Institutional identity and graphic ephemera for
@kunstraum34 ; 2023–ongoing. Kunstraum 34, a non-profit art association in Stuttgart, was founded in 1982 and has supported local and international exhibitions and events in contemporary art and music for more than four decades, with a particular focus on time-based, experimental, and interdisciplinary projects.
Since 2023, we have supported the association with a visual identity, a mobile-first website, and printed matter for its exhibition program. The identity takes its cue from the vaulted cellar, Kunstraum 34’s largest exhibition space, reflected in the logo through two arch forms. Based on a reduced set of typefaces that shifts across projects, the design creates posters and flyers that balance typographic expression with a clear and recognisable information layer.
A distinctive part of the program is Klangraum, an annual festival for new music and experimental performance, which celebrated its 40th anniversary in 2025. The website brings together the current program and the forty-year history of the association, while an archive offers access to past events and activities.
[1] Various flyers, 2023–2026
[2] Various posters, 2023–2026 (thanks to
@cavalry.app wizard
@niklasberlec 🧙 for substential animation help on this animation)
[3] Website snippets, 1170×2532px, design and developement in-house.
[4] Animation of logo variations for K34, Kunstraum 34 and Klangraum 34.
Design:
@sventillack @steffenknoell , identity [4] with
@johanneshucht , poster “Synchronized Collapse” [2] with
@zevako_maryna
Fonts in use:
FT Aktual & FT Supplement,
@formula.type
#typography #selectedwork #poster #graphicidentity #animation
![Exhibition reader „Jazz et cetera. / Just Dauner. A real book.“ in form of a gatefold vinyl for “Wolfgang Dauner. Jazz et Cetera.” with two inlays. This publication does not only feature a 48-page brochure with further information about the estate of Wolfgang Dauner, a second booklet includes 66 pages of sheet music and musical notations.[1] Closed gatefolds, front and back, on top of a collage brochures[2] Open gatefolds, standing[3] Brochure covers[4–6] Inner pages, “Wolfgang Dauner. Jazz et cetera.”[7] Inner pages, “Just Dauner. A real book”[8] Closed gatefolds, front and backDesign:@studiotillackknoell @sventillack @steffenknoellFonts in use:
Mercator ST, @source.typewith exhibition facsimiles of Rapid (@source.type), Leif (@skriftkompani), Topol (@heavyweight_type), Magic + Timezone (@haltypefaces)#typography #exhibitiondesign #selectedwork #vinyl #graphicdesign](https://sp1.picnob.com/p/pt_6747654617355367734242_0_1bd3026b944b3b83171b4b38176d802a.jpg?o=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&h=631000a68c71f0d87ac4f6bcc72b1fc7)
![New poster for @kunstmuseumreutlingen. The exhibition “Love Will Tear Us Apart” aims to raise awareness of the multiple interpretations of depictions of love and to broaden our perspective on iconic woodcut works through the lens of contemporary artistic practice.[1]: Wet proof on affiche blue back paper, two colour offset print in DIN A1; Pantone 210C + Black; 63x89cm[2]: Moving poster, 1188×1682px, @cavalry.appGraphic design: @steffenknoell @sventillackFont in use: FT Aktual @formula.type#poster #movingposter #typoster #graphicdesign #affiche](https://sp1.picnob.com/p/pt_6747156265557249375915_0_3769cf3306f1ee11835ffefc38fd0f22.jpg?o=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&h=f83d127eccfaa38abe3932980a3d26b9)
![Institutional identity and graphic ephemera for @kunstraum34; 2023–ongoing. Kunstraum 34, a non-profit art association in Stuttgart, was founded in 1982 and has supported local and international exhibitions and events in contemporary art and music for more than four decades, with a particular focus on time-based, experimental, and interdisciplinary projects.Since 2023, we have supported the association with a visual identity, a mobile-first website, and printed matter for its exhibition program. The identity takes its cue from the vaulted cellar, Kunstraum 34’s largest exhibition space, reflected in the logo through two arch forms. Based on a reduced set of typefaces that shifts across projects, the design creates posters and flyers that balance typographic expression with a clear and recognisable information layer.A distinctive part of the program is Klangraum, an annual festival for new music and experimental performance, which celebrated its 40th anniversary in 2025. The website brings together the current program and the forty-year history of the association, while an archive offers access to past events and activities.[1] Various flyers, 2023–2026[2] Various posters, 2023–2026 (thanks to @cavalry.app wizard @niklasberlec for substential animation help on this animation)[3] Website snippets, 1170×2532px, design and developement in-house.[4] Animation of logo variations for K34, Kunstraum 34 and Klangraum 34.Design:@sventillack @steffenknoell, identity [4] with @johanneshucht, poster “Synchronized Collapse” [2] with @zevako_marynaFonts in use:
FT Aktual & FT Supplement, @formula.type#typography #selectedwork #poster #graphicidentity #animation](https://sp1.picnob.com/p/pt_6747273666427067375623_0_f18028bfcc967e36ad48aa69532ce3b0.jpg?o=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&h=fa3a0b3804b9a628e76515f874e9abe1)
![Exhibition design and scenography for “Wolfgang Dauner. Jazz et cetera” at @wlb.stuttgart.For the first exhibition of Wolfgang Dauner’s estate, we developed a spatial narrative structured in six chapters. Large-scale typography introduces each section and guides visitors through records, handwritten scores, photographs, instruments and personal documents. Listening stations connect the archival material with sound and turn the exhibition into a sequence of visual and acoustic encounters. A project combining exhibition graphics, typography and object display.[1] Exhibition wall “Glotzmusik”[2] Audio station “Fusionierungen”[3] Close-Up “Mood Records” and the United Jazz+Rock Ensemble[4] Close-Up of Dauner’s Mood Records-suitcase[5] Exhibition area “Bezahlt die Jazzmusiker besser!”[6] Display design with tapes and vinyl[7] Exhibition wall “Jazz muss swingen!”[8] Original photographs depict the life of Dauner[9] Audio station “Jazz muss swingen!”[10] Audio station close-up with headphonesOn view until 13 June 2026.Exhibition design: @studiotillackknoell @sventillack @steffenknoell @johanneshuchtFonts in use: @sourcetype @haltypefaces @heavyweight_type#exhibitiondesign #scenography #typography #exhibitiongraphics #spatialdesign](https://sp1.picnob.com/p/pt_6747451869466067372431_0_695246fbdbf2198c320232201e997693.jpg?o=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&h=649f91e2ebef7402334ad201ea0d93b4)
![Art direction for @the_opera_photography, Volume XIII: MYTHOS.Entitled »Mythos«, the thirteenth edition of THE OPÉRA Magazine for Classic & Contemporary n.u.d.e Photography collects 23 international artists in 5 chapters to once more showcase the variety of modern n.u.d.e photography. 24×31cm, 216 pp., softcover, embossing.[1] Cover[2–3] Table Of Contents, Preludio, Chapter[4] @dasharain[5-6] @neeltje_devries[7] @alcha_m[8-9] @nandahagenaars[10] @stefanmilevtheencyclopedia @phil_hoffmannDesign@studiotillackknoell @sventillack @steffenknoellFontsTWK Issey & Lausanne @weltkern_typefacesCover@nastyaspaceyPublished at@kerberverlag#typography #editorialdesign #magazine #kerberverlag #theopera](https://sp1.picnob.com/p/pt_6742114746655449681243_0_8f076f244618895faf9ab58d0c8839fd.jpg?o=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&h=bb264a8a38841e827e8859ba2180c1c0)
![Das Politische schneiden [Cutting The Political] at @kunstmuseumreutlingen presented HAP Grieshaber’s woodcuts and foregrounded his engagement with the Peasants’ w.ar. The Spendhaus showed a selection of his work among a 2.40m-high dyptich from documenta 3 in 1964.[1] Invitation card, 10.5×21cm, three colour offset print with blind embossing[2] Citylight, 115×170cm[3] Moving poster, 1782×2523px[4] Wall decoration, 180×120cm, two colour vinyl cut on painted wall[5] documenta piece with explanation, two colour vinyl cut on painted wall[6] Outdoor banner, 80×200cm, ink jet on vinyl[7] Outdoor banner, 350×350cm, ink jet on vinyl[8] Poster, 59.4×84.1cm, three colour offset printFont in use: FT Aktual Black, @formula.type#typography #selectedwork #animation #visualidentity #typosters](https://sp1.picnob.com/p/pt_6766705635573349165254_0_c6eed808bb716c780afb53c9e3039af0.jpg?o=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&h=4693f3f35e114cdc8afe8d0fd9982bda)
