T: The NYTimes Style Magazine

In its 1960s and ’70s heyday, @bus_palladium in Paris’s Pigalle neighborhood was a late-night sanctuary for beatniks and suburban club kids known for hosting artists and musicians like Salvador Dalí, Serge Gainsbourg and Patti Smith. It closed in 2022 but has recently returned, reimagined with Brutalist-meets-70s-glam interiors by the French firm @studioko . Along with a refurbished club and concert space, there’s a low-lit restaurant and bar led by the Marseille-born chef @valraffali , who combines unexpected flavors and textures with French dishes like smoked leg of lamb served with asparagus and a kumquat gremolata sauce. Upstairs, six new floors have been divided into 35 soundproof hotel rooms. Tap the link in our bio to read the full story about the revived nightclub. Written by @lindseytramuta . Photos by @matthieusalvaing . #TList

@mattdillon ’s first New York solo exhibition of paintings is now on view at @thejournalgallery in TriBeCa. Here, he discusses one of his favorite artworks: Robert Rauschenberg’s “Erased de Kooning Drawing” (1953). Dillon first became famous playing angsty adolescents in a run of 1980s films — “The Outsiders,” “Rumble Fish” (both 1983) and “Drugstore Cowboy” (1989). His brushy, textural painting style takes cues from the Neo-Expressionism of that time as well. For most of his adult life, Dillon painted during the lulls on set, and in hotel rooms. He didn’t make large-scale pieces until a little over a decade ago, when he rented his first studio. Despite, or perhaps because of, the fact that he’s never had gallery representation, his work has earned the admiration of his artist peers. Tap the link in our bio to read the full story, written by Max Lakin. Video by @joshuacharow . Rauschenberg artwork courtesy of @rauschenbergfoundation .

Buddhism, with its nearly 330 million adherents stretching across more than a dozen countries, has proved itself endlessly adaptable, shape-shifting to accommodate local religions and cultures. For T’s latest Travel issue, writer at large @aatishalitaseer considers three major strains of Buddhism in Nepal, Taiwan and Thailand, where over 90 percent of the population is Buddhist — and why its centuries-old teachings might be best equipped to address the problems of modernity. Tap the link in our bio to read the full story. Photos by Keerthana Kunnath (@kee_kunnath ), Tomoko Yoneda and @_maximefossat_ .

In our latest Travel issue, @aatishalitaseer traces the spread of Buddhism across Asia, visiting Nepal, where the Buddha was born; Thailand, where Buddhism is invested with the power of the state; and Taiwan, where Chinese Buddhism was preserved from the ravages of the Cultural Revolution. “In an age when most religions had failed to provide good answers to the loss of old ways and the onslaught of materialism and technology, responding often as agents of fanaticism, nostalgia and backwardness, Buddhism (though not entirely exempt) had fared far better than the rest,” Taseer writes. “Buddhism now spoke to global elites as few other traditions could, sometimes meaningfully, sometimes as pure woo-woo, and I was eager to know why.” Tap the link in our bio to read the three-part feature about how the teachings of Buddhism spread throughout Asia, changing the continent forever. Pictured here: Monks at the Bodhi tree in Lumbini, Nepal, the birthplace of the Buddha. Photo by Keerthana Kunnath (@kee_kunnath ). Outside the Prasat Sa Kamphaeng Yai temple complex in Thailand. Photo by Tomoko Yoneda. Fo Guang Shan Monastery in Kaohsiung, Taiwan. Photo by @_maximefossat_ .

Red was all over the spring 2026 runways: It appeared in the form of ankle-skimming dresses, crinkle pleated tops and light-as-a-feather leather jackets. But the standouts were the shoes — heels, flats and sneakers that ranged from oxblood to cardinal to fire engine red. The designers’ proposition seemed to be that, as the fashion world continues to break out of the earthy-tinged cocoon of quiet luxury, a red shoe is a surefire way to go bold. But which red shoe are you? Tap the link in our bio to find out which type best fits your personality, and to get styling and product recommendations. Written by Liana Satenstein (@liana_ava ). Photos courtesy of the brands.

Since the 1960s, the Milan-based artist @franco_mazzucchelli has challenged conventional ideas of sculpture, trading marble and clay for air and thin sheets of plastic. In Biarritz, France, the gallery @champlacombe recently debuted a solo show of his work, anchored by an inflatable white chain that twists through the exhibition’s main room alongside smaller wall hangings and archival photos and videos documenting his public installations from the early 1970s. A vital element of Mazzucchelli’s practice has always been its relationship to the surrounding environment and, on April 26, the exhibition extended into the city with a silver diamond-shaped sculpture floating in the fishing port. The following day, a large, translucent tunnel was installed among the trees at Villa Natacha, Biarritz’s historic estate. Visitors were invited to wander inside the structure, immersing themselves within its bubble-like plastic form for a fittingly experimental encounter. “Art, for me, has always been an exchange, even before a physical object,” Mazzucchelli told the Italian art publication Finestre sull’Arte last year. The show is on view at Champ Lacombe through June 14. Written by @mackenzieoster . Pictured here: “Bicono Specchiante” (2026) at Port des Pêcheurs, Biarritz. Courtesy of Champ Lacombe “Riappropriazione” (2025) at the Villa Natacha gardens, Biarritz. Courtesy of the artist and Champ Lacombe, Biarritz/London. © Trevor Lloyd “Catena N.5 Anelli” (2024) and “Cono Rosso” (2024) at Champ Lacombe, Biarritz. Courtesy of Champ Lacombe

Soft, nubbly textures and eye-catching silhouettes make for easy layering this season. Tap the link in our bio to see more spring staples. Photos by Kwabena Sekyi Appiah-nti (@sekyii ). Styled by @delphinedanhier . Models: @wendyygarciaa and Saliou Gueye.

In 1956, the University of Massachusetts professor Verda Dale commissioned a local architect named John Bednarski to design a house for her in Amherst. Back then, Bednarski, who died two years ago at 96, was known for taking inspiration from the work of Frank Lloyd Wright, whose post-Depression Usonian homes helped give rise to a whole generation of single-story, energy-efficient, affordable houses around the country. For Dale, Bednarski envisioned a place modeled after Wright’s Solar Hemicycle, a south-facing, semicircular subtype that Wright built into a raised mound of land in Middleton, Wis., in the mid-1940s. In the winter, the house’s concrete floor would absorb sunlight through the glass facade, reducing heating costs; during the summer, the dramatic overhang of the rubber roof would keep the rooms shaded and cool. Dale lived there alone for decades, hosting Christmas parties, practicing ikebana and growing orchids in the back greenhouse, until her death nine years ago. In 2022, Eric Olsson, a Brooklyn-based marketer with an interest in restoration projects, purchased the property. He soon obtained his general contractor’s license and then approached his new house like an archaeology project, trawling through the remnants and saving all that he could. The furnishings are now mostly a mix of Olsson’s own and midcentury pieces of Dale’s that he was able to preserve. He also replenished Dale’s lotus pond, and is learning to grow his own plants in the greenhouse. Tap the link in our bio to take a full tour of the house. Written by Jason Chen (@chen_jason ). Photos by @chrismottalini .

In prehistoric northern Europe, peatlands — areas of waterlogged soil rich with decaying plant matter — were considered spiritual sites. Since then, swords, jewelry and even human bodies have been found fossilized in their sludgy depths. More recently, however, many of these bogs have been depleted by overharvesting, neglect and development. But as awareness of their important role in removing carbon dioxide from the atmosphere grows, more wetlands are being restored, while also serving as unlikely creative inspiration. Tap the link in our bio to read the full story about how bogs and other wetlands are showing up in culture. Written by @zoeypoll . Photos: Stephane Mahe/Reuters; courtesy of @solitude.studios ; Christine Howard Sandoval, “Phonological Sketch I,” 2024 © Christine Howard Sandoval (@chsandoval44 ), courtesy of the artist and @parraschheijnen ; @irisharchitecturefoundation and @12thfield / Brendan Keogh; @alvarofernandezprieto1913 ; Penguin Random House

Last month, the Belgian designers and business partners Jo Hoeven and Karel Loontiens opened @jonoje.bruges , a six-room bed-and-breakfast in their hometown, Bruges. In a brick building that was once a broom factory on the edge of the city’s historic district, the duo have installed objects developed by their firm, @studioloho , which produces bespoke ceramic objects for interior designers like Vincent Van Duysen and Pierre Yovanovitch. There are egg-shaped ceramic shower cubicles, clay wash basins and walls clad with organic plaster. “Jonoje is our playground where we can test different things, play with color and experiment,” says Loontiens. Breakfast includes homemade sourdough, whipped butter and cheese and locally made jam. A concierge can arrange bicycle rentals and offer personalized tips for exploring Bruges — Hoeven recommends the natural wine bar Cuvée and a visit to the design gallery Dries Van Landschoote. Tap the link in our bio to read the rest of this week’s #TList recommendations. Written by Gisela Williams (@giselaatlarge ). Photos courtesy of @tijsvervecken .

What must you see at the Met, the Louvre or the São Paulo Museum of Art? We asked contemporary painters and other artists to share the artworks they always revisit in museums around the world. Tap the link in our bio to read the full story in T’s Culture issue, a compendium of what you need to know right now. Written by @juliahalperin . Artworks: © The Metropolitan Museum of Art. Image source: Art Resource, N.Y.; On loan from His Majesty the King, Royal Collection Trust/© 2023 His Majesty King Charles III; Nicolas Poussin’s “Eliézer et Rébecca” (1648). © Grand Palais RMN (Musée du Louvre)/Tony Querrec; Museu de Arte de São Paulo. Photo: João Musa; Museum of Traditional Nigerian Architecture; Collection of the National Museum of Korea.

Tomorrow, in the late curator Koyo Kouoh’s Venice Biennale exhibition, “In Minor Keys,” the artist Linda Goode Bryant will publicly debut “Still Life,” a 3,500-square-foot work of art that’s also a farm. Lettuce, sweet peppers and okra are among the plants growing on a platform three feet above the ground to avoid contact with the city’s salty soil. Farmers can stand in cut-out squares to harvest at arm level, rather than stooping to the ground. “I believe people should be able to grow their own food no matter where they live,” says Bryant, who founded the Manhattan gallery Just Above Midtown (JAM) in 1974 and ran it for 12 years. In 2009, she started the New York-based nonprofit @projecteats , which plants vegetables in vacant urban lots and on rooftops. “This is something of a test,” Bryant says of the installation. “How do you build a farm on concrete, or near salt water?” On two screens below the farm platform, a video shows Biennale personnel cutting back encroaching vines. “It’s a futile battle because nature insists on living,” says Bryant, “and it does.” Nearby, a speaker plays the sounds of daily Venetian life, including birds and boats in the canals. The farm will stay intact through November, allowing for harvests in spring, summer and fall. The food will be donated to organizations that support asylum seekers and those struggling with addiction, though a few Biennalegoers, against the rules, have been taking bites. Written by Esin Göknar. Photos courtesy of Esin Göknar.