Dan Matutina

This is one of the more challenging illustrations I've worked on because of the simplicity of the work. With the concept: "IDEA OF THE FUTURE"— we used the "coin toss" as the main visual to show the uncertainty of the future. Art Direction & Design: Masaki Hanahara. Via @visiontrack Design Touch (started in 2007) is an annual festival of design. To know more: /jp/event/designtouch/index.html

Here's the the triptych I made for JPL-NASA's 60th Anniversary Tribute Show at @gallerynucleus .I wanted to show some of the notable achievements of the JPL: the Mariner 2's Flyby, the Mars Pathfinder & Cassini's probe on Saturn's rings. I've always been a fan of space exploration so I was super happy to be part of the show. :) Riso printing by @_badstudent !

I did the illustration for Shibuya Sky back in 2019. I'm posting this, because I just recently saw these photos from @kitchen_sink_inc and they look so nice!!! Kaka-miss ang Japan. Huhu. Shibuya Sky AD & Design @kitchen_sink_inc CD: @rhizomatiks via: @visiontrack Photo: Shuya Nakano

There’s something special about people showing up for a project because they believe in it. Many people pitched in with their time, talent, and support without asking for much in return. Seeing established artists help so openly, for the event and for the spirit of community, meant a lot. And that kind of support makes projects like this possible, just look at this stunning poster by the legend himself @twistedfork 😭😭😭

Building a long-term creative career takes more than just a strong portfolio. Dan Matutina shares his journey working with global brands like Apple, Google, and Airbnb, along with how he maintains creative energy, builds strong client relationships, and sustains a meaningful practice over time. 🎧 Full episode is now available on JICAF YouTube channel #jicaf2025 #podcast #danmatutina

Artwalk by Ayala Land When Ayala Land approached the studio before the holiday break, the brief was to develop the identity, wayfinding, and overall experience for the Artwalk component of Art Fair Philippines. Artwalk is a curated walking route through Makati that highlights public installations, murals, and exhibits mounted for 10 Days of Art. Designed to be experienced by the public in public spaces, it transforms parts of the CBD into an open‑air gallery, inviting people to encounter art on foot. The intent was to give Artwalk its own identity, distinct from Art Fair Philippines, allowing the brand to stand independently with its own personality and future programming. The identity needed to feel slightly whimsical without tipping into overt playfulness. A custom typeface became central to achieving this balance. The Artwalk wordmark is a bespoke typeface designed by Aaron Amar. It takes a subtle approach to the act of walking, with letterforms that reference movement in a clever way. One of the “A”s was designed as a “walking A,” which became a key visual device across the identity system. The glyphs themselves reveal small “joints,” reinforcing the idea of motion and articulation. Together, these details give the typeface enough personality, resulting in a mark that is bold, approachable while reinforcing the spirit of exploration at the heart of Artwalk. Beyond the core identity, the studio developed a flexible wayfinding system designed for installation across various Ayala Land properties. The system adapts easily to different spatial contexts while maintaining cohesion throughout the various stops. A custom map was also created to guide visitors along the Artwalk. A graphic design system was developed for social media and other promotional materials, extending the identity and reflecting the personality of the new brand across different formats. Production: Primex Printers / S+D and American Creative Ayala Land Team: Paloma, Jeremy, Sharon, Alex Photos: Roccio of Primex / S+D Type Design: Aaron Amar Plus63: Dan, Anton, Selina

The Marketing Genius Behind the Best Brands for @entrepreneur via @agentpekka The overall direction is to use graphs and flow charts to illustrate how people’s behaviors are influenced by different strategies and messaging from marketers. While the examples shown are specific, they remain broad enough to be easily understood. The main illustration features a large flow chart and graphs. The chart is shaped like a brain to suggest that the process originates in the audience’s mind. A figure holds a phone to indicate that he is responding to a stimulus (an ad, a video, etc). The half-page illustration highlights Guinness and how they used the “slowness” of the pour as a key marketing insight. The graph and flow chart incorporate clock symbols and arrows to emphasize how this idea became the central inspiration. The quarter page illustration focuses on Pringles and the “poetic” flow of their marketing. It depicts a Pringles tube with chips and the cap arranged in a rhythmic sequence.

A favorite competition I get to jury for is The Young Ones. It’s always inspiring to see professional work produced at such a high level, but it’s just as striking to review student projects. It’s refreshing to see the work of future creatives. And yes, this is a different award show from the earlier post. Hence the different profile image. Hehe. @theoneclubforcreativity #youngones

I’m happy to share that I’ll be serving on the Illustration Jury for the ADC 105th Annual Awards. The jury is made up of people recognized for their work and experience in their fields, and I’m looking forward to reviewing this year’s Illustration entries. The Art Directors Club is the world’s first creative industry organization. Founded in 1920, the ADC sponsors the longest continually running award show that celebrates excellence in design, advertising, motion, illustration, photography and craftsmanship. All revenue from the show supports professional development, education and diversity programs across the industry. When you enter the ADC Annual Awards, you help sustain these efforts and keep them accessible to more people. The final deadline to enter is Friday, February 20, 2026. Submit your entries at adcawards.org. @theoneclubforcreativity #adcawards

⭐ ⭐ ⭐ A tree of three stars. May your Christmas shine brighter than the stars! :) 🇵🇭

End of Space To mark the end of the Space63 project, we produced a shirt to commemorate the two-ish years of takeovers, pop‑ups, and incubation that happened here. Only 63 pieces will be produced, each numbered from 1 to 63. Free size, because it's hard to deal with inventory problems. Waahhh..  Price Php 630  Where-where ;) 1. At the Saan‑Saan pop‑up in Space63, the last takeover before the space ends.  2. A limited pre‑order will be available via Google Forms (link in the bio) for everyone who reached out to reserve.  Design The shirt is inside out. It looks pa-cool that way, and maybe it reflects what we tried to do with the space. Listed at the back of the shirt are the people, groups, and institutions who took part. Thank you to everyone who trusted and used the space. The mix of names shows the diversity of creative communities in the Philippines who need places like this. Next Space63 was always meant as a short‑term project to show land and space owners that it matters to let creatives in. Spaces that won’t exploit them. Big thanks to Maya and Mamshie of Comuna for letting me do this. Sorry sa gulo, haha. Someone will take over the space permanently. As for me, I’ll move on to other spaces and places. Hopefully I can convince more people with land and properties to let creative entrepreneurs use them without expensive rents. Wish me luck! Kekeke. /end_of_space

Sinag For detours, dead ends, and the discoveries you make. I got to redesign @sinag.packs ‘ identity, and I was happy to work with Mac on this. I’ve actually owned a few Sinag Packs products for years because of @sofiapeanutsgang , and I’ve always rooted for local outdoor gear since then. When they were open to a rebrand, it was an easy yes. Hehe. Plus, it made total sense since I’m already working on a collab between Sinag and my other side project, D.E.D. 🌎(Coming soon… sana) - Sinag operates right between purpose and terrain. We stripped the identity down to reveal what actually matters: movement, light, and the path forward. The S-trail mark holds three ideas. It’s the first ray of sun over a ridge. It’s the curve of a mountain path. And it’s the choice to keep moving when it’s easier to stay put. The geometry isn’t polished. It’s jagged on purpose, mimicking the texture of rocky, eroded trails. The roughness isn’t aesthetic filler. It references the Philippine landscape: sharp, uncompromising, and shaped by the elements. “Built to move” isn’t just a tagline anymore. It’s the structural logic of the system. Every part of it pushes forward while acknowledging the ground you’re walking on. This Sinag. Rise, Shine.