Adcom Cinema Expertise

Adcom Cinema presenta il Profoto ProPanel 3X2 (2000W), la “softlight” LED più potente al mondo. Per informazioni e programmazione demo con i direttori della fotografia scrivere a [email protected] @panalight @rec_roma @videodesignrental @fratelli_cartocci @claudiocartocci @rentyourshow @moviechromemilano @buonavisionestudio @moses.rent @cinemarentalvenezia @fullmovie @flocine_rental @worldvideorental @bl_cine_video_rental @aic.cinematographers @chiaroscuro_cinema

“IL FIGLIO” is a short film directed by the talented director Cecilia Albertini shot in Fujifilm Eterna with TLS Optics Vega 65. Cinematographer Marcello Merletto. Shot in IMAX Certified Format. Production equipment Exit Milano. With the support of Adcom Cinema. Location Torno at the Magic Lake Como. @aic.cinematographers @ceci.albertini @merlettomarcello @chiaroscuro_cinema @fujifilmitalia @fujifilmproduction @fujifilmx_us @adcomsrl @adcom_cinema @produzionecinematpgrafica @truelensservices @jaimie_cluer_tls @flocine_rental @lakecomo.world @lake_como_italy @como_art_fest @lake_como_tourism @imax

Mobile Phone Creativity? This is HYPERROLL, designed for Creators. Adcom is the international distributor. Distributors and resellers are welcome. @abelcine @bhphoto @cvpgroup @adorama @adoramarentalco @fcf.it @fcf.real @birnsandsawyer @cvpgroup @filmmakers @iphone_cinematic_07 @iphone_shooters @phonecine @apple @iphone_photography_school_ita @iphone @aic.cinematographers @chiaroscuro_cinema

Hyperroll. Below the Radar. Low-Mode Flight Machine. Designed and manufactured by Cartoni. International Distribution by Adcom. Resellers are welcome. @cinemarentalvenezia @cinefivek @flocine_rental @buonavisionestudio @chiaroscuro_cinema @aic.cinematographers @slim_dogs @straydogs_rental @setuprental @fratelli_cartocci @rec_roma @recdistrikt @bl_cine_video_rental @setuprental @realtime_group @atlantisfilmvideo @videoelfsrl @ebonyeyeswideopenfilm @marcellodapporto @filmtools @cinegriptools @realtime_group @

Adcom is the international distributor of the revolutionary Hyperroll dolly which allows for low-mode,ground level shots. With Style. International Distributors are welcome. @videodesignrental @rec_roma @recdistrikt @milanostudio_digital @moviechrome @panalight @moviepeopleitalia @evolutionrentv @aic.cinematographers @chiaroscuro_cinema @bl_cine_video_rental @flocine_rental @setuprental @slim_dogs @buonavisionestudio @mooviemag @sgm_srl @american_cinematographer @birnsandsawyer @filmtools @cirrolite @cinebrandsmunich @cvpgroup @bscine @filmmakersworld @cinednews @hyperrollofficial

Sono finite le riprese di “RUN”, un cortometraggio girato con la FUJIFILM ETERNA con le ottiche TLS Vega 65. Diretto da Gregorio Poli con la fotografia di Luca Traverso. La produzione e’ stata supportata da Adcom Cinema, Cartocci Cine Service e Cinema Route 65. @fratelli_cartocci @fujifilmitalia @adcomsrl @aic.cinematographers @chiaroscuro_cinema @truelensservices @jaimie_cluer_tls @claudiocartocci

04-10-2026 Dune 3’ IMAX movie tickets are selling for thousands of dollars on eBay. “The movie is really meant to be an IMAX experience and to be seen on the biggest screen as possible,” Villeneuve said when the sci-fi epic’s trailer was released last month, also sharing that he and new cinematographer Linus Sandgren shot much of the movie on 65mm film. “That’s the way we dreamed the movie,” he said. But if you live in the United States, that means the intended Dune: Part Three experience is only available in 15 cinemas across the country. The 70mm IMAX screenings are few and far between, meaning the demand was sky-high when Warner Bros. surprise-dropped the tickets on April 6, eight months ahead of the movie’s December release date. Unsurprisingly, tickets sold out in minutes. Soon after, a resale market emerged. It would seem that ticket scalping isn’t just for concerts anymore: On secondhand markets like eBay, Dune: Part Three tickets are being offered for hundreds and even thousands of dollars. @imax @linussandgren_dp @panavision @atlaslensco @kodak_shootfilm @_legendarypictures_ @warnerbrosentertainment @warnerbrositalia @warnerbros @hanszimmer @aic.cinematographers @the__asc @fsf_sweden @panalight @rec_roma @bl_cine_video_rental @moses.rent @exformatmoviesrl @buonavisionestudio @theblinkfish @videodesignrental @straydogs @cinebrandsmunich

Filming has wrapped on the first Italian documentary shot entirely with the Blackmagic Design 65 | 17K camera equipped with the great TLS Vega 65 lenses. Filmed at “Casa in Bologna, this is the home-studio where Giorgio Morandi - one of the leading figures in the in the 20th-century Italian painting-lived and worked from 1933 to 1964. Cinematographer Marcello Dapporto CCS, Camera and lenses loaned by Adcom Cinema, the Italian leader company for large format cameras and lenses. /en/giorgio-morandi @aic.cinematographers @chiaroscuro_cinema @biografilm @truelensservices @jaimie_cluer_tls @blackmagicnewsofficial @blackmagic_news @blackmagic_design_italy @panalight @rec_roma @moses.rent @weareokidoki @magentafilm_ @biografilm @docu.magazine @documentjournal @theartofdocumentary @associazionedoc.it @ridf_festival @doccine @cinebrandsmunich @cactusindustryforum @milanostudiodigital @evolutionrentv @georgianameacci @buonavisionestudio @mooviemag @fcf.real @fcf.it @torinofilmlab @torinofilmindustry @torinofilmfestival

Michael, the King of Pop. The movie in a resolution that exceeds human ocular limits. Directed by Antoine Fuqua, cinematographer Dion Beebe ACS, ASC (Australian Oscar awarded for Memories of a Geisha). Shot with a combination of high-speed digital sensors and selected IMAX 65mm film cameras, the production was designed from the ground up to a sensory assault. Wherever it’s the visceral, haptic “thwack” of a loafer hitting a stage in a Dolby Atmos-mixed stadium of the 18K-equivalent clarity of the Victory Tour recreations on a 70mm film print, the “how” you watch this film is arguably as the performance itself. @adcomcinema @aic.cinematographers @the__asc @american_cinematographer @greigfraser_dp @dionbeebe @ddbeebe @panavisionofficial @ancientoptics @ancientalliance @clintlealos @cookeoptics @panalight @cartocci @bl_cine_video_rental @imax @70mmimax @imaxfrance @videodesignrental @skywalkersound @kodak_shootfilm @bscine @afc_cinematodkdmdkdmd @afc_events_ @imax_uk @imax70mmfilms @imaxsydney @imax.melbourne

La linea Sagitter Neos X1 LED Tube e’ un distribuzione esclusiva Adcom per i settori Photo Cinema e Video per l’Italia. Pre-Ordini a condizioni molto particolari. Per informazioni [email protected] @rec_roma @boogie.rental @bigmotion_milano @milanoscena @cross.studio.milano @ied_milano @naba @cate.teoldi @videodesignrental @flocine_rental @moses.rent @exformatmoviesrl @fullmoviefirenze @straydogs_rental @bl_cine_video_rental @setuprental @fratelli_cartocci @panalight @ouvert_cine_rental @mooviemag @fcf.it @fcf.real @mediamaking @ cirrolite @luciano.roversi.key.grip @daylight

What a day…. a lot of creative people. @lightsmiths.seattle @flocine_rental @fullmoviefirenze @fcf.it @bl_cine_video_rental @videoloop @punklight @panalight @rec_roma @milanostudio_digital @tuttodigitaleufficiale @bl_cine_video_rental @flocine_rental @videoloop @fullmoviefirenze @giovannifurlani @white.film @moses.rent @buonavisionestudio

Designed and Built for Creators by Creators. NEOS LED TUBES By Sagitter. Just the beginning of a system. We are working hard on new incredible lighting tools, Stay Tuned.