If you’re still in Venice for a few more days, or passing through during the 61st International Art Exhibition, I’d love for you to discover THE FERAL - EPOCH 1.1, directed by Fabien Giraud with art direction by Anne Stenne @annestenne , co-produced by 3024 @theferal3024 and Anna Lena @annalenafilms . I had the honor of working on this project as Line Producer and Assistant Director. The film is currently on view on the second floor of the exhibition « Strange Rules », curated by Mat Dryhurst @matdryhurst , Holly Herndon @holly_herndon , Hans Ulrich Obrist @hansulrichobrist with Adriana Rispoli on view at Palazzo Diedo, @berggruendiedo . Fabien Giraud, « The Feral–Epoch 1 », 2025–26, single-channel video, machine learning and generative AI, colour, sound. Courtesy: the artist.

THE FERAL, EPOCH 1.1 Thrilled to share some bts of the film that has been at the core of my work this summer. “The Feral, Epoch 1” directed by Fabien Giraud, artistically directed by Anne Stenne @annestenne , co-produced by Anna Lena Film @annalenafilms and 3024 @theferal3024 , and edited generatively with AI conceived by Grégory Chatonsky @chatonsky_ . NOW ON VIEW at the MCA in Sydney @mca_australia as part of the exhibition Data Dream. Film Crew Line producer & Assistant director: Maya Vidgrain @maya_alternative Director of photography: Julien Saez @j.saez First assistant camera: Ugo Villion Gaffer: Silvio Belviso Electrician: Adrien Dodin Key grip: Tanguy Goaesguen Sound recordist: Pierre Bompy Boom operator: Martin Peignier Unit assistant: Samuel Levet Special effects: Silex Costume: Tzigane de Braconier @tziganedebraconier Exoskeleton artist: Loïc Martin @loic___martin HAC assistants: Nathalie Viot @nathalie.viot23 Marie Bedhet, Clara Omières Post-production Post-production supervisor: Elena Castiglia @elena_castiglia_ Sound editor & mixer: Amaury Arboun Colorist: Emmanuel Fraisse Artificial Intelligence AI co-writer: Grégory Chatonsky @chatonsky_ Generative editing & AI imaging designer: Guillaume Menguy Technical director & AI designer: Martial Geoffre-Rouland Programmer: Yassin Siouda Sound engineer: Léopold Créstel Actors Noé Balthazard @No é_balthazard François Bourrillon Aimé Fériot Arto Giraud Ilya Giraud Rémy Mendez Juliet Mérie @juliet.merie Philippe Randonneix Pascal Tagnati 3024 – Le Féral Production Head of production: Chloé Lopes Project manager: Aude Merquiol Artistic & production assistant: Noé Balthazard @noe_balthazard Production assistant: Elena Castiglia @elena_castiglia_ Administrator: Camille Ollivier Cruz Technical Production Unit manager: Chloé Lopes Unit assistant: Adrien Jolivet @adrisocialbot Unit assistant: Jean-Christophe Radke Woodworker: Lars Nielbock Technical team: Romain Vielle, Benjamin Bertholon, Juliet Mérie, Rémy Mendez Heartfelt thanks to all, whose dedication and creativity made it possible, as well as @cohenflorence for her trust. A true pleasure to meet such inspiring people along the way.

Thrilled to share that “Spit and image 1” and “Spit and image 2”, directed by Dorota Gawęda & Eglė Kulbokaitė @gaweda_kulbokaite and produced by @artcoreproduction , will soon be presented as part of the artists’ solo exhibition SPIT AND IMAGE at @basementroma , curated by @curamagazine @ilamarotta #andreabaccin Opening April 28 6:30 pm-9:00 pm Until July 10, 2026

Congratulations to @gyeongsu__ and his talented musicians on this dreamlike show at @boursedecommerce last evening. I’m overjoyed to have taken on the production of such a strong musical moment

2025 bangers. Thanks to the artists, friends, closest ones for all the sweet, playful and moving but also sometimes very serious moments. HNY!

Exhibition views of the installation featuring the films “SPIT AND IMAGE 1” (2025) and “SPIT AND IMAGE 2” (2025) by Dorota Gawęda & Eglė Kulbokaitė at MACALINE in Beijing, presented in their eponymous solo exhibition. On view until November 16, 2025 SPIT AND IMAGE Curated by Yang Bei Chen @yang_bei_chen . MACA Art Center @macaartcenter 798 Art District, Beijing Tuesday–Sunday 10:30am–6pm Director: Dorota Gawęda & Eglė Kulbokaitė @gaweda_kulbokaite Films production: artcore @artcoreproduction maya_alternative Actrice: Mona Walravens @monawalravens Actrice and Dancer: Anna Marchenko @anyanezazhimayplechi Cinematography: Anna Prokulevich @anna.prokulevicz Camera Assistant: Felipe Arias Vasquez @felipeariasvasquez Gaffer: Johan van der Voort Set: Dorota Gawęda & Eglė Kulbokaitė, Roland Fontaine @fontaine.roland Costume: Urte Kat Team @urtekat SFX: Juliette Ruetz, Julian Hutcheson @julietteruetz @julianhutcheson Sound: OXHY @oxhy___ Edit: Dorota Gawęda & Eglė Kulbokaitė Post-production: Moritz Freudenberg @moritzfreudenberg__ Animation: Dorota Gawęda & Eglė Kulbokaitė With support from: Fachausschuss Film und Medienkunst BS/BL and Pro Helvetia – The Swiss Arts Council @kunstkreditbaselstadt @prohelvetia

Artcore is thrilled to share the announcement of Dorota Gawęda and Eglė Kulbokaitė’s first institutional solo exhibition in China, « SPIT AND IMAGE », opening to the public on 7 September in Beijing. It has been an immense pleasure to accompany the artists throughout the production of their two latest eponymous films, premiering within the exhibition alongside a selection of their most significant works. Looking forward to sharing this with you! SPIT AND IMAGE
Dorota Gawęda and Eglė Kulbokaitė @gaweda_kulbokaite 
06.09 – 16.11.2025
MACA Art Center, Beijing @macaartcenter 
Curator: Yang Beichen @yang_bei_chen « SPIT AND IMAGE », while originally signifying “perfect likeness,” expands here to suggest a nuanced doubleness—creating polyphonic and porous dimensions within a mirrored structure. (…) Self and doppelgänger, body and technology, real and virtual, scent and mist, membrane and screen intersect to form a speculative contemporary hauntology.

I just got out of a very intelligent sharing by Lydia Eccles in conversation with Charles Teyssou & Pierre Alexandre Mateos at @goswellroad , about a body of work developed over several years and operating outside the art world while critically engaging with and against media, as a political performance ❣️

I’ve been so captivated by the cynicism of The Banana Man (1983) video by Mike Kelley, currently on view at the Tate, I believe it’s the kind of humor I like too

«As The Poet Said », 2009, documentary directed by Nasri Hajjaj

Mood: Fujiko Nakaya 🌬️

Production for ROMBAUT's SS25 Five years after doing Dysmorphia SS20, at Espace Niemeyer, I was super glad to work together again and mark the evolution of @matsrombaut into this impressive celebration As @rombautofficial celebrates its 10-year anniversary, the SS25 collection, baptized “PATH”, embodies the essence of its journey – a narrative through struggle, growth, and enlightenment. Over these 10 years, ROMBAUT has explored discipline through self-improvement, kindness, and environmental care. This year, the Paris-based brand draws inspiration from Shaolin Kung Fu to balance body, mind, and spirit, combining Zen Buddhist and Taoist philosophies with physical resilience. After Mats’ 4-month hiatus in 2023, returning to the capitalist fashion system was challenging, but amidst A.I. dominance, violence, and declining religious influence, ROMBAUT finds meaning and hope in creating telling objects. Symbols of hope and future relics of the times we live in. Movement director @maxcookward and his lit dancers and the lit models Styling @betsyjohnson_ Hair @charlielemindu Makeup @catalinasartor_ Casting @conanlaurendot Production @theperformanceagency hand in hand with @inventedcolor @jordandctagain @katyahudson @rage.mode @bicaspicas @mr.erica Backstage pictures @iamalanmarty 🖤🩶🤍