What does it look like when art heals a community? 🩺💙
In 2014, Creative Time and
@weeksvilleheritagecenter presented “Funk, God, Jazz, and Medicine: Black Radical Brooklyn,” a walkable exhibition exploring Black self-determination, history, and community in Brooklyn—curated by Rashida Bumbray (
@sunrara ), and
@NatoThompson , and co-curated by Elissa Blount-Moorhead (
@ebmoorhead ) and Rylee Eterginoso (
@eterginoso ). Launching from the historic site of Weeksville, one of the nation’s earliest free Black communities, artists created site-specific projects that celebrated resilience, creativity, and collective care.
Artist
@simoneyvetteleigh transformed Stuyvesant Mansion into the “Free People’s Medical Clinic,” honoring the often-overlooked work of Black nurses, midwives, and doctors—from 19th-century pioneers like Dr. Susan Smith McKinney Steward and Dr. Josephine English to contemporary caregivers. Classes, wellness sessions, and performances made the space a living celebration of care, dignity, and community.
Alongside Leigh, the exhibition featured projects by Xenobia Bailey (
@xenba_xenba ), Bradford Young, and Otabenga Jones & Associates, each activating Brooklyn’s neighborhoods through creativity, history, and community collaboration.
Rooted in Weeksville’s enduring legacy of self-determination, these projects show how art can illuminate hidden histories while making space for reflection, care, and connection.
Link in bio to learn about the project.
📷: [1 & 2] Simone Leigh, Free People’s Medical Clinic; Funk, God, Jazz, and Medicine: Black Radical Brooklyn; 2014. Photo by Christos Katsiaouni, Courtesy of Creative Time. [3-7]: Simone Leigh, Free People’s Medical Clinic; Funk, God, Jazz, and Medicine: Black Radical Brooklyn; 2014. Photo by Shulamit Seidler-Feller, Courtesy of Creative Time.