Lzo

𝓢𝓶𝓪𝓵𝓵 𝓜𝓲𝓻𝓪𝓬𝓵𝓮𝓼 2: 𝓐𝓷𝓽𝓲𝓹𝓻𝓸𝓭𝓾𝓬𝓽𝓲𝓿𝓲𝓽𝔂 will take place on May 2 at Plein Theater. Following international workers day, we invite you to a day to explore play, pastimes and ways in which value can be shared, lost or transformed through luck, refusal, play, and time. From 15:30-17.30 join the cafe and terrace to roll dice with @un_mateo_ play dominoes with @luvthony_mateo draw with @b1nk0h wood carve (whistle) with @didoaska play backgammon with @jacobdwyer106 do origami with Jasper fingerboard with @_vives_ make sikiulis with @bravolinabrav0 learn of the medicinal and nutritional properties of plants in the neighborhood with @urban.herbology knit with @studiobrei play chess with Schaakschool Indische-buurt (Mustapha Eljarmouni) and regenwormen with @rawany_3ishq 17.30-18.30 Open of the exhibition ‘Ya dijimos no, ese no irrefutable’ (We already said no, that irrefutable no) by @superricomariana in collaboration @juan_uribe_c that explores the generative forces of NOs in the present. Sound performance by Luis Gabriel with acordeón and how the accidental arrival of this instrument to his hometown, Villanueva de La Cañada in Colombia, changed history of latin music through its repurposing. Raffle and surprise-prize by @clararojassss 18.30-19.00: Dinner 19.15: Performance by @piedravoladora exploring passages of transformation, self-dissolution and return across our different selves over a non-linear time. 20.00: Dj set by Dj Bebé Entry is free until 17.30. After it’s 10€ including dinner, raffle and evening performances. Illustration by @nadabien Adaptation by @elisevroonhof

La cosa furtiva: de cumpleañeros, politonos, flores, perritos negros, andamios, músculos y fabes. Y resaca. Pero qué cosa tan bonita. Cierre de la expo #LaFlorFurtivaII de @lorenzombiee @jonasdemurias @jorge_nieto__ en @nadienuncanadano Con las performances de @erea______ y @dede.koko , @un_mateo_ y @fertilefields

Que rápido el tiempo. Este viernes 27 de marzo a las 19.00 h en @nadienuncanadano y en el último día de La Flor Furtiva 2, tendrá lugar un programa público con tres performances a cargo de Enrico Dau Yang Wey, Alec Mateo y Nikita Sena con Erea Fernández. Todas personas a las que quiero mucho, de las que no paro de aprender y con las que en los últimos años he trabajado en distintas configuraciones y mantengo una correspondencia continua alrededor de la voz y su relación con el paisaje. Con Alec comparto en Amsterdam un espacio al que llamamos @voiceaslandscape y ha sido el desdé ese contexto que hemos mantenido juntxs estos diálogos. La intención del viernes es hacer un acto de encendido colectivo de la exposición tan oscura y cerrarla abriendola hacía otras voces. Bea nos envió compango y fabes de Asturías por lo que después de las performances cenaremos fabada Asturiana. @dede.koko @erea______ @e.dy.w @fertilefields @un_mateo_ Estoy en Madrid desde hoy (martes) si alguien quiere visitar conmigo la exposición antes de que cierre me puede escribir e iré feliz. La Flor Furtiva 2 es una colaboración con Jonás de Murias, el diseño y programación de iluminación lo ha hecho Jorge Nieto, Ramón Mateos nos ha acompañado artísticamente y lo hemos conseguido montar y más cosas gracias a Lola Sánchez. Imprenta Sandelfin diseñó e imprimió los regalos precious para que nos llevemos todes. Gracias a todxs lxs amigxs que nos han ayudado de tantas maneras. @jonasdemurias @jorge_nieto__ @lola.solalola @ramonmat @imprenta_sandelfin

In November I visited with @erea______ and @dede.koko Marken. We went to see @robbieschweiger in the last day of the exhibition Crossing Threads at @gelijkongelijk , a project space at Robbie’s, Tosca’s and Ossip’s home. We left the visit glowing. Everything of the visit, the exhibition and the relationship of both was a wish. Tomorrow @gelijkongelijk leaves their home to have it’s own place and it’s the celebration of this movement. From 16:00, ñ the publication Crossing Threads will be presented and includes contributions by Piet Korstman, @ritaouedraogo and @amandapinatih . There will also be a presentation of quilts by Akka Philips and with @un_mateo_ we will perform Unexpected Colors.

Intention of Return / Lentil Space 20 March 20:00 | doors open 19:30 | language: English, Arabic, Spanish | tickets from €10 via www.perdu.nl/agenda An evening dedicated to exploring the relationship between words, food and memory, in collaboration with @mophradat and the participation of Jumana Emil Abboud, Noor Abuarafeh & Mohamad Abdelkarim, Andrés & Francisca Khamis Giacoman, and Yusser al Obaidi @jumanasan @noor_abuarafeh @mhmd.abdelkarim @andreskhamis @franciscakhamis @yussername Intention of Return and Lentil Space are two separate books that explore the relationship between words, food, and memory. Intention of Return, a book by writer and artist Yusser al Obaidi suggests a movement towards a previous place in time, while Lentil Space, the cookbook Mophradat co-published with BOM DIA BOA TARDE BOA NOITE, fixes a space with measurable boundaries, one to be filled with human experiences, and which carries lentils. Both explore recipes as textual devices and forms that translate memory into instruction. In these publications, instruction acts as a mode of making present through gathering, not only conjuring memories within the present but also creating new ones. In the spirit of these two books, and the intensity gatherings offer, we have invited different artists to share their stories drawn from memory, relationship to home and land, and forms of attachment that take meaning through collective experience. Hosted by @mophradat and @lorenzombiee Poster design by @pablobardinet More information on our website

Este domingo 1 de marzo, en @nadienuncanadano , inauguramos La Flor Furtiva 2, una exposición en colaboración con @jonasdemurias . Es en c/ Arganzuela 9 y abriremos a las 12h, en el horario del rastro y más allá. La exposición está pensada para ser visitada en soledad, por lo que hemos decidido darle una duración extendida en la que se combinen el rastro con las flores furtivas. Me hace ilusión que la primera vez que hago una exposición individual sea en Nadie Nunca Nada No. Con Ramón trabajé por primera vez haciendo una publicación hace más de 10 años (fue mi primer trabajo en el sector artístico) y es un mentor para mi. También me ilusiona que sea junto a Jonás, con quien desde hace unos años venimos encontrándonos y colaborando intermitentemente alrededor de cancioneros y balcones. Llevo años haciendo fotos a flores de barrios de Madrid de noche con flash y con cámaras analógicas. Al tomarlas no tengo control sobre el enfoque ni el encuadre. Esta práctica se ha convertido en una búsqueda que se revela a través de imágenes con relatos tan imprevisibles como sus formas. Ha sido una manera, para mí, de volver a relacionarme con la ciudad y metabolizarla a partir de elementos, como estas flores, fugados de las leyes de la visibilidad, la racionalidad y el consumo. Algunas imágenes de este archivo se escapan ahora para formar juntas un paisaje nocturno que dura lo que dura una canción. Gracias @lola.solalola hemos conseguido montarla, @jorge_nieto__ ha diseñado y programado la iluminación e @imprenta_sandelfin han hecho que nos podamos la podamos llevar a pedacitos. Nos han ayudado muchas personas queridas @erea______ @blancalifornia Ángel @12javieres @maralkekejian @jerezmariajerez @sergioredond @nora_aurreko @mariabueygonzalez @superricomariana @julio_linares_ @_finnwagner_ Amália y Nati Haré una gran olla de lentejas el domingo y la exposición se podrá visitar hasta el 28 de marzo. Apoyo de creación CAM.

𝓢𝓶𝓪𝓵𝓵 𝓜𝓲𝓻𝓪𝓬𝓵𝓮𝓼 1: 𝓝𝓲𝓰𝓱𝓽𝓴𝓮𝓮𝓹𝓲𝓷𝓰 will take place on February 21st. Small Miracles is a series of programs I am developing at Plein Theater within its community program line. Taking place across different Saturdays throughout the year, the series brings together diverse artistic practices in extended, durational formats. Each Small Miracle is dedicated to a single word. It is an invitation to gather around each word(-mode) and explore what they can open through the possibilities of being together in a theater. With a focus on communal luxury and desirable abundances, the programming will leans towards words aligned with these notions. This first Small Miracle is dedicated to nocturnality beyond the leisure stages of nightlife - to Nightkeeping. We will begin at 17:00 with the opening of a text-installation by Kaixin Chen, and at 20:00 we will move into the theater for performances, readings, talks, concerts, and food offerings by Third Gut (Alec Mateo and Raoni / Muzho Saleh), Margriet de Jong, Kuntenserven, Carla Arcos, Luca Lagomarsino, and Sankrit Kulmanochawong, together with Kaixin once more. @kaiiiiixiiiiin_chen @0attly @un_mateo_ @carlaarcos8 @rawany_3ishq @luquilagomarsino @brotundrosen #MargrietdeJong The evening includes dinner. More information can be found on the website of Plein Theater. Thank you to Berith Danse for thinking along in all the support and to Frank, Elise, Dayna and Maartje for the help. To @nadabien for imagining and drawing this scene of Small Miracles <3

Performing tonight at @nieuweinstituut in the launch of the publication Clippings 2 by Through Sounds, and alongside @andreazarzacanova and @monique_todd Clippings 2 includes contributions by Zahra Malkani, meLê yamomo, Melisa Cenik, Voice as Landscape, Golnoosh Heshmati, Ibelisse Ferraguti, Atiyyah Khan, Andrea Zarza Canova, Monique Todd, Alice Twemlow en Femke Dekker, en Cleo TSW. @zahrammm @fahrtrichtunglinks @melisacenik @alicetwemlow @atiyyahkhan @ibelisseguardiaferragutti @alicetwemlow @notajpeg ✨

On Friday 6 February, come to Perdu for 𝐎𝐫𝐠𝐚𝐧𝐢𝐬𝐞𝐝 𝐒𝐞𝐝𝐮𝐜𝐭𝐢𝐨𝐧, a programme of performative readings by the students of the MA Critical Studies at Sandberg Instituut. 20:00 | doors open 19:30 | language: English | tickets from €10, link in bio | livestream available With: Emma Ajdari @emmaadjari & Taylor Ljubica Brandon Chow @brandonmchow Nicole Kuiper Miglė Lukoševičiūtė @miglelukoseviciute Kessy Maria Paller @sysyfayamun & Jody Aikman @jody_aikman Maximilian Pellizzari @mxmlxmln António Manso Preto @antoniomansopreto gervaise alexis savvias @gervais.e Paul Schmidt Mehmet Suzgun @mehmet__________suzgun Gréta Þorkelsdóttir @gretathorkels & Milda Valiulytė @m.valiulyte Sara Vallis @jesusisacommunist Cecilie Fang @ceciliefang Macarena Magaña Villar @macamagana Hosted by Marija Cetinić @em_sea__ and Lorenzo García-Andrade @lorenzombiee . Visual by @alix.chauvet . 🟩

𝙏𝙞𝙢𝙗𝙧𝙚 𝙠𝙣𝙤𝙬𝙨 𝙬𝙝𝙖𝙩 𝙝𝙖𝙥𝙥𝙚𝙣𝙚𝙙. With Imani Mason Jordan & Nikita Sena and Third Gut (Raoni/Muzho Saleh & Alec Mateo). 28 November at 20:00 | doors open 19:30 | language: English | livestream available | tickets from €10, link in bio Timbre knows what happened. It does. Voices are containers and content at the same time. Voice is ship and load. This evening, the second in 𝙑𝙤𝙞𝙘𝙚 𝙖𝙨 𝙇𝙖𝙣𝙙𝙨𝙘𝙖𝙥𝙚’s new focus on song, is dedicated to exploring the voice as an instrument through two artistic collaborations that propose diverse approaches to this. Voice is an instrument made of flesh and air. One that is sentient, that remembers, that is haunted. A glass of water now can clear a voice but a voice is ultimately an aftermath—of that body’s life and others that preceded it. It is also a resource we have, one that moves through different emotional spectrums and layers of knowledge. Both proposals of the evening explore meaning and poetics of voicings beyond language. 𝙄𝙢𝙖𝙣𝙞 𝙈𝙖𝙨𝙤𝙣 𝙅𝙤𝙧𝙙𝙖𝙣 (@homopathic ) & 𝙉𝙞𝙠𝙞𝙩𝙖 𝙎𝙚𝙣𝙖 (@dede.koko ) will be visiting from Italy and the UK, respectively. Together they have been exploring the potentials of sound matter found in text and language beyond its literality. In their procedures they incorporate repetition, improvisation and archive to distort preconceived forms of meanings but also produce new ones that resignify established structures of sense. This evening will be the first public offering of 𝙏𝙝𝙞𝙧𝙙 𝙂𝙪𝙩. Third Gut is where 𝙍𝙖𝙤𝙣𝙞/𝙈𝙪𝙯𝙝𝙤 𝙎𝙖𝙡𝙚𝙝’s (@rawany_3ishq ) and 𝘼𝙡𝙚𝙘 𝙈𝙖𝙩𝙚𝙤’s (@un_mateo_ ) practices meet. A space for them to explore transformative sounding, built on noise, vocality, performance and sacred mourning traditions. Raoni, drawing from the Shia mourning tradition, works with the wail as an embodied expression of grief, that carries in it emancipatory potentials and political urgencies, and Alec works with sound as a way to negotiate a fugitive relationship to memory, world, and subject building. The evening is hosted by 𝙇𝙤𝙧𝙚𝙣𝙯𝙤 𝙂𝙖𝙧𝙘í𝙖-𝘼𝙣𝙙𝙧𝙖𝙙𝙚 (@lorenzombiee , @voiceaslandscape ). Visual by @alix.chauvet .

On October 30th, Thursday, we will be hosting an intimate gathering at Made van Krimpen gallery, with a reading by my friend Lorenzo. The event will begin sharply at 18:00, with doors opening at 17:45. We can welcome fifteen people. Please DM me if you would like to join or would like more information. x nora @madevankrimpen_ @lorenzombiee

Objects that connect tides and times. ‘Enseres. A Social Critique through Objects’ opens on 16 October at 12pm at the National Museum of Underwater Archaeology (ARQVA), Cartagena — a collaboration between ARQVA, TBA21–Academy, and the Museo Nacional Thyssen-Bornemisza. Developed by artists Mercedes Azpilicueta and Lorenzo García-Andrade, the exhibition stems from the ARQVA Case Study initiated within Organismo Year Zero, exploring connections between submerged cultural heritage and contemporary debates. The opening will be followed by a roundtable at 6pm at the ARQVA Library with Alejandra Salmerón Ntutumu (AfroMurcia en Movimiento) and professors Teresa Vicente Giménez and Alba M. Gálvez Vidal (University of Murcia). // Objetos que conectan mareas y tiempos. ‘Enseres. Una crítica social a través de los objetos’ se inaugura el 16 de octubre a las 12:00 h en el Museo Nacional de Arqueología Subacuática (ARQVA), Cartagena — una colaboración entre ARQVA, TBA21–Academy y el Museo Nacional Thyssen-Bornemisza. Desarrollada por los artistas Mercedes Azpilicueta y Lorenzo García-Andrade, la exposición surge del Caso de estudio ARQVA, iniciado en el marco de Organismo Año Cero, explorando las conexiones entre el patrimonio cultural subacuático y los debates contemporáneos. La inauguración irá seguida de una mesa redonda a las 18:00 h en la biblioteca del ARQVA, con la participación de Alejandra Salmerón Ntutumu (AfroMurcia en Movimiento) y las profesoras Teresa Vicente Giménez y Alba M. Gálvez Vidal (Universidad de Murcia).