This is Pacifica

The Brokerslink Conference is a world wide global insurance event.The 2025 edition required a visual identity that balanced global consistency with the cultural soul of Madrid. To avoid generic corporate aesthetics, the project turned to fashion as its creative foundation — inviting designer José António Tenente to create a collection that channelled Spanish culture through movement, theatricality, and elegance. His costumes became the visual language of the conference, brought to life through 3D modelling, animation, and motion design, and applied across all communication materials. The result was an identity where tradition, fashion, illustration, and graphic design merged into one cohesive and emotionally resonant system. Produtora, Composição, Grading e Edição @perfect_storm_studios Designer e Ilustração Ana Rodrigues Produtor Executivo André Gaspar e Mariana Marques Realizador @andre_gaspar_ Sound Designer @pedrosompedro 3D, modelação e render @glimpse.vfx VFX / Lisboa Estilista @jose_antonio_tenente

The Brokerslink Conference is a world wide global insurance event.The 2025 edition required a visual identity that balanced global consistency with the cultural soul of Madrid. To avoid generic corporate aesthetics, the project turned to fashion as its creative foundation — inviting designer José António Tenente to create a collection that channelled Spanish culture through movement, theatricality, and elegance. His costumes became the visual language of the conference, brought to life through 3D modelling, animation, and motion design, and applied across all communication materials. The result was an identity where tradition, fashion, illustration, and graphic design merged into one cohesive and emotionally resonant system. Produtora, Composição, Grading e Edição @perfect_storm_studios Designer e Ilustração Ana Rodrigues Produtor Executivo André Gaspar e Mariana Marques Realizador @andre_gaspar_ Sound Designer @pedrosompedro 3D, modelação e render @glimpse.vfx VFX / Lisboa Estilista @jose_antonio_tenente

The Brokerslink Conference is a world wide global insurance event.The 2025 edition required a visual identity that balanced global consistency with the cultural soul of Madrid. To avoid generic corporate aesthetics, the project turned to fashion as its creative foundation — inviting designer José António Tenente to create a collection that channelled Spanish culture through movement, theatricality, and elegance. His costumes became the visual language of the conference, brought to life through 3D modelling, animation, and motion design, and applied across all communication materials. The result was an identity where tradition, fashion, illustration, and graphic design merged into one cohesive and emotionally resonant system. Produtora, Composição, Grading e Edição @perfect_storm_studios Designer e Ilustração Ana Rodrigues Produtor Executivo André Gaspar e Mariana Marques Realizador @andre_gaspar_ Sound Designer @pedrosompedro 3D, modelação e render @glimpse.vfx VFX / Lisboa Estilista @jose_antonio_tenente

Make a Mark is an exclusive innovation initiative led by three of the world’s reference names in premium packaging: Estal, Avery Dennison, and Leonard Kurz. Every year, they invite some of the best world’s top packaging design studios to develop an integrated concept that pushes boundaries through bold thinking and creative originality. For the 2025 edition, we were asked to create a project within the gourmet category. From the outset, our minds went to an extraordinary discovery recently made in Portugal: wild black truffles. Inspired by this finding, we set out to create a brand universe (naming, identity, and packaging system) that would finally give the Portuguese truffle the recognition it deserves. In collaboration with Estal, we designed a bespoke jar, paired with a custom cap developed by Tapi, to create an entirely new user experience. We crafted the label using Avery Dennison’s innovative Limestone paper, finished with a refined touch of Kurz hot stamping. The result is LEVITA: a truffle brand whose packaging unites beauty and purpose. Designed to go on the table, the cap allows for slicing the truffle directly over the meal, elevating the final moment of any dish. LEVITA celebrates the truffle with character and presence: an object to display, a flavour to share, an experience to savour. We are currently looking for a client for this project. If interested, please send us a DM or reach us at [email protected] Special Thanks to: Miguel Garcia, Adolfo Vilchez and Stefano Mogno. Glass Jar: @estal_packaging Paper: @averydennison Foil & Emboss: @leonhardkurzcreative Cap: @tapi_group Printer: @voxartesgraficas Photography by @numo_nunomoreira @makeamarkproject

Make a Mark is an exclusive innovation initiative led by three of the world’s reference names in premium packaging: Estal, Avery Dennison, and Leonard Kurz. Every year, they invite some of the best world’s top packaging design studios to develop an integrated concept that pushes boundaries through bold thinking and creative originality. For the 2025 edition, we were asked to create a project within the gourmet category. From the outset, our minds went to an extraordinary discovery recently made in Portugal: wild black truffles. Inspired by this finding, we set out to create a brand universe (naming, identity, and packaging system) that would finally give the Portuguese truffle the recognition it deserves. In collaboration with Estal, we designed a bespoke jar, paired with a custom cap developed by Tapi, to create an entirely new user experience. We crafted the label using Avery Dennison’s innovative Limestone paper, finished with a refined touch of Kurz hot stamping. The result is LEVITA: a truffle brand whose packaging unites beauty and purpose. Designed to go on the table, the cap allows for slicing the truffle directly over the meal, elevating the final moment of any dish. LEVITA celebrates the truffle with character and presence: an object to display, a flavour to share, an experience to savour. We are currently looking for a client for this project. If interested, please send us a DM or reach us at [email protected] Special Thanks to: Miguel Garcia, Adolfo Vilchez and Stefano Mogno. Glass Jar: @estal_packaging Paper: @averydennison Foil & Emboss: @leonhardkurzcreative Cap: @tapi_group Printer: @voxartesgraficas Photography by @numo_nunomoreira @makeamarkproject

CLAY emerges from Cultural Affairs’ expansion into a new cultural territory, redefining the role of ceramics in contemporary design. Rooted in art, craftsmanship and innovation, and developed under the creative direction of @vhils , the brand brings art into everyday spaces through authored tiles and limited-edition collections. Collaborations with artists such as Shepard Fairey, JonOne and Vhils reinforce this dialogue between creativity and function, extending artistic practice beyond traditional gallery contexts. The visual identity is grounded in the idea of engraving a mark impressed directly into raw material, whether tile, ceramic, glass or textile. Typography is conceived as a three-dimensional form emerging from this gesture, becoming object rather than representation. It explores volume, light and shadow, allowing each letter to behave as a sculptural presence. Four directional axes of light define the system. Rather than relying on traditional variations such as weight or slant, light becomes the defining variable, shaping contour, depth and contrast within a single typographic structure. This approach transforms typography into a behavioural system, where graphic form becomes physical presence and letters are experienced as matter shaped by light. @weareclayofficial

CLAY emerges from Cultural Affairs’ expansion into a new cultural territory, redefining the role of ceramics in contemporary design. Rooted in art, craftsmanship and innovation, and developed under the creative direction of @vhils , the brand brings art into everyday spaces through authored tiles and limited-edition collections. Collaborations with artists such as Shepard Fairey, JonOne and Vhils reinforce this dialogue between creativity and function, extending artistic practice beyond traditional gallery contexts. The visual identity is grounded in the idea of engraving a mark impressed directly into raw material, whether tile, ceramic, glass or textile. Typography is conceived as a three-dimensional form emerging from this gesture, becoming object rather than representation. It explores volume, light and shadow, allowing each letter to behave as a sculptural presence. Four directional axes of light define the system. Rather than relying on traditional variations such as weight or slant, light becomes the defining variable, shaping contour, depth and contrast within a single typographic structure. This approach transforms typography into a behavioural system, where graphic form becomes physical presence and letters are experienced as matter shaped by light. @weareclayofficial

CLAY emerges from Cultural Affairs’ expansion into a new cultural territory, redefining the role of ceramics in contemporary design. Rooted in art, craftsmanship and innovation, and developed under the creative direction of @vhils , the brand brings art into everyday spaces through authored tiles and limited-edition collections. Collaborations with artists such as Shepard Fairey, JonOne and Vhils reinforce this dialogue between creativity and function, extending artistic practice beyond traditional gallery contexts. The visual identity is grounded in the idea of engraving a mark impressed directly into raw material, whether tile, ceramic, glass or textile. Typography is conceived as a three-dimensional form emerging from this gesture, becoming object rather than representation. It explores volume, light and shadow, allowing each letter to behave as a sculptural presence. Four directional axes of light define the system. Rather than relying on traditional variations such as weight or slant, light becomes the defining variable, shaping contour, depth and contrast within a single typographic structure. This approach transforms typography into a behavioural system, where graphic form becomes physical presence and letters are experienced as matter shaped by light. @weareclayofficial

Menopáginas. A book that relieves hot flashes and the lack of information. Project developed by @thisispacifica , in collaboration with the in-house creative team at The Walt Disney Company for the @starchannelpt . Stop Motion by @silvio.teixeira.studio Book Illustrations by @caroooliiiiiina Studio Photography by @numo_nunomoreira Print production by M2

Menopáginas. A book that relieves hot flashes and the lack of information. Project developed by @thisispacifica , in collaboration with the in-house creative team at The Walt Disney Company for the @starchannelpt . Stop Motion by @silvio.teixeira.studio Book Illustrations by @caroooliiiiiina Studio Photography by @numo_nunomoreira Sound by @pedrosompedro Print production by M2

Menopáginas. A book that relieves hot flashes and the lack of information. Every day, STAR Life shares stories of great women. Yet there is a subject that remains absent: menopause. Today, 1 in 2 women in pre menopause feel that it is not talked about enough. A fan shaped book that opens the dialogue. An intimate, light and empathetic editorial object that combines accessible scientific information with real stories. Short stories and chronicles that help to understand, normalise and create identification. The design reinforces the concept. Illustration adds symbolic depth, typography brings a more human voice, and the fan structure opens both physically and symbolically the space for conversation. The project expanded beyond the physical object. Copies were shared with doctors, journalists and influential women, distributed to libraries named after women, and released in digital formats including PDF and Instagram Stories, as well as an audiobook on YouTube and animated content on television. A shorter fan edition was also distributed across 200 pharmacies, with 5000 copies. Project developed by This is Pacifica, in collaboration with the in-house creative team at The Walt Disney Company for the @starchannelpt . Stop Motion by @silvio.teixeira.studio Book Illustrations by @caroooliiiiiina Studio Photography by @numo_nunomoreira Sound by @pedrosompedro Print production by M2

The kids are allright. 🐣