🄱🄻🄰🄽🄺
A year ago in Stockholm at @Dramaten we made this beautiful thing
By Alys Birch
With Maria Aberg directing
@jamesafarncombe lighting
with this cast
Julia Dufvenius, Ingela Olsson, Melinda Kinnaman, Electra Hallman, Ana Gil de Melo Nascimento, Ellen Jelinek, Tanja Lorentzon, Livia Millhagen, Nancy Ofori, Lotta Tejle
#scenography #costumedesign
#theatredesign
🄱🄻🄰🄽🄺
A year ago in Stockholm at @Dramaten we made this beautiful thing
By Alys Birch
With Maria Aberg directing
@jamesafarncombe lighting
with this cast
Julia Dufvenius, Ingela Olsson, Melinda Kinnaman, Electra Hallman, Ana Gil de Melo Nascimento, Ellen Jelinek, Tanja Lorentzon, Livia Millhagen, Nancy Ofori, Lotta Tejle
#scenography #costumedesign
#theatredesign
🄱🄻🄰🄽🄺
A year ago in Stockholm at @Dramaten we made this beautiful thing
By Alys Birch
With Maria Aberg directing
@jamesafarncombe lighting
with this cast
Julia Dufvenius, Ingela Olsson, Melinda Kinnaman, Electra Hallman, Ana Gil de Melo Nascimento, Ellen Jelinek, Tanja Lorentzon, Livia Millhagen, Nancy Ofori, Lotta Tejle
#scenography #costumedesign
#theatredesign
LES LIAISONS DANGEREUSES💋
The Standard ⭐️⭐️⭐️⭐️
The Independent ⭐️⭐️⭐️⭐️
WhatsOnStage ⭐️⭐️⭐️⭐️
London Theatre ⭐️⭐️⭐️⭐️
Radio Times ⭐️⭐️⭐️⭐️
A truly stunning production at the Lyttelton Theatre with our brilliant @jafarncombe & @mumbadodwell 🤩 Congratulations, both!!
The Team:
Director: Marianne Elliott
Associate Director: Mumba Dodwell
Set Designer: Rosanna Vize
Costume Designer: Natalie Roar
Choreographer: Tom Jackson Greaves
Composer: Jasmine Kent Rodgman
Lighting Designer: James Farncombe
Sound Designer: Ian Dickinson for Autograph
Intimacy Director: Ingrid Mackinnon
Fight Director: Sam Lyon-Behan
📸 - Sarah Lee
𝔤𝔦𝔲𝔰𝔱𝔦𝔫𝔬
by 𝖦𝖾𝗈𝗋𝗀𝖾 𝖥𝗋𝗂𝖽𝖾𝗋𝗂𝖼 𝖧𝖺𝗇𝖽𝖾𝗅 via Ⓟⓐⓢⓢⓞⓛⓘⓝⓘ
directed by @joehillgibbins
conducted by David Bates with @lanuovamusicauk
designed by me
associate direction by jenny_ogilvie
lighting by @jafarncombe
fight direction by Philip d'Orléans
assistant direction by @han_calascione
assistant conducted by Olivia Shotton
stage managed by @tommykeatley@alexweltike and Alex Holmes
produced by @rachcaccia@g_cook and @a.darraghkelly
costume supervision by Christina Mc Glynn and Alessandra Donattini and their amazing team
WHAM by Keisha Banya
Props by Antony Barnett, Carly Johnson and their amazing team
Scenic painting by Emma Troubridge and her amazing team
Production Managed by Andrew Jameson and Claire Meakin
cast
Polly Leech as Giustino
Mireille Asselin as Arianna
Keri Fuge as Anastasio
Esme Bronwen-Smith as Leocasta
Jake Arditti as Amanzio
Benjamin Hulett as Vitaliano
Jonathan Lemalu as Polidarte
Kristina Ammattil as Chorus
Anais Manz as Chorus
Eva Stone-Barney as Chorus
Louisa Stuart-Smith as Chorus
William Prasetyo as Chorus
Max Robbins as Chorus
Matias Carbonetti-Schwanek as Chorus
Jan-Magnar Gard as Chorus
📷 @marcbrenner me and Joe Hill-Gibbins
#setdesign #theatredesign #theatre #bühnenbild #opera
𝔤𝔦𝔲𝔰𝔱𝔦𝔫𝔬
by 𝖦𝖾𝗈𝗋𝗀𝖾 𝖥𝗋𝗂𝖽𝖾𝗋𝗂𝖼 𝖧𝖺𝗇𝖽𝖾𝗅 via Ⓟⓐⓢⓢⓞⓛⓘⓝⓘ
directed by @joehillgibbins
conducted by David Bates with @lanuovamusicauk
designed by me
associate direction by jenny_ogilvie
lighting by @jafarncombe
fight direction by Philip d'Orléans
assistant direction by @han_calascione
assistant conducted by Olivia Shotton
stage managed by @tommykeatley@alexweltike and Alex Holmes
produced by @rachcaccia@g_cook and @a.darraghkelly
costume supervision by Christina Mc Glynn and Alessandra Donattini and their amazing team
WHAM by Keisha Banya
Props by Antony Barnett, Carly Johnson and their amazing team
Scenic painting by Emma Troubridge and her amazing team
Production Managed by Andrew Jameson and Claire Meakin
cast
Polly Leech as Giustino
Mireille Asselin as Arianna
Keri Fuge as Anastasio
Esme Bronwen-Smith as Leocasta
Jake Arditti as Amanzio
Benjamin Hulett as Vitaliano
Jonathan Lemalu as Polidarte
Kristina Ammattil as Chorus
Anais Manz as Chorus
Eva Stone-Barney as Chorus
Louisa Stuart-Smith as Chorus
William Prasetyo as Chorus
Max Robbins as Chorus
Matias Carbonetti-Schwanek as Chorus
Jan-Magnar Gard as Chorus
📷 @marcbrenner me and Joe Hill-Gibbins
#setdesign #theatredesign #theatre #bühnenbild #opera
The Other Place goes to another place February ‘26. Catch it at the Shed, NYC.
Writer and Director | Alexander Zeldin
Set and Costume Designer | @rIvize
Lighting Designer | @jafarncombe
Composer | @ynnsphilippakis
Sound Designer |@joshaniogrigg
Movement Director | Marcin Rudy
Casting | Alastair Coomer CDG & Chloe Blake
Intimacy Coordinator | Elle McAlpine for EK
Intimacy
Voice Coach | Cathleen McCarron
Dramaturg (National Theatre) | Sasha Milavic
Davies
Dramaturg (AZC) | @fayemerralls
Associate Director | Sammy J Glover Associate Designer |@cheekedesign
Associate Lighting Designer | Bethany Gupwell
📸 me.
#emmadarcy #tobiasmenzies #theshednyc #lightbox #theotherplace
Pelléas et Mélisande by Debussy returns to Aix-en-Provence 8 years on.
Conductor @malkkiconductor
Directed by Katie Mitchell
Designed by @lizzieclachan
Costumes by @chloelamford
Movement by @joszef.a
Dramaturgy Martin Crimp
Lighting by me.
📸 Patrick Berger
For this episode, we return to the world of stage lighting, and a discussion with one of the UK’s leading lighting programmers, Vic Brennan.
The role of lighting programmer varies considerably depending on the style of the work being made, but there is noone more crucial to the process of bringing the lighting designer’s vision to life, whether it be a fast-paced music theatre number or a subtle, shifting scheme for a play.
Vic joins Bruno and James to consider the nature and significance of this collaboration, what makes for a good programmer, and to reveal there is a whole lot more to the job than sitting in the dark and pointing bright lights in everyone’s eyes..
Listen at anchor.fm/makingtheatrepodcast
