producer: Erin Sullivan @erinn_s Director of Photography: Patrick Pichler @patrick___pichler Art Director: Ruta Staseviciute @ruta_creative_design Editor: Simon Gustafsson & Ali Alsalem @hallojali Colourist: Didrik Bråthen @didrikbrathen  @ TMLS @tmls.tv VFX: Anchous @anchous Music Composition: Hank Berggren @hankberggren  & Isak Hedtjärn @isakhedtjarn Sound Design & Mix: Simon Gustafsson & Greg Niemand-Perrott mountaudio Tech Specs: Alexa35 Extreme with Panavision VA Lenses Budget: Over $50k

"We had to push the shoot multiple times because of bad weather, and when things finally looked good, the Pope rolled into town and basically shut everything down. On top of that, it was insanely hot, and a lot of our locations were only reachable on foot. Our loader was fighting for his life under a blanket, wrestling the film stock in and out of the camera. Despite that, protect the quiet moments in the chaos was probably the most challenging." - director @nxhugo TO DREAM OF CONCRETE WAVES starring: @ninajuliasimon , @riafei director: @nxhugo dp: @clemenshillinger concept / executive producer: @nxhugo , @clemenshillinger additional directing: @chris_kaar edit: @nxhugo , @p_kaar , @chris_kaar super 8 dp: @p_kaar production company: @farfrom.cc line producer: @max_farfrom styling: @la.znoon sound design: @lukashasiba color grading: @franziska.heinemann title design: @tim.paschedag first ac / loader: @lugo.cairns local fixer: @phyore__ model agency: @tigers_mgmt shot on: @kodak_shootfilm Tech Specs: Bolex EBM with Canon S16 8-64mm Zoom on Kodak Vision 3 50D + 500T Sekonic 858Cine Lightmeter Budget: $5k-$15k