nicolò pellarin

notte @yevgeniya___

Hi dear community, ALC014’s CDs are ready to be shipped! In case you missed it we recently released @philip.kylberg “Shifting Waters”, reaching the peak of the deep mental and tribe techno movement with a 5 tracks debut EP including two remixes from no other than goats @raar_v and @djhauge . We are really happy to finally hold this amazing piece of collection that is this CD in our hands. Available through our bandcamp - link in bio. Many thanks to @npellla for the design and everyone strongly supporting this release ❤️ Tape mastering by @oton____ 💿

The poster for @thisis.klang & @flamingcreaturesroma with @abdullahminiawyofficial at Chiesa di Santa Maria Immacolata all’Esquilino, Roma IT easy

Love stories. @100__ve expanded festival is for the people and by the people. Have you ever wondered what it means to organise, promote and pursue an event in the area of Venice? Since 2019, 100__ve has been committed to creating a healthy gathering place in a location where it’s truly hard to find places for community engagement. Communities are the main driving force behind everything we do. It is only through the interest, will, and energy of those who are part of it that 100__ve has been made possible. The photo you see is a commemoration of our efforts, a special memory which will never disappear. Through focused curation, hard work, and perseverance, the expanded festival has had the privilege of hosting international artists such as Abdul Qadim Haqq, Afra, Andrius Arutiunian, Atrice, Batu, Black Merlin, Cardinal & Nun, Djrum, Dj Overdose, E-Saggila, Ece Ozel, Elena Colombi, EmmaDj, Erica Van Berger, Ginevra Nervi, Kimmah, Kris Baha, L.F.T, Lostsoundbytes, Ma Sha, Marsman, Morah, Mumdance, Nziria, oko Dj, Peder Mannerfelt, Sarra Wild, Shlagga, Simo Cell, The Zenobit3, Ultraviolence, Upsammy & Sjoerd Martens, Vox Supreme, Woody92, and many others, alongside local artists of equal social importance. We’ll see you on March 29th for another event at CS Rivolta. See you soon, and always with the same energy.

It’s been 8 years since I started doing these artworks without really knowing how to explain them. As part of MILLESUONI exhibition at @neunkelche (Berlin, 2026) printed on a metal board.

everyone’s dream, a short video description of Venice and its underground. Intended as a pure idealistic fantasy, as in @100__ve way of communicating. See you the 31 Jan 2026! Video: @the__circumstances Music: @ciirovitiiello Sound Design: @fightpausa Thanks also to @teresapiani @pinoesclamativo @shadespaths @dddespic @frahthekid @asilo_republic_

THIS SUNDAY: Finissage Nicola Di Croce, Nicolò Pellarin, Ramona Ponzini MILLESUONI Curated by Lisa Andreani July 13, 2025, 5 – 7 pm The artworks of the participating artists and designers evolve through open-ended processes that embrace varied durations, scales, modes of experimentation, and critical reflection. Emphasizing proximity and new forms of openness, the project adopts a resolutely experimental approach. Through the creation of a fundamentally polyphonic and multivocal space, MILLESUONI seeks to shift, challenge, and expand the structures we inhabit—reorienting how we listen. The project takes theoretical inspiration from the writings and lectures on sound by Deleuze and Guattari, as well as the book MILLESUONI. Deleuze, Guattari e la musica elettronica (2006), edited by Emanuele Quinz and Roberto Paci Dalò. MILLESUONI unfolds like a refrain—a constant process of territorialization and deterritorialization—embracing diversity, nourishing emergent affective states, and fostering new ecologies of listening. Deleuze and Guattari bring music back into the world, reintegrating it into the life cycle that connects humans with their natural and social environments. Their vision resonates through continuous shifts in field, scale, focus, and perspective—moving in concentric circles and outlining a genuine theory of complexity. We warmly invite you to join us this Sunday from 5 – 7 pm — the final chance to see the group exhibition MILLESUONI, curated by Lisa Andreani. We’re looking forward to seeing you there! If you can’t make it on Sunday, the exhibition will also be open during our opening hours on Friday, July 11th, from 2 – 7 pm 💛🏆 Photos: Helia Jafarzadeh @helios.helia Text: Lisa Andreani @kellyykelly___

Suzanne Ciani – Live at Villa Lontana Villa Lontana Records · Edition of 500 · Released October 6, 2025 Recorded live on June 16, 2023, this album captures Suzanne Ciani’s quadraphonic performance in the garden of Villa Lontana. Performing “Improvisation on Four Sequences” on her Buchla 200e, Ciani interacts with the surrounding landscape to create an organic dialogue between artist, instrument, and environment. Encoded in QUARK for both stereo and quadraphonic playback, the recording reflects Ciani’s pioneering approach to analog synthesis and spatial sound. A five-time Grammy nominee and trailblazer of electronic music since the 1970s, she continues to shape contemporary sound through her innovative and melodic explorations. Immersive production and Mastering: @cykik Graphic design: @io_diviso Layout: @npellla Pressing: @afg_record_manufacturing Cover photography: Courtesy of Suzanne Ciani’s personal archive Produced by Villa Lontana Records

Everything I do is fairly simple.

Vinyl and Ceramic design for Ministry Of Loneliness Theme — Renato Grieco & Rebecca Moccia This artist vinyl is the the result of a collaboration between composer Renato Grieco @___knn___ and artist Rebecca Moccia @moccia_finora , produced by @paintitblack_publishing and @cripta747 on the occasion of Moccia’s exhibition The Loners curated by Elena Bray and Iacopo Prinetti @iacprinetti , on view at Cripta747 until May 10th. Music by Renato Grieco Composed for the Ministry of Loneliness project by Rebecca Moccia Additional Mix (dolby): Massimo Filippini Mastering: Rashad Becker @rashad__becker Vinyl and Sleeve print: Fontegrafica Lab @fontegrafica_lab 64 numbered copies and 12 special editions numbered and hand signed (ceramics in collaboration with Ceramiche dell’Arte Dolfi) Ph. Federico Balmas

II Magazine introduce dicendo che parlare di performance e publishing equivale ad evocare un fantasma. Ahimè con diversi fantasmi ultimamente ci convivo quotidianamente. Questo “non-oggetto” ne è la prova. Frutto di un periodo-contro, dal quale nasce fra sudore e mille punti di domanda. Cos’è II Magazine? II Magazine non è. È uno spazio senza regole dove più di 20 contributi diversi si incontrano, scambiano, traducono ed influiscono in ciò che forse non si può nemmeno definire Pagina. Compaiono come la merda dagli angoli dei marciapiedi, sudici e patinati. Pieni d’errori incomprensioni e stupende intuizioni. Vorrei dileguarmi in altri vortici di pensiero ma lascio a ciò che è nato da questa bruttissima bellezza la Parola. II Magazine non è un libro. Sono solo pensieri che non hanno una fine, una direzione e nemmeno una copertina. È una nostra creazione, un urlo lungo un anno. II Magazine non è solo non essere, è anche la forza di @paintitblack______ nel credere che forse nelle strade, nelle crepe e nelle pieghe esiste un nuovo mondo ed un nuovo Parlare, essere Pagina, Progettualità collettiva. Mi sono perso e tu, spero un giorno, ti ritroverai. Grazie @vega.kollective @theunfairplay @francesca.pionati @kellyykelly___ @paintitblack______ e tutti gli artisti che hanno contribuito.

@tonyeffebaby777 cover + book design “Non volevo ma lo sono. @librimondadori senza freni, senza filtri.