KLANG

MERCH DROP After seasons of hyper-focusing on concept and sound, we felt it was time to sum everything up in a tangible and recognizable imagery. We wanted it to be high-quality, highly representative, uncompromising and, most of all, BEAUTIFUL. This is why we joined the vision of our overtalented graphic designer Nicolò Pellarin (@npellla ) with one of the most like-minded brands out there, the amazing Liminal Veil (@liminal.veil ). And honestly, we are very proud of the results. All three different designs are available on Liminal Veil website via 🔗 𝐢𝐧 𝐛𝐢𝐨 Already a fan of our work and a regular attendee? We want to thank you! Use discount code * KLANG30 * at the checkout to get 30% off on your purchase. Liminal Veil x KLANG Photography @almudena.soullard Assistant @guillem.srrv Styling and Assistance @manantial_doncella Models @eros.migo @___audioshock @intel_cora Video / sound design @prenatal_amygdala & @katlang___ Web @opvscvla

Friday, 29/05 ― KLANG x IPER Festival 2026 “SUPER LIEUX” pres. 𝐊𝐋𝐀𝐍𝐆: 𝑵𝑬𝑺𝑻 Sonificazioni dell’abitare Inside the unique and astounding context of MAAM (@maam_museoabitato ), as part of the “SUPER LIEUX” edition of IPER Festival (@iper_festivaldelleperiferie ), we are shaping a fictional and speculative non-place as a sonic reflection around the theme of “dwelling”. Together with the priceless partnership of Diacronie (@diacronie_ ), Cortile della Luna will be temporarily transmuted into a quadraphonic and immersive architecture, where sound is the pivotal element to inhabit and feel. Within this ephemeral sound building, in the role of both designers and dwellers, Ziúr (@ziurinhell ), Cosimo Damiano (@cosimo_damiano_ ), and DIACRONIE Ensemble (@diacronie_ , @ruggerofornari , @edd_blc , @giangly_0 , @zadra_luca ) will present site-specific quadraphonic performances, reflecting through the sound medium on the relationship between space and presence, between places and meanings, between people and lieus. 𝐅𝐑𝐄𝐄 𝐄𝐍𝐓𝐑𝐘 🗓️ Friday 29/05 🕖 h. 19:00 ― 21:00 (𝒓𝒆𝒂𝒍 𝒕𝒊𝒎𝒆𝒔!) 📍MAAM - Museo dell’Altro e dell’Altrove di Metropoliz (Via Prenestina, 913 - RM) Poster art: @npellla

The playful and creative approach to musical instruments, beyond any written rule or canonic practice, has always been one of our top inspirations. It’s around this very concept that, together with Diacronie, our 𝐊𝐋𝐀𝐍𝐆: 𝑻𝑶𝒀𝑺 series was born ― chasing the crispiest attitudes and the sharpest ideas around what a sound instrument could possibly be. From the voice of @elvinbrandhi and @giangly_0 to the percussions of @sebastienforrester and @edd_blc , from the winds of @timotheequost and @federicodangelo__ to the piano of @mayadhondtdtdt and @ruggerofornari & @cavallarohector , we had the chance to push the envelope of these “sound toys”, in service of fresher and wider visions. No setting would have suited better than the dreamlike halls of Teatro di Documenti (@teatro.di.documenti ), whose spellbinding aura made every frequency resonate like an enchantment. THANK YOU ALL for being part of our sonic journeys! See you very very soon with the last few goodies of the season 🩶 🎞️ video by @a_snake_in_bloom

Glimpses from the last episode of our 𝙠𝙡𝙖𝙣𝙜: 𝗯𝗿𝗮𝘃𝗮𝗱𝗼 series ― wandering through the most visionary ‘urban’ sound. It’s been a long and exciting journey, unveiling some of the most brilliant artists out there and showcasing their unique vision, while re-defining the borders of what ‘urban sound’ is and, most of all, can actually stand for. We couldn’t aim for a better closing, as the truly unbelievable performance of LINTD (@sickoflintd ), together with Porter Brook (porter_brook__), embodied the very spirit of the whole concept itself, but taking it to the next level of intensity and emotion. THANKS to Rhizome (@rhizome.rm ) for being such a beloved partner in this path, taking care of the always enlightening chats with the artists by the one and only @taxreform , as well as all the delightful sound selections. THANKS to La Redazione (@laredazioneroma ) for all the priceless support, becoming our free playground for sound adventures and speculative picturing. Most of all, THANK YOU ALL for taking part to our projects and joining our music explorations 🩶 By the way, the season isn’t closed yet! See you on Friday, May 8th at Chiesa di Santa Maria Immacolata all’Esquilino for the stunning performance of Abdullah Miniawy Trio (@abdullahminiawyofficial ), presented together with partners in crime Flaming Creatures & Trenta Formiche (@flamingcreaturesroma , @trenta_formiche ). CAPACITY is LIMITED: secure your spot via the link up here or you’ll regret it, trust us! Moreover, we’ll be in Venice for @100__ve ’s season finale on May 23rd, and expect a couple of more delicacies coming really soon, right before holidays. 🎞️ video by @a_snake_in_bloom

expanded festival returns to Venice for its 2026 closing — four nights across the city, 10+ artists, and some of the most exciting collaborations we’ve put together yet. Electronic music and beyond, spread across some of the most extraordinary spaces Venice has to offer. 22.5 — @casa_michelotto_pastor Ange Halliwell live presented with Plural Artist Management 23.5 — @csrivolta Hangar + Teatro Hangar: Mala @maladmz Xaxer Pol100 b2b Yasnouira Teatro: Klang pres. “Cozy little klang things” Jordan Deal live pres. “Seas of Triple Consciousness“ Lol K live pres. “Languid Haunt The Trees“ Omar Cheick & Arkangelo live sound by Bassigradassi 24.5 — Talk & Music Selections at @thisiscombo Venezia With XIII + more TBA as part of “Rio - Stereo Bar” launch event 27.5 — Teatrino at @palazzo_grassi in support of Long Playing a series curated by Nicola di Croce & Francesco Bergamo Valentina Magaletti — Lecture Performance & Listening Session Tickets and registration details for each event coming very soon See you in Venice. Electronic music & beyond.

Throwback to the fourth episode of our 𝙠𝙡𝙖𝙣𝙜: 𝗯𝗿𝗮𝘃𝗮𝗱𝗼 series, wandering through the most visionary ‘urban’ sound. Back then, La Redazione turned into a rusty mind-place where @oxhy___ ’s hectic intimacy drained us through an intense and cathartic experience. Thanks to @rhizome.rm for the always enlightening chat with the artist by @taxreform and the charming selection by @aaaaaaakkii . See you this Thursday, April 23rd for the LAST 𝙠𝙡𝙖𝙣𝙜: 𝗯𝗿𝗮𝘃𝗮𝗱𝗼 chapter, featuring the truly unbelievable live performance of sickoflintd, the sound selection of raffigurante and, as usual, the smart natter by @taxreform ⇩ 🗓️ Thursday 23/04 🕘 h. 21:00 📍La Redazione @laredazioneroma 🎟️ Entrance: only 𝗮𝘁 𝘁𝗵𝗲 𝗱𝗼𝗼𝗿 with Scomodo annual membership + contribution ++++ 𝙠𝙡𝙖𝙣𝙜: 𝗯𝗿𝗮𝘃𝗮𝗱𝗼 is a series focused on unearthing and disclosing the boldest ‘urban’ sound ― hosted and supported by @laredazioneroma , featuring the precious partnership of @rhizome.rm 🎞️ video by @a_snake_in_bloom

On May 8, 2026, Flaming Creatures, Klang, and Trenta Formiche will host Abdullah Miniawy, performing in trio with Jules Regard and Jules Boittin, at the evocative Chiesa di Santa Maria Immacolata all’Esquilino, known as “the church of women painters”. They will present “Peacock Dreams” (2025). A composer, writer, and one of the most compelling voices on the contemporary scene, Miniawy develops a musical language that moves across traditions and geographies, blending poetry, political tension, and layered sonic landscapes. Alongside him, Regard and Boittin shape an ensemble in which the trombones become living matter: harmonic architectures, baroque counterpoints, and extended techniques interact with Egyptian vocal traditions, generating an immersive and emotionally charged performance. 🗓️ May 8, 2026 🕘 9:00 PM (sharp) 📍 Chiesa di Santa Maria Immacolata all’Esquilino – Via Emanuele Filiberto 137 Limited capacity. The event is reserved for members. For info and reservations: LINK IN BIO L’8 maggio 2026, Flaming Creatures, Klang e Trenta Formiche, ospitano nella suggestiva Chiesa di Santa Maria Immacolata all’Esquilino, nota come “la chiesa delle pittrici”, Abdullah Miniawy in trio con Jules Regard e Jules Boittin, che presentano “Peacock Dreams” (2025). Compositore, scrittore e voce tra le più intense della scena contemporanea, Miniawy costruisce un linguaggio musicale che attraversa tradizioni e geografie, fondendo poesia, tensione politica e paesaggi sonori stratificati. Al suo fianco, Regard e Boittin danno forma a un ensemble in cui i tromboni diventano materia viva: architetture armoniche, contrappunti barocchi e tecniche estese dialogano con le tradizioni vocali egiziane, generando una performance immersiva e carica di tensione emotiva. 🗓️ 8 maggio 2026 🕘 ore 21:00 (puntuali) 📍 Chiesa di Santa Maria Immacolata all’Esquilino – Via Emanuele Filiberto 137 I posti sono limitati. L’evento è riservato all3 soc3. Per info e prenotazioni: LINK IN BIO Media partner: @radio3_rai Poster: @npellla #abdullahminiawy #flamingcreaturesroma #klangroma #trentaformiche

Thursday, 23/04 ― the LAST episode of 𝙠𝙡𝙖𝙣𝙜: 𝗯𝗿𝗮𝘃𝗮𝗱𝗼 sees the true hidden gem of the whole series. His debut is one of our 2025’s best albums, while his sophomore already is one of our favorites of 2026. We couldn’t aim for a better icing on the cake: ― 𝙠𝙡𝙖𝙣𝙜: 𝗯𝗿𝗮𝘃𝗮𝗱𝗼 ― avant-urban practices & sound tales 🗓️ Thursday 23/04 🕘 h. 21:00 📍La Redazione @laredazioneroma ── 𝙇𝙄𝙉𝙏𝘿 live performance | premiere (NG) sickoflintd LINTD is the solo project of Nigerian musician, composer, producer and filmmaker Iyunoluwanimi Yemi-Shodimu. His work has emerged as a call and response between the tender, dynamic sounds of black music across history and the surreal reality of contemporary, vulnerable black life – a haunting dialogue. For the past 4 years, he has cemented himself as a reliable cultural producer of the black extraordinary and collaborated with vanguards of the Northern experimental scene such as Space Afrika, 96 Back, FUMU, Iceboy Violet, Swing Ting and Porter Brook. These collaborations and provocations are woven into a larger artistic vision: ‘the Black Impossible trilogy’. Through music, films, live events, installation and research, LINTD speculate worlds where the marginalised feel comfortable to be their full, emancipated selves. Often, these worlds are spectacular, always true. + talk w/ the artist by @taxreform & sound selection by raffigurante, hosted by @rhizome.rm 🎟️ Entrance: only 𝗮𝘁 𝘁𝗵𝗲 𝗱𝗼𝗼𝗿 with Scomodo annual membership + contribution __________________________ 𝙠𝙡𝙖𝙣𝙜: 𝗯𝗿𝗮𝘃𝗮𝗱𝗼 is a series focused on unearthing and disclosing the boldest ‘urban’ sound ― hosted and supported by @laredazioneroma , featuring the precious partnership of @rhizome.rm and artworks by @npellla

Sunday, 12/04 ― the 𝒍𝒂𝒔𝒕 chapter of our investigation around the sharpest handlings of sound tools is landing to the multifaceted spectrum of “piano”. Taking place into the surreal halls of Teatro di Documenti, we are thrilled to present: 𝐊𝐋𝐀𝐍𝐆: 𝑻 𝑶 𝒀 𝑺 𝘕𝘢𝘶𝘨𝘩𝘵𝘺 𝘢𝘱𝘱𝘳𝘰𝘢𝘤𝘩 𝘵𝘰 𝘴𝘰𝘶𝘯𝘥 𝘪𝘯𝘴𝘵𝘳𝘶𝘮𝘦𝘯𝘵𝘴 4 ― Piano 𝒎𝒂𝒚𝒂 𝒅𝒉𝒐𝒏𝒅𝒕 @mayadhondtdtdt Classically trained, maya dhondt is a pianist and producer also active in the performance scene. She creates intuitively fragmented music, blending genres, sounds, and languages into a postmodern cramp of bedroom glitch-pop and contemporary piano. Navigating between these worlds, she intelligently crafts sounds of alienating beauty, exploring the edges of her voice, language and twisted electronica: like a warm, but damp cave where it’s pleasant to linger just a little longer. 𝑫𝒊𝒂𝒄𝒓𝒐𝒏𝒊𝒆 pres. 𝒑𝒂𝒔𝒔𝒂𝒈𝒆𝒔 @diacronie_ , @ruggerofornari , @cavallarohector “passages” is the first output of the duo Fornari Cavallaro. The creation process started as an investigation of some extended techniques for piano and electric guitar, later processed and integrated with sampling, no-input mixing and other forms of live processing through a modular synth, manifesting itself as a sound collage, a juxtaposition of idioms and textures. Processed sounds of ancient choral music from Europe and South American folklore effortlessly coexist with electro-acoustically treated piano and guitar, symbolic apparitions in an informalist narrative. 🗓️ Sunday, 12/04 🕗 h. 20:00 📍Teatro di Documenti @teatro.di.documenti poster: @npellla main artwork’s original piece by @alessandra.cecchin.i __________________________ 🎟️ Entrance: Ticket (𝒐𝒏𝒍𝒚 𝒗𝒊𝒂 𝒍𝒊𝒏𝒌 𝒊𝒏 𝒃𝒊𝒐) + Teatro di Documenti annual membership (𝒐𝒏𝒍𝒚 𝒂𝒕 𝒕𝒉𝒆 𝒅𝒐𝒐𝒓) N.B.: → 𝐕𝐄𝐑𝐘 𝐋𝐈𝐌𝐈𝐓𝐄𝐃 𝐂𝐀𝐏𝐀𝐂𝐈𝐓𝐘! → 𝐍𝐎 tickets at the door → 𝐍𝐎 online membership → 𝐅𝐫𝐞𝐞 refreshments for everyone attending 🧃

Throwback to the closing episode of our 𝐤𝐥𝐚𝐧𝐠: 𝒊𝒏𝒅𝒊𝒈𝒐 series ― exploring the sharpest meanders of contemporary ‘pop’ sound ― with the absolutely stunning performance of Lol K (@lolk.unofficial ) at Trenta Formiche (@trenta_formiche ). Big up to Amore Marco (@amoremarco_ ) for the moving opening, and to Portamento (@___portamento___ ) for the always delightful closing selection. On Thursday another not-to-be-missed gem is coming: we’ll announce the last episode of our 𝐊𝐋𝐀𝐍𝐆: 𝑻 𝑶 𝒀 𝑺 series, devised and crafted together with @diacronie_ , and taking place through the enchanted lieus of @teatro.di.documenti . Last chance to enjoy this tickling journey through the naughtiest handlings of musical instruments 🎠 🎞️ @a_snake_in_bloom

KLANG x LIMINAL VEIL Photography @almudena.soullard Assistant @guillem.srrv Styling and Assistance @manantial_doncella Models @eros.migo @___audioshock @intel_cora Location @_albufera_ Web @opvscvla Use discount code * KLANG30 * at the checkout to get 30% off on these pieces.

Sunday, 22/03 ― third chapter of our survey in the crispiest handlings of sound tools, spotlighting the multiple facets of “winds”. Taking place into the dreamlike meanders of Teatro di Documenti, we are elated to present: 𝐊𝐋𝐀𝐍𝐆: 𝑻 𝑶 𝒀 𝑺 𝘕𝘢𝘶𝘨𝘩𝘵𝘺 𝘢𝘱𝘱𝘳𝘰𝘢𝘤𝘩 𝘵𝘰 𝘴𝘰𝘶𝘯𝘥 𝘪𝘯𝘴𝘵𝘳𝘶𝘮𝘦𝘯𝘵𝘴 3 ― Winds 𝑻𝒊𝒎𝒐𝒕𝒉𝒆𝒆 𝑸𝒖𝒐𝒔𝒕 @timotheequost Improviser, composer, trumpet player, Quost is a french musician walking along the borders of different musical practices. Starting from free improvisation, he developed a personal approach to his instrument by boosting/intensifying it through a specific amplification device. Together with his instrumental activities, he developed his own composition work. In contact with composers such as Alvin Curran, Fred Frith or Alexandros Markeas, he digs deeper into his approach, especially around the tone/timber, but also in the relationship between writing and impro, distinguishing himself from the traditional composition school 𝑫𝒊𝒂𝒄𝒓𝒐𝒏𝒊𝒆 pres. 𝒓𝒆𝒔𝒑𝒊𝒓𝒆 @diacronie_ , @federicodangelo__ The work unfolds around a set of open, flexible sonic materials, conceived to be transformed over time. The live dimension centers on an essential relationship between two agents: wind instrument and electronics. The dialogue among gesture, breath and sonic processing shapes a form that remains perpetually unstable. The performance develops like a body held in tension, in which every choice subtly alters the balance of the whole 🗓️ Sunday, 22/03 🕗 h. 20:00 📍Teatro di Documenti @teatro.di.documenti poster: @npellla main artwork original piece by @alessandra.cecchin.i __________________________ 🎟️ Entrance: Ticket (𝒐𝒏𝒍𝒚 𝒗𝒊𝒂 𝒍𝒊𝒏𝒌 𝒊𝒏 𝒃𝒊𝒐) + Teatro di Documenti annual membership (𝒐𝒏𝒍𝒚 𝒂𝒕 𝒕𝒉𝒆 𝒅𝒐𝒐𝒓) N.B.: → 𝐕𝐄𝐑𝐘 𝐋𝐈𝐌𝐈𝐓𝐄𝐃 𝐂𝐀𝐏𝐀𝐂𝐈𝐓𝐘! → 𝐍𝐎 tickets at the door → You can join theatre’s annual membership at the door (𝐍𝐎 online membership) → 𝐅𝐫𝐞𝐞 refreshments for everyone attending 🧃