KI trifft Kunst.
Dieses Reel wurde komplett mit künstlicher Intelligenz erstellt – als kreativer Schlenker zwischen Vision, Magazin und digitaler Kunstwelt.
Redaktionell werden wir uns künftig noch intensiver mit Kunst, KI-generierter Kunst und den neuen kreativen Möglichkeiten beschäftigen.
Wie verändert KI die Kunstszene? Inspiration oder Risiko?
Was denkt ihr darüber? 👇
#glowartmagazine #kikunst #digitalart #futureofart #artificialcreativity
We asked a group of incredible creators to create pieces inspired by NYC, completely made in Firefly, to be shown in Times Square on Sunday. Stay tuned to see their creations and more on the big screen(s) 👀
In Spike #87, “Everything’s Computer,” Anika Meier samples five art practitioners who are responding to generative AI by building avatars, ecosystems, and autonomous models – and blowing open the conceit that so much of art’s value should rest on its makers’ signatures.
Get the clout-magnetizing print copy or an instantly downloadable e-paper >>> /products/issue-87-spring-2026-everythings-computer
Images
1. LaTurbo Avedon, Self-Portrait (Fluorescent), 2021
2. Holly Herndon & Matt Dryhurst, xhairtymutantx, 2024
3. Sofia Crespo, Coral, from the series “Artificial Neural History,” 2020–24
4. Jon Rafman, Main Stream Media Network, 2025, Sprüth Magers, Los Angeles
#everythingscomputer #postartist
Must see!!
We visited Liquid Chimeras at @meet.digitalculturecenter in Milan.
Curated by @eleonorabrizi and created by Entangled Others (Sofia Crespo @sofiacrespo & Feileacan McCormick @feileacan_net ), the exhibition explores the ocean through what remains unseen.
Liquid Chimeras stems from this condition: where information is lacking, spaces for creative possibility open up. Just as in the Middle Ages the absence of scientific knowledge was filled by monstrous and imaginary creatures, symbolic projections of unknown territories, so today the attempt to make visible what exists but escapes direct perception opens up a space for what art has always been able to do: imagine speculative forms that do not explain reality but question it.
As much as it’s a magazine, Spike is a network – see where the people meet the paper in our Spring issue, “Everything’s Computer” >>> /products/issue-87-spring-2026-everythings-computer
#spikeartmagazine
Nordic Interface
The Lumen Prize, in collaboration with @kunstsilo , is proud to announce the launch of: Nordic Interface, a new initiative supporting the development of an ambitious new commission by a Nordic artist through mentorship, production support, public programming, and a site-specific commission at Kunstsilo.
Building on our long-standing partnership, the program provides selected Nordic artists with mentorship from an international network of experts, dedicated production support, and the opportunity to premiere a new work in Kunstsilo’s Silohall during The Lumen Prize Awards Ceremony weekend in November.
For the inaugural edition, we’re thrilled to announce @entangledothers as the first artists selected for the program. Their practice explores the complex entanglements between artificial intelligence and biological systems, asking how technology shapes our understanding of the more-than-human world.
More details to follow shortly.
🔗 Comment ‘nordic’ for more information on the programme.
#NordicInterface #LumenPrize #EntangledOthers #Kunstsilo
From Studio to System: The Rise of Computational Art Practice.
Public perception of “AI art” is still read through a narrow frame, as if the work begins and ends at a prompt. In our latest feature, we look toward the practices that have defined the last decade of computational art and trace that lineage through five Lumen Artists whose work has helped set the terms of the field:
→ @quasimondo
→ @annaridler
→ @sofiacrespo
→ @sougwen
→ @refikanadol
Across their practices, the artwork exists as an evolving system rather than a fixed image.
The result is a different way of understanding labour, craft, and cultural intent in the generative era.
Comment ‘FEATURE’ to be sent the full article.
#Lumenprize #digitalart #aiart #aiartist #lumenartist
#tbt
Are we moving toward a “post-nature” world, or simply redefining what nature has always been?
It’s Thursday, time for a throwback. This week, we look back to 2021 and the group exhibition “Swarms, Robots and Postnature,” which brought together artists at the intersection of biology, technology, and speculative futures.
The exhibition explored swarm behavior as both a natural and artificial phenomenon, challenging the boundaries between the organic and the engineered. It asked whether technology is truly separate from nature or just another phase of its evolution.
The show featured Käthe Wenzel @artiststoolkitpod , So Kanno, and Sofia Crespo @sofiacrespo , presenting three distinct yet interconnected perspectives.
Käthe Wenzel’s “Bone Bots” merge animal remains with robotics, creating haunting hybrid forms, while her “Bone Costumes” critique control systems embedded in fashion and consumption. So Kanno’s “Lasermice” translates insect-like swarm intelligence into coordinated robotic movement and light-based communication. Sofia Crespo’s “Neural Zoo” uses machine learning to generate speculative organisms, suggesting artificial systems may not imitate life but actively participate in its redefinition.
Photo 1. Käthe Wenzel: Bone Costumes, installation view. Photo by Tim Deussen.
Photo 2. So Kanno: Lasermice Dyad, 2020/21. Photo by Kuroha Masashi.
Photo 3. Sofia Crespo: Neural Zoo series, 2018-2021, CNN (convolutional neural networks).
#tbt#throwbackthursday#artlaboratoryberlin#postnature
Greenhouse > Lounge, and everything in between.
Short film directed by @grace.louey for @broached_commissions , documenting our VIP Lounge for @melbourneartfair .
Watch till the end and I’ll give you kiss x
