Fitzpatrick Gallery is proud to present Terre Intrecciate, curated in collaboration with Jacopo Mazzetti, at Palazzo Carrozzini (Soleto, Puglia).
Structured in three distinct yet interwoven layers, the exhibition unfolds like a palimpsest—each stratum existing on its own plane, stacked tier by tier. Terre Intrecciate traces a universal longing to grasp the sacred, offering a quiet meditation on transcendence, where the earthly and the ethereal meet in silent dialogue.
With its layered history—as a noble residence and later a tobacco factory—Palazzo Carrozzini becomes a resonant vessel for the exhibition. Its rediscovered frescoes, long obscured, echo the exhibition’s themes of intertwined lives and overlapping histories.
Tonight we open Cédric Rivrain’s “Crack a Smile” (6-9pm) in one of the oldest parking garages in Paris—the Grand Garage Haussmann in the 8th arrondissement.
This marks our third exhibition with Cédric, and his largest to date: 26 paintings spread out over 10 levels of the former garage. We could not have found a more perfect stage for this suite of intimate portraits, which Cédric has spent the past year working on since his last show in LA.
The show is up through June 22nd by appointment. Please contact me directly if you’d like to visit.
For those in Paris this weekend, hope to see you tonight!
Tomorrow, Saturday April 26th (from 4 to 7pm), we open the next exhibition of our new nomadic program: Arthur Marie’s “Silhouettes” at the historic Passage Sainte-Anne.
The show will remain on view until May 24th, open Monday through Saturday, from 8am to 8pm.
Arthur has been working on this new suite of paintings since the summer. Meticulously rendered, exquisite, tender, and bizarre—exactly the kind of painting practice that excites me, and that I stand behind.
Bravo to Arthur @arthurmarieee and thank you to my team @fitzpatrick_gallery for your continuous efforts in keeping up with the demanding pace of my vision.
Special thanks to Dani Issler @daniissler , au passage @au__passage and Gil Presti @villa.atrata for assisting in securing the perfect location to present our exhibition.
Paris, hope to see you tomorrow afternoon!
These incredible Beatrice Wood ceramics (ca. 1960-1985) were stuck in customs for a month, and sadly did not make it into our show. They literally just arrived today, a few hours before we have to pack up and deinstall.
Apparently since yesterday Mercury is no longer retrograde. This has to be the most mercury retrograde-y thing to ever happen to me.
The show was stunning without them, but of course it breaks my heart that no one got to see these gems in person!
I sourced them from a collection in San Francisco.
Please DM if you want more info!
#beatricewood
Opening this afternoon, March 22nd, from 2 to 7pm at Maison Ozenfant:
“Dépasser”— featuring historic works by Beatrice Wood and Iréne Zurkinden.
The exhibition kick starts our new itinerant gallery program, and provides a rare opportunity to visit the famous Le Corbusier villa.
Maison Ozenfant 53 Avenue Reille 75014 Paris
If you can’t make it today, then contact me to schedule an appointment to visit the show, which remains open through Sunday, April 6th.
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Graphic Design: Marietta Eugster @mariettaeugster
Interior Design: Antoine Billore @antoinebillore
Fleuriste: Clément Bouteille @clement.bouteille
(Céramiques : Étienne Mauroy etienne.mauroy)
With special thanks to: Stéphane Corréard @correardstephane , Larkin Erdmann @larkinerdmann , Alex Fitzgerald @alexpfitzgerald and Andrew Kreps Gallery @andrewkrepsgallery ), David Fleiss @thedavethedave , and Carlo Knoell @carlo_knoell , Sébastien Kögel and Corrado Morina of Tecno Spa @tecnospa , Marie Madec @mariexmasmadec , Corrado Morina, Kira Lillie @kiralillie , Francis Naumann @francisnaumannfineart , Jeffrey Spahn @jeffreyspahngallery , Rodica Sibleyras, Jeannine Troendle @schaanniin , Jules Vannier @jules_vannier , Thomas Villemin @thomasvillemin , Marion Vignal @marionvignal , Techno Spa and Kevin Wallace and the Beatrice Wood Center for the Arts @beatricewoodcenter , Carolina Buccellati @les___yeux , Katya Hudson @katyahudson , Violette Wood @vie__eau , Maria Fontenele-Reis @m_lyd_ , Yael Salomonowitz @theperformanceagency and Bo Salomonowitz-Fitzpatrick.
Artnews senior editor Maximilian Durón spoke to our director Robbie Fitzpatrick by phone about the closing of our current Paris location, the move to a nomadic gallery model, our final exhibition in the space with Hannah Weinberger, the Basel Social Club, and the state of the current art market.
Link in bio
@artnews@maxduron
Tomorrow, Saturday, October 12th, we open our doors for the last exhibition at Fitzpatrick Gallery’s Paris location, Hannah Weinberger’s ‘Someday You’ll Join Us’.
Closing the exhibition program in Paris with Hannah is particularly meaningful to me, as one of the original artists of the gallery program, the artist whose project wedidntwanttoleave.live (a global interactive sound experience) announced the transition to Fitzpatrick Gallery in 2020, and who I’ve had the great honor of working with these past few years on the Basel Social Club.
After 10 years of presenting exhibitions in fixed locations: from the original Freedman Fitzpatrick strip-mall corner shop on Hollywood Blvd, to the boutique vitrine on rue St. Bon, the apartment project space Sundogs, and the two-floor gallery at 123 Rue de Turenne we’ve occupied for the past 3 years, I am proud to announce a move away from the fixed-space model, and excited for the next chapter of my story as a gallerist: a nomadic program of site-specific exhibitions in unique locations, in some of my favourite cities across the globe.
We live in a world that has become increasingly gripped by consuming all that surrounds us, in an accelerated, frenzied pace, and over the past decade I’ve witnessed the art world follow the same course. I hope this new proposition provides an opportunity for an alternative—a model that emphasises experience over consumption.
The final exhibition at 123 rue de Turenne will be open daily, from 10am to 10pm, until October 26th. I hope to see you there.
Last two weeks of our current show with Cooper Jacoby. ‘The Living Substrate’ closes July 20th @fitzpatrick_gallery
Cooper spent the last two years working on these new works. The results are impressive. Not to be missed.
“Sophisticated artificial intelligences will routinely tell you, when asked, that human intelligence is superior because it is located in a body. Well, they would say that. Still, it’s a nice thought to have, if it is, indeed, a thought. What type of advantage is it to have a body? To be at the mercy of hungers and hormones? To need sleep? To become irrational or emotional? To be finite, of course. To age and to die. But as AI reaches the outer limits of its own possible knowledge, it comes up against both corporeal knowledge and the evidence of human spirit that lives in art. AI needs bodies to produce more human content, otherwise it will begin to be trained on itself and spiral into its own model collapse. It also needs that difficult to quantify thing: the geist, the ghost found in the corners of our culture such as art and faith.
At present, an AI can only know a sculpture through the images, data, and language produced by humans. Humans, on the other hand, can know sculpture through the mouth. The mouth is where human infants first investigate the object world, and early comprehension of objects – texture, weight, durability, and volume – is oral. Though a human adult can assess an object with their eyes, and sometimes by touch where permitted, the vestiges of all this knowledge, the roots of it all, live in the mouth.” - Laura McLean-Ferris @lmcleanferris
#cooperjacoby
Opening today in Los Angeles (Laurel Canyon):
Cédric Rivrain
Poussière (Dust)
Address:
2357 Hermits Glen
Los Angeles, CA 90046
Reception: Saturday, February 24th, 2 - 8pm
Exhibition Dates: February 24th - March 3rd
Hours: 10am - 6pm daily
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This show is a homecoming for me, and the start of what will hopefully become a series of more projects in LA, a place dear to my heart, and the origins of the gallery’s story.
We couldn’t have found a more perfect stage for this show. Thank you Blaine & Miles for your incredible generosity. @buckmonster
And thank you @cedricrivrain for this gift you’ve given to LA. The exhibition is not to be missed…
🫸 💫 🫷
Very proud of our booth at this year’s edition of Paris+ par @artbasel@fitzpatrick_gallery
Just two days left to come and check it out…
Grateful to my artists for bringing their A game and delivering masterworks for our presentation. And to my all-star team for your hard work! @maya_alternative@thomasvillemin@hugobauschbelbachir@les___yeux
With special thanks to @michaelbargo and @antoinebillore for our iconic kelly green table & chairs set.
Booth E15
Mathis Altmann
Alexandru Chira
Cooper Jacoby
Arthur Marie
Donald Moffett
Amelie von Wulffen
Hannah Weinberger
Opening Tonight!
Aithér, Berenice Olmedo’s first exhibition in France @fitzpatrick_gallery
We will remain open everyday this week, so if you’re in town for the fairs, please stop by to see this incredible show by @berenice.olmedo 💫
Image:
Berenice Olmedo
Aithér, 2023
Orfit orthoprosthetic, socket adapter for prothesis, stainless steel tube and mechatronics Orfit orthoprosthetic, socket adapter for prothesis, stainless steel tube and mechatronics 250 x 210 x 180 cm
98 3/8 x 82 5/8 x 70 7/8 in 110 x 46 x 42 cm (thermoplastic sculpture) 43 1/4 x 18 1/8 x 16 1/2 in (thermoplastic sculpture)
#bereniceolmedo
