[̲̅H][̲̅A][̲̅L] [̲̅T][̲̅i][̲̅m][̲̅e][̲̅z][̲̅o][̲̅n][̲̅e] [̲̅i][̲̅n] [̲̅u][̲̅s][̲̅e]
Nothing About Interior Architecture
Edited by Javier Fernández Contreras, Youri Kravtchenko and Julie Enckell Julliard
@javier.fdezco @youri_kravtchenko
Published by Set Margins’
@setmargins
Design by Bureau Vielcazat
@bureau_vielcazat
Typeset in HAL Timezone by HAL Typefaces
Words about the project from the publisher:
Often dissident, sometimes adherent, Nothing About is, in essence, indefinable because it is adaptive and fluid. Speculative or hands-on, this discipline – if we can call it that – displays all the ambivalences of our contemporary lifestyles: superficial and profound, profane and divine, present everywhere and nowhere, and often regarded as futile, even though it could nonetheless destroy the most beautiful of insides. This book brings together a variety of intellectual tools and insights – polysemic and ambiguous, bespoke and improvised, ornamental and criminal, spanning media, technology, the arts and other, often undefined fields – that analyze the impact of the discipline on contemporary design. In the end, what makes Nothing About charming is that this inside – insofar as it is still defined as such – has only the humble ambition of accompanying beings, both animate and inanimate, within their environment, like a friend who is never far away.
Introduction by Javier Fernández Contreras. Text contributions by Daniel Zamarbide, Line Fontana & David Fagart, Valentin Dubois & Bertrand Van Dorp, Camille Bagnoud & Ahmed Belkhodja, Javier F. Contreras & Roberto Zancan, Paule Perron, Philippe Rahm, Youri Kravtchenko, Leonid Slonimskiy, Simon Husslein, Vera Sacchetti, Jan Dominik Geipel, Valentina De Luigi, Jean-Pierre Greff.
Photography by Annette Behrens
![ᴴᴬᴸ ᵀⁱᵐᵉᶻᵒⁿᵉ ⁱⁿ ᵘˢᵉArts of the Working Class, Issue №40@arts_of_the_working_classThis issue is dedicated to the work of Mariana Castillo Deball @marianacastillodeballWith a re-design by Studio Manuel Raeder (Cecilia Murgia, Andrew J. Beltran, Manuel Raeder).@ceciliamuuurgia @studiomanuelraeder @andrewjbeltran .“A multi-lingual street journal on poverty and wealth, art and society: Arts of the Working Class is published every two months and contains contributions by artists and thinkers from different fields and in different languages. Its terms are based upon the working class, meaning everyone, and it reports everything that belongs to everyone. Everyone who sells this street journal earns money directly. Vendors keep 100% of the sales. Every artist whose work is advertised, designs with us its substance. AWC is published by Paul Sochacki and María Inés Plaza Lazo for the streets of the world […] Across this issue, our contributors write with embodied experience and critical analysis, as they reflect on Elie Wiesel’s famous quip KEIN MENSCH IST ILLEGAL (nobody is illegal) on our cover.”ʙᴜʏ ᴀɴᴅ ꜱᴜᴘᴘᴏʀᴛ: ʜᴛᴛᴘꜱ://ᴀʀᴛꜱᴏꜰᴛʜᴇᴡᴏʀᴋɪɴɢᴄʟᴀꜱꜱ.ᴏʀɢ/ꜱʜᴏᴘꜱ/IMPRINTFounder / Publisher / Editor at LargeMaría Inés Plaza Lazo @mi_plazaEditor in ChiefDalia Maini @shitshinesAssociate EditorMaria Portilla Acevedo / Mi Valedor@mariaportilla1CopyeditingWilliam KherbekStaeff GuentherManagement LeadLubi BarreDistribution Lead / Management AssistanceHannah Lu VerseLayout / DesignStudio Manuel Raeder(Cecilia Murgia, Andrew J. Beltran, Manuel Raeder)FONTS used in AOWC ISSUE 40Selios by Mariana Castillo DeballKaleidoscopic Eye by Mariana Castillo DeballPaolozzi by Mariana Castillo DeballPlaetze by Raoul Gottschling @raoulgottschlingPirelli by Jung-Lee Type Foundry @jung_lee_type_foundryHAL Timezone by HAL TypefacesVolunteersCora Pagano, Nicole Yildirim, Lisa Schmidt-Herzog, Lily May Hardie](https://sp1.picnob.com/p/pt_6739363345266873364329_0_b1f4b023bad1df06f9eda96289caeae0.jpg?o=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&h=9f01525f7d9bf4d915d1869114d035ba)
![[̲̅H][̲̅A][̲̅L] [̲̅T][̲̅i][̲̅m][̲̅e][̲̅z][̲̅o][̲̅n][̲̅e] [̲̅i][̲̅n] [̲̅u][̲̅s][̲̅e]Nothing About Interior ArchitectureEdited by Javier Fernández Contreras, Youri Kravtchenko and Julie Enckell Julliard@javier.fdezco @youri_kravtchenkoPublished by Set Margins’ @setmarginsDesign by Bureau Vielcazat @bureau_vielcazatTypeset in HAL Timezone by HAL TypefacesWords about the project from the publisher:Often dissident, sometimes adherent, Nothing About is, in essence, indefinable because it is adaptive and fluid. Speculative or hands-on, this discipline – if we can call it that – displays all the ambivalences of our contemporary lifestyles: superficial and profound, profane and divine, present everywhere and nowhere, and often regarded as futile, even though it could nonetheless destroy the most beautiful of insides. This book brings together a variety of intellectual tools and insights – polysemic and ambiguous, bespoke and improvised, ornamental and criminal, spanning media, technology, the arts and other, often undefined fields – that analyze the impact of the discipline on contemporary design. In the end, what makes Nothing About charming is that this inside – insofar as it is still defined as such – has only the humble ambition of accompanying beings, both animate and inanimate, within their environment, like a friend who is never far away.Introduction by Javier Fernández Contreras. Text contributions by Daniel Zamarbide, Line Fontana & David Fagart, Valentin Dubois & Bertrand Van Dorp, Camille Bagnoud & Ahmed Belkhodja, Javier F. Contreras & Roberto Zancan, Paule Perron, Philippe Rahm, Youri Kravtchenko, Leonid Slonimskiy, Simon Husslein, Vera Sacchetti, Jan Dominik Geipel, Valentina De Luigi, Jean-Pierre Greff.Photography by Annette Behrens](https://sp1.picnob.com/p/pt_6739315054165473532247_0_a06cbeb7f9b1f58918dbf921efa78303.jpg?o=aHR0cHM6Ly9zY29udGVudC1pYWQzLTEuY2RuaW5zdGFncmFtLmNvbS92L3Q1MS44Mjc4Ny0xNS82NzExMjQ5NjhfMTg0NTg3MTEyNjkxMDc4NTNfODMyNDUwNzA0MDQzMzk2NDIxNl9uLmpwZz9zdHA9YzAuMTIwLjcyMC43MjBhX2RzdC1qcGdfZTE1X3M2NDB4NjQwX3R0NiZfbmNfaHQ9c2NvbnRlbnQtaWFkMy0xLmNkbmluc3RhZ3JhbS5jb20mX25jX2NhdD0xMDEmX25jX29jPVE2Y1oyZ0VEVkIwT3E3M3R0U2lRN3Mzc3Q4Xy1rQWZYYTVnY096QWtFMkVVVTFiOFZVUl8xRXNqQlV2Z2FEQkFUVmY4bUxRNFd6aERQM3ZIZTczZU5HSlc4Mkg3Jl9uY19vaGM9NnRIRWVieGFDTWdRN2tOdndGYWZmeGQmX25jX2dpZD01V2d1VzgwNGY5WlEyREFIQTdTT0l3JmVkbT1BUFU4OUZBQkFBQUEmY2NiPTctNSZvaD0wMF9BZjRHdmtkd3dBUEhXN0h4bFdEUG1pT00tV1oyYlN2TEsyejE3c1YwWnRwalB3Jm9lPTZBMEYyRjkyJl9uY19zaWQ9YmMwYzJj&h=fbd60fed331493b9891a80464c5ce85e)
