1stBender

Severance Flashback Montage Directed by @jessicaleegagne (2025) Jessica Lee Gagné nailed this tricky episode of Severance. In just 30-40 minutes, she captured 5 years of Mark and Gemma’s relationship through a brilliant flashback montage. The warmth of their past moments contrasts perfectly with Lumon’s coldness, giving us a bittersweet glimpse into their history. Directed by @jessicaleegagne Editor: kwfraase Music: Theodore Shapiro Production Design: Jeremy Hidle Art Direction Ann Bartek Key Grip: [Name redacted]
Best Boy: [Name withheld for security purposes]
Cinematography Consultant: [Confidential]
Lighting Technician: [Confidential and not for your eyes]
Production Assistant: [Unverified]
Mood Enhancer: [Your guess is as good as ours] Please direct all inquiries to Lumon’s Compliance Department.

Flau'jae - What It Takes (Official Music Video) 1st Feature "What it Takes" music video x commercial Directed By @amdvisuals collaboration with @flaujae &@powerade_us 1. Centrale Framing + CG Balls > Medium Shot 2. Speedramp + Duplications > Crane Down > Close up 3. Overhead (Roll) + Speedramp + Motion Graphics (Typography Animation) 4. Zoom in + CG Ball (Spinning) 5. Crane Down > Stop motion Trail effect (Roll) > Out of the box 6. Duplication + Speed Ramping > Stop Motion Trail > Top down 7. Centrale framing + Duplications > Close up > Motion Graphics Tracking 8. overhead shot + Zoom out > Ultra Wide shot + Typography Animations Production Company: @lyricalemonade Directed By @amdvisuals Director of Photography: @franklinspov Executive Produced by @kristaworby &@colebennett Head of Production: @kristaworby Edited by @amdvisuals VFX [email protected] VFX Supervisor: @ryandylanselkirk Production Designer: @t_wynn23 Color Grade: @breezus_christ Motion Graphics: @studiodumbar , @martin_foucaut , @designbyjake_ , @duncantaylorbrazzil BTS Producer: joseph|rocha BTS: @angelroman_ &@itsyozbtw Gaffer: @eddiereidfilms Key Grip: Stu Brumbaugh TEAM POWERADE VP Creative Lead: @kkrumble Creative Lead: @mrbrianford Producer: Steve Powers Sr. Brand Director: Leah Macko Brand Lead: Courtney Weissman Partnerships Lead: Don Rouse Athlete Relations: Steve Parry Athlete Relations: Steven Morrison Social Lead: Christian Pierre Social Manager: Chenoa Tyehimba Brand Support: Josh Radler OGILVY Global Executive Creative Officer: Guillermo Vega Group Creative Director, AD: @jonathanyurek Group Creative Director, COPY: @cheese_peteza Associate Creative Director, AD: wooooonice Associate Creative Director, Copy: @innis_mac Executive Producer: Adam Isidore Senior Producer: Sydney Richardson Business Affairs Lead: Susan Schaefer Integration Director: Stephen Koepp Integration Director: Taylor King Director, Operations and Delivery: Lisa Boyd Group Director, Strategy and Insights: Kyle Luke

1ste Feature | Toyota | Road to Palisades (2025) Pure cinematic gold. ❄️🥶 ‘Road to Palisades’ for @toyota_norcal is a masterclass in visuals—2.5 days of shooting, endless hours in post, and the result speaks for itself. Watch till the end and see if you can catch the @rabithaus easter egg. 👀🎥 1. Dolly Zoom > 3D Animation + Seamless Transition 2. Pass-through shot > Text/ Deer Animation Transition > Close up arc shot 3. POV + Liquid Morph Transition > Quick cuts > POV Roll 4. Quick Cuts > FPV Drone Dive 5. Dolly Zoom > Crash Zoom (Out) > POV 6. Super Slowmotion > FPV Super Slowmotion > Crash Cuts > Morph Transition 7. Film Frame Overlay > Slowmotion > Object POV + Morphing Transition 8. Quick Cuts > Crash In > POV > Arc Down-Up Client: @toyota_norcal &@palisadestahoe Agency: @hl.ad.agency Creative + Production: @rabithaus Director: @jackbotti Producer: @griffink5 DP: @nathanmcrbide @jackbotti Drone/FPV: @nathanmcbride PA/Drivers: @ryder.schwartz @griffink5 Talent: @jonnymoseley @cOnnery @nellysteinhoff Talent: @jonnymoseley @cOnnery @nellysteinhoff Edit: @jackbotti Color: @camthecolorist Sound: @defactosound VFX: @xyzstudios VFX supervision: @samrycc @drisv2 Additional 2D VFX: @all_good_bro

1ste Feature PAC-MAN: 45 Years of ImPACt Every pixel, every detail—crafted in Unreal Engine. Honored to bring Pac-Man’s legacy to life with Bandai Namco, thanks to the incredible teams at LEFT and BODEGA. From custom simulations to character design, this project pushed boundaries, and I couldn’t be prouder of the final results that is achieved. 1. Dive-In POV > Seamless transiton 2. Whippan > Pov > Whippan > 3D Animation Transition 3. Top-to-Bottom Move 4. POV Shot > Tilt up/Overhead > Whip pan up 5. Trucking > Close Up Pov 6. POV Shot > Match Cut 7. Slow Push-In to Screen > Zoom-Out Transition + Orbiting Zoom-Out 8. Slow zoom in Director @milescable 3D Studio @_bodegavirtual Executive Producer @timbaldini Producer @seattleproducer Lead Editor @milescable Unreal Artist Lead @milescable Houdini Artist @shanemsilver UE Generalist @shanemsilver Unreal Artist @lunchbqx Unreal Lighting Artist @thevirtualcinematographer Character Animation @arthurzimin Character Design@snezhananyc Compositor Lead @peter__timberlake Compositor @mauropinedo Prod Co: @leftproductions Co-Founder / EP @borislab EP @__atum Prod Coordinator @pierpiccoli Post-Production: Right Post Head of Post @pierrelgff Title & VFX Support @wearefxstudio Post-Producer @alexandr.dys Art-Director @oko.arts CG Artist @papeson Compositing Artist @karyna_kuzmytska Motion Designer @vladdraculo Color Color Grader @matt_osborne_color Color Producer Shannen Troupe Audio Sound Design and Mixer @ericcrepeau.wav Sound & Mix Producer @nicoleeejohal Sound Design & Mix @lockt.post

1st Feature Nike Watch Us Win (2025) The Farm League Studio team developed creative concepts early on, ensuring a seamless vision from start to finish. Their integrated approach synced creative, production, and post to bring the entire project to life. Chasing speed with an e-bike and bending reality with prisms, they turned every frame into cinematic art. 1. Centrale Framing > Motion Blur >Silhouette + Double Exposure 2. Photogrammetry > Match Cut 3. Silhouette + Dolly Zoom > Damaged VHS Effect 4. Quick Cuts > Photogrammetry 5. Silhouette Double Exposure > Damaged VHS Effect 6. Photogrammetry 7. Photogrammetry + Quick Cuts 8. Quick Cuts + Close up Detail Shots Director: @janssenpowers EPS: @sammcgee , @sea_minus Director of Photography: @robhauer 3D/Motion Graphics: @jakub_blank Photographer: @yvanna.ramos Nike Team Creative Direction: @sean_butterly Art Direction + Design: @joeowensss Design: @i_stephen_lee Ops: @halliemarcellus Brand Management: @brandanmcgonigal Mariama Eghan Adelaide Price @kingstephgo @itscaitlinp

Feature Memphis Depay, Lusho - YM$ - Directed by Robin van Geemen 1. Object portal + seamless transition 2. Arial arc + CG Light Animation 3. Splitscreen 4. Whip pan 5. CG burning silhouette 6. Photogrammetry > Seamless transition > Orbit Spin > High Dolly zoom 7. Jumpcut > Photogrammetry 8. Photogrammetry > Pass through 9. Yo-Yo Whip pan Director: @robinvangeemen Producer: @simondibandjo D.O.P: Jan Roelfs Focus puller: @boyd_bakema Producer assistant: Luca Nicolas Focus puller (Amsterdam Unit): @tarzanrutgers Gaffer (Amsterdam Unit): @boyd_bakema Drone Operator: @davevangeemen Crane operator: Denis Majstrovic Photographer: @4kboris Editor: @robinvangeemen 3D and VFX supervising: Miklas Hoffman (sur.render) Grading: @hetkleurlokaal VFX: @ninodali Sounddesign: Jan driessen Produced by @vannogram

Feature Ikea Directed by Mackenzie Sheppard Love seeing how much creativity went into making this happen. The problem-solving behind every shot really shows. Huge respect to everyone involved,the craft is next level. 1. Close up > Pass through + Camera roll + Seamless transition 2. Pass through + Slow camera roll 3. Super slowmotion + Dolly Out Top-Down > Zoom 4. Camera roll zoom > Pass through > Jump cut 5. Object POV (toycar) > Whip Pan + match cut 6. Low angle Bolt cam + Jump cut/ tilt up > Tilt tracking shot 7. Dolly + Camera roll > Match cut + Zoom out agency: wieden kennedy tokyo @wktokyo creative lead art director: max pilwat @maksmaks creative lead copywriter: andrew miller @oy |miller art director: shohei kawada copywriter: takeshi amata, marina danjo lead producer: kosuke lawrence @kosukelawrence account: @chelseamiwa , jordan cappadocia, isao okubo communications planner: taiki satoh executive creative director: scott dungate @scotty_fingers managing director: yosuke suzuki head of production: @kerliteo , michelle brough agency editor: jacob kim translator: mako tomita, takuro kobayashi production: @nakamafilm @aoiglobal @ystokyopro nakama: @kenykilla @ramanomis @annaguanabanana @annaliuannaliuanna aoi pro: masa oyamada, yuto brian ota, akane miyazaki y’s: daisuke yoshizawa and taro iwato ad: @hideaki_jimbo @roymzn @nagisakodama production designer: @masamit0125 , sayaka isogai, hanako noda, kiyomi tokita gaffer: @arataijichi , yuji wada, @seijinakane68 key grip: @yudai_sugarlandexpress , aiko tsuneyuki, takuya watanabe 1ac: @yasushimiyata @soccerbluespirit @bigmac_meal_to_go @asumidori @gucci.lunch 2ac: @moeariizumi @makoto_mk26 dit: @tonythedit , ichiro sato, kogami seiji stylist: @yoppy0123456789 , remitakenouchi hmu: @feebz_ sfx: naomi hayashi editors: @ahato @mackshepp colorist:@mikolour nikola_colorist@maxgolomidov_colorist_dp online editor:@soyoung_kim_compositor music: audioforce and factory sound design: factory

Feature “Language Barrier” - pgLang for Converse Directed by @hidjiworld - @pglang 1. Cut in > Object POV 2. Reverse Dutch Angle 3. Floating effect + tracking shot 4. Dutch angle + Dramatic Arc Tilt Reveal 5. Flicker effect > Match cut

I genuinely believe this is the BEST OREO post ever made With chef/director @chrisvilla 1. CG + Seamless Pass through transition 2. CG + Dolly + Y arc/Pedestal > Best Oreo

FEATURE: Awaken Your Madness I Nike Football (2024) Directed by Sam Pilling There would be something wrong with me if I didn’t love the stunning visuals and incredible storytelling. 1. Wide Zoom in > Close up > Quick Cut 2. Tide shot > Wide zoom out > Medium tracking > Speedramp transition 3. Wide zoom in > Tide shot > Quick flash cuts + Focus racking 4. Object POV > POV Shot > Pan + Matchcut > Zoom out ultra wide 5. Low angle tilt + Slowmotion > tracking > Quick cut > Slowmotion 6. Quick cut > POV > Flash cut 7. VFX water drop > Medium shot > Warp Transition 8. Medium shot > Close up > Tracking > Match cut * * * * #cinema #film #visuals

Feature Kaiser permanent eye twitch (2024) Directed by Jackson Tisi 1. close up + zoom out 2. Medium shot + zoom out + Mirror illusion 3. Pan + over the shoulder > Macro shot 4. Close up > Static shot > Dutch Angle > Quick cut 5. Whip pan > close up > Profile close up > Reverse shot 6. close up > Whip pan > Pan > Fade to Black 7. Fade in + Central Framing + Vignette effect 8. Close up + screen in screen > Whip pan + zoom in * * * * #cinema #film #visuals

Feature MNNK Bro. (Takashi Murakami & JP THE WAVY) Directed by Alex Lee & Kyle Wightman AKA @_brthr_ 1. Ultra Wide Overhead > Close up CG > Camera roll 2. CG Pass through 3. Wide CG shot + Motion blur > Zoom out 4. Crash zoom + Speedramp 5. Tracking > Cut in + Motion blur > CG 6. Tracking > Seamless transition + Zoom in 7. CG > Seamless transition 8. High angle > Match cut 9. CG Fast arc > Quick cut 10. Crash zoom > CG Pass Through * * * * #cinema #film #visuals