CSLA Rentals

We’re hiring! If you have rental house or camera department experience, we’d love to hear from you. Please email [email protected]

3 rings on prime lens?🤔 Cinematographer @skylerbocciolatt making our Helix Prime Lenses sing, cranking the de-tune to a 5! Photographer/Co-Director @__thomaslynch Model @sophielachman 🔭CSLA 25mm Helix Prime T2.8 🔭CSLA 32mm Helix Prime T2.3 Our Helix Lenses are a custom set of live de-tunable vintage primes that cover full frame and 65mm format and are matched across the entire set. Full set coming soon… If you’d like to get your hands on our prototypes for a project, please reach out! #helixprime #helixprimes #cslacustomoptics #astigmatism #sphericalaberration

CSLA Prep Floor Renovation 2024 Phase I. 15 years ago we never could have imagined where the shop would be today. Thank you to all our clients for your trust. Thank you to our 17 full time staff of technicians, agents and passionate camera folks. In an uncertain time for our industry, we are heartened and humbled to be surrounded by so many talented and hardworking crew. 🙏🙏🙏

TLS rehousing of Zeiss B-speeds for cinematographer Travis Wadell @traviswaddell Lenses will live over at CSLA rentals @cslarentals so reach out to them to check these out. If you have any lenses you’d like to rehouse feel free to reach out to us anytime over at Band Pro. @truelensservices @zeisscinematography

AIRELOOM • This commercial was a moving catalog of California-inspired luxury mattresses, shot on location in a real home over two days where we had to make two rooms feel like four distinct, dynamic spaces. The schedule was intense, and a major rainstorm hit on day one. Rather than fight it, I leaned in, and that ended up being one of my favorite looks in the spot. We were lighting multiple setups simultaneously, including one that transitioned dynamically from evening to dusk to night within the spot itself which meant I was adjusting exposure constantly throughout. The ALEXA 35 gave me the confidence to chase that in real time, knowing the image would hold no matter where the light landed. • Shot on the @arri A35 and @7isatribe Blackwings. • Director: @paulinalagudiulrich Prod Sup: @nathanieldueber 1st AD: Eric Crowley Coordinator: @hannahjcm Colorist: @ariannashiningstar Composer: @robbybsharp Sound design: @soundslikegerry DP: @cooperulrich Trinity Op: @quaidcdebaca 1st AC: @brandonripp 2nd AC: @uncleboone.mp3 DIT: @mark_zalewski Still Photographer: @fiorella_occhipinti Digi Tech: Kyle Makrauer Photo Assist (1): @joeelgar Photo Assist (2): @xtra.jpg Photo Grip: Richard Bloenk BTS: Troy Cooper Gaffer: @lukapouki BBE: Edwin Cude Electric: Nick Perry Key Grip: @mark_beckerman BBG: @jakereardon14 Grip: @_calebsherrill PD: @abvanced Art Director: @dunc_red Set Decorator: @mise.en.cyrum On-Set Dresser: Anya Jones Set Dresser: Taylor Fitz-Gibbon Set Dresser: Daniel Oregal Set Dresser: Gopal Gulbakian Set Dresser: Christopher Jaramillo Art Pa: Georgina Gutierrez Wardrobe Sup: @karismith33 Wardrobe Assist: Norah Seymour Key HMU: @bakerkessler Sound mixer : @kpham12992 Crafty: Dominick Nunes

Shooting Aireloom’s 2025 collection was an extremely rewarding experience, full of great memories, tons of rain, and tight schedules. The video portion of the shoot was shot entirely on Location in two days where we had to double up two rooms and make them look like four individual unique spaces. • @paulinalagudiulrich did an incredible job leading a rather large crew on both photo and video and I’m extremely proud of the result. On the photo side, Paulina and our amazing photographer @fiorella_occhipinti had a very tall order with a lot of deliverables, but Fio knocked it out of the park. More to come on those with @saylittle_ . • This was shot on my @arri Alexa 35 paired with @7isatribe Blackwings T-Tunes, Xflares, and @angenieuxlenses optimo zooms provided by @cslarentals . The @arri Alexa 35’s sensor was a crucial component in this production. I knew that I was going to be chasing natural light during dusk on this shoot, so I chose the Alexa 35. I was able to rely on the incredible dynamic range and color science of the Alexa system to achieve the creative. We also had to move quickly on this while performing very dynamic shots - this is where the Trinity 2 system shined. Director: @paulinalagudiulrich Prod Sup: @nathanieldueber 1st AD: Eric Crowley Coordinator: @hannahjcm Colorist: @ariannashiningstar Composer: @robbybsharp Sound design: @soundslikegerry DP: @cooperulrich Trinity Op: @quaidcdebaca 1st AC: @brandonripp 2nd AC: @uncleboone.mp3 DIT: @mark_zalewski Still Photographer: @fiorella_occhipinti Digi Tech: Kyle Makrauer Photo Assist (1): @joeelgar Photo Assist (2): @xtra.jpg Photo Grip: Richard Bloenk BTS: Troy Cooper Gaffer: @lukapouki BBE: Edwin Cude Electric: Nick Perry Key Grip: @mark_beckerman BBG: @jakereardon14 Grip: @_calebsherrill PD: @abvanced Art Director: @dunc_red Set Decorator: @mise.en.cyrum On-Set Dresser: Anya Jones Set Dresser: Taylor Fitz-Gibbon Set Dresser: Daniel Oregal Set Dresser: Gopal Gulbakian Set Dresser: Christopher Jaramillo Art Pa: Georgina Gutierrez Wardrobe Sup: @karismith33 Wardrobe Assist: Norah Seymour Key HMU: @bakerkessler Sound mixer : @kpham12992 Crafty: Dominick Nunes

Shoutout to @corppuz for his awesome AC skills and even more, his great attitude. But don’t hire him bc then he won’t be available to work with me.

‘The AI Doc: Or How I Became an Acocaloptimist’ Director @daniel_roher and @charlietyrell DP @lowellameyer , @jennimorello Producer @carolynejurriaans Producer @dunkwun 1st AC @loievaughn @melanieamano Cam Op @scottperagine Gaffer @penata_party @focusfeatures

Director: @aidanzamiri Production Company: @objectandanimal HOP: @loskillen EP: @alexbrinkman  @emi_stewart Producer: @reeselayton DP: @bennncareyyy 1st AC: @pancho_ortiz Movement Director: @cprinz__ Casting Director: @shaynielsencasting Production Designer: @avavillafane 1st AD: @joshgmontes Editor @neal_farmstrong VFX @corduroy.fx Grade: @dantegiani  @ethos_studio Post Producer: @ginaxcrow Sound Design: @ineedsound.co Graphics: @specialoffer.inc Wardrobe Stylist: @karolynpho Hair: @rachellitahair Charli Creative Director: @imogene Charli Styling: @chrishoran20 Charli Hair: @rickyfraserhair Charli Makeup: @yasminist Kylie Styling: @makkaroo  @rosegrandquist Kylie Hair: @hairinel Kylie Makeup: @makeupbyariel

Introducing the Tangie 45-90mm 2x Anamorphic Zoom. Combining a classic Angenieux zoom with a front anamorphic Todd AO group to create one of the most expressive anamorphic zooms ever! Wide open this unique lens stays relatively sharp in the center while becoming increasingly soft toward the edges. The flare is warm with gold and fuchsia hues. Full coverage for Super35 cameras (Alexa35, Alexa Mini, 4K Venice)

Laowa Probe Zoom 15-24mm T8 and 15-35mm T12 Zooms now available! This ultrawide, full-frame probe system comprises two parfocal zooms and 4 attachment options: straight, 35°, 90°, and periscope front modules.

Are you not entertained? Custom 120mm QRP plate with 90 degree tie down option. Why would you attach a dovetail sideways? Why not! #qrp #rbq #gladiator