some hi-fi snippets of my drum poems last fall, in a one-take semi-feverish session at the roode bioscoop x @amartefonds š„ thank you @soletsoleil for joining me with your Gallery Tina Willer novel; it is indeed all about making and laughing and speaking to others who also enjoy to make and laugh
Previewing a look back at The World As You Know It ā Preludeās second program, and its debut at de Brakke Grond this past June š„š¬ā±ļøš
Full video coming soon on Preludeās new website launching next month!
Many thanks to @gergelyofner for this fab video documentation, @brakkegrond and @sdogterom for making this happen, the audience for showing up and of course the artists @pedrobarateiro@_vives_@agniepolska@frederikdaelemans ā£ļø
Next Prelude on 24 Oct 2025
#Prelude #superstars #dreamaudience
you know the drill you know the post š¤Ŗ Ā”Ā”Ā”Ā”Ā”Ā”Ā”feeling sooooo honored and grateful!!!! @mondriaanfonds will support my practice for the coming year with the artist start grant!!!!!!!!
thank you @artun.alaska.arasli and @aurelianoudelmann for the help in the process yall are real ones!!!!!!!!! @heleenmineur filmed this amazing content
your over-achiver-natural-drop-out is starting to feel mournful&thrilled; what a wild thing to say goodbye to my first solo show! I'll do another iteration of my drum-poems performance on the 5th of April for East Lisbon Art Day, hope to see u there (I need you).
Exhibition view of Drummer # 7 # 8 - collage over lithography over charcoal mural.
Photo by Bruno Lopes.
Exhibition views of Drummer (# 1 - # 10) a series of lithographies and mixed media collages and drawings reimagining covers of Drummer magazine, a leather gay publication from the 1970s, blending anachronic elements like Derek Jarmanās cottage, a shark-shaped Hot Wheels, gaming chairs, pierced ID cards, drilled USBs into snares, music notation, screenshots from my body of work and from artists I admire. Here are a few close-ups from my favorites today <3
@kunsthallelissabon
Photos by Bruno Lopes
Thrilled to share some documentation of my first show š Developed without a sketch, my 13-meter mural "TrĆŖs Tristes Triggers / Optimism of the Will" is a constellation of data containers, tools, and their traces. The only planned elements were the two chapels of Madrid's San Antonio de la Florida ā aka the Twin Churches. The original one, on the left, holds Goyaās frescoes of St.Anthony of Lisbonās miracle. Later, the artistās headless body was buried in the said chapel. As the conservation of Goyaās pieces was not compatible with the religious functions, an identical church was built next door. In my mural, using these buildings as anchors in the composition allowed me to read every other element through questions of reproduction, function, and fluctuation of meaning.
Exhibition views in āRitmos y Poemasā, at @kunsthallelissabon Lisbon. On for a few months!
First 3 pictures by Bruno Lopes <3
landing from a week of my dreams opening my first solo show at @kunsthallelissabon iāll share more of the art soon for now iām focused on looking at the ocean xx šš„¹
iāve been impatiently pouring my heart into my first solo show: āRitmos y Poemasā, opening the 15th of January in @kunsthallelissabon and stretching into longer days in spring. ššļø
itās a multimedia installation expanding from my drum-poems; a 12 meter mural, some self archeology, lithographies of fictional gay magazine covers ā a constellation of memory through repetition. canāt show you much just yet, come see it!
eternally grateful to @luis2346@joaofelixmourao for their trust, the best sugardadies i mean curators one could dream of. š„ š„ š„
š¤š¤ made possible by @acecultura@mondriaanfonds š¤š¤
From our show āTruth and Dareā a few weeks ago š§My mural āJalen Hurts / Jordan Loveā, (in olive brown charcoal on the wall of @personeelskamer ) itās now long gone but thatās the beauty of it all š it was the sexy-est to put up a show with @abelkars@ingeborg.3000@rebeckahultman thank you all for coming it really meant a lot! iykykšÆļø
