Glenn Scott Wright

This is for all the Kusama lovers out there. So amazing to see Kusama in Tokyo again after not being able to visit for more than two years. #kusama #yayoikusama #kusamayayoi #instakusama #infinitekusama #yayoikusamamuseum #kusamamuseum #victoriamiro #victoriamirogallery @victoriamirogallery

Manhattan sunset #roomwithaview

Final days of Frieze New York: our presentation (Booth A07) highlights works by Barbara Walker (@barbarawalkerstudio ), who joined the gallery last year. Works on view feature the artist's acclaimed, ongoing series Vanishing Point, which explores the visibility of Black subjects in the Western canon through processes of drawing and embossing that invite contemplation on how history is made and unmade. Explore this and more in person this weekend at The Shed and online via the link in our bio. - Images: Barbara Walker, Vanishing Point 50 (Mijtens), 2026. Graphite on embossed paper. 90.5 x 73.4 x 4 cm, 35 7/8 x 28 7/8 x 1 5/8 in © Barbara Walker. Courtesy the artist and Victoria Miro @friezeofficial #friezenewyork #barbarawalker #victoriamiro

Frieze New York is now open to the public at @TheShed . Milton Avery's Badminton, 1962, a late work characterised by the artist's masterful economy of touch, is one of the historical highlights in our presentation. Visit us at Booth A07 to see this and more by gallery artists: Ali Banisadr Hernan Bas María Berrío Saskia Colwell Stan Douglas Elmgreen & Dragset Kudzanai-Violet Hwami Chantal Joffe Isaac Julien Alice Neel Chris Ofili Celia Paul Paula Rego Emil Sands Khalif Tahir Thompson Barbara Walker Frieze New York continues until Sunday 17 May — explore our full presentation via the link in bio - Image: Milton Avery, Badminton, 1962. Oil on canvas. 61 x 76.2 cm, 24 x 30 in © Milton Avery Trust / Artists Rights Society (ARS), New York and DACS, London. Courtesy Victoria Miro @friezeofficial #friezenewyork #miltonavery #victoriamiro

Previews continue today at Frieze New York (@friezeofficial ). Visit us at Booth A07, where our presentation features new and recent paintings by Celia Paul. Among the works on view are Two Trees and a Green Hill, 2026, and Tristan Und Isolde, 2025 — which New York audiences may have observed when it was featured as a banner by the Metropolitan Opera for its recent production. See these and more by Milton Avery, Ali Banisadr, Hernan Bas, María Berrío, Saskia Colwell, Stan Douglas, Elmgreen & Dragset, Kudzanai-Violet Hwami, Chantal Joffe, Isaac Julien, Alice Neel, Chris Ofili, Paula Rego, Emil Sands, Khalif Tahir Thompson, and Barbara Walker. Explore our full presentation via the link in bio - Images: Celia Paul, Two Trees and a Green Hill, 2026. Oil on canvas. 182.9 x 152.4 cm, 72 x 60 in. Kate and Me on the Yorkshire Moors, 2025. Oil on canvas. 76.2 x 81.3 cm, 30 x 32 in. Tristan Und Isolde (detail), 2025. Oil, ink, and pastel on paper. 101.6 x 66 cm, 40 x 26 in © Celia Paul. Courtesy the artist and Victoria Miro #friezenewyork #celiapaul #victoriamiro

A closer look at our presentation at Frieze New York (Booth A07). We're pleased to participate with new, recent, and historical works by Milton Avery, Ali Banisadr, Hernan Bas, María Berrío, Saskia Colwell, Stan Douglas, Elmgreen & Dragset, Kudzanai-Violet Hwami, Chantal Joffe, Isaac Julien, Alice Neel, Chris Ofili, Celia Paul, Paula Rego, Emil Sands, Khalif Tahir Thompson, and Barbara Walker. Frieze New York Until 17 May The Shed, Booth A07 Explore our presentation via the link in bio @friezeofficial #friezenewyork #victoriamiro

Previews begin tomorrow at Frieze New York — amongst the highlights of our presentation (Booth A07) are works by artists with institutional solo exhibitions on view this spring and summer, including: • Ali Banisadr (@simorgh3 ), whose solo exhibition The Alchemist is currently on view at the Museum of Fine Arts (@mfastpete ), St. Petersburg, Florida. The artist's solo exhibition Temple of the Mind opens on 26 June at the @BuffaloAKGArtMuseum • @HernanBas , whose new solo exhibition The Visitors is now open at @MuseoCaPesaro , Venice • @IsaacJulien , the subject of the current solo exhibitions Museum Dreams at @gres_art_671 , Bergamo; All That Changes You. Metamorphosis at @Palazzo_Te , Mantua; Once Again... (Statues Never Die) at @ARoSArtMuseum , Aarhus; and All That Changes You. Metamorphosis at @TheCosmicHouse , London • Alice Neel: Beautifully Imperfect opens at @fundacao_serralves , Porto, in July 2026 Frieze New York 13–17 May Preview days: 13–14 May Tap the link in bio to preview our full presentation @friezeofficial #friezenewyork #alibanisadr #hernanbas #isaacjulien #aliceneel #victoriamiro - Images: Ali Banisadr, The Alchemist, 2025. Bronze. 40.6 x 17.8 x 22.9 cm, 16 x 7 x 9 in. Hernan Bas, A spoilt pit (or that final creature), 2010. Acrylic, airbrush, household gloss and block print on linen. 152.4 x 121.9 x 5.1 cm, 60 x 48 x 2 in. Isaac Julien, Black Apollo diptych (Once Again... Statues Never Die), 2022. Inkjet print on Hahnemühle Photo Rag Ultrasmooth. 50 x 67 cm, 19 3/4 x 26 3/8 in. All © the artists. Courtesy the artists and Victoria Miro. Alice Neel, Linus and Ava Helen Pauling, 1969. Oil on canvas. 121.9 x 106.7 cm, 48 x 42 in. © The Estate of Alice Neel. Courtesy the Estate of Alice Neel, David Zwirner and Victoria Miro⁣

Congratulations to Adriana Varejāo and Rosana Paulino on representing their country with a beautiful Brazilian pavilion curated by Diane Lima at this year’s Venice Biennale. Adriana it is thanks to you that I first traveled to Brazil when the legendary Marcantonio Vilaça introduced your work to me alongside a new generation of brilliant young Brazilian artists who were starting to make waves on the international art scene 25 to 30 years ago and it was because of you that I grew to know and love your country - it’s people, it’s music, it’s architecture, it’s art and it’s culture! Your friendship your art and my love of Brazil have done much to transform my life and for this I am eternally grateful. Little did I know that when we presented your work in the first exhibition at our new gallery in Wharf Road in 2000 - the year that Tate Modern opened (Tate also immediately moved to acquire the work from us for their permanent collection) that working with you would be such a transformative experience for me. Seeing you represent Brazil in this years Venice Biennsle was one of the proudest and happiest experiences of my professional life! @adrianavarejao @rosanapaulino.oficial @dianelima @pedrobuarque @catavarejaopaz @vikmuniz @malubarretto @gagosian @flexa.galeria @victoriamirogallery @labiennale

Finally posting about Venice after a very hectic week during the Biennale previews and events which started off for us last Monday with the opening of Flora Yukhnovich’s exhibition of wonderful new paintings at our Venetian gallery which was followed by a party at the Palazzo Franchetti to celebrate Flora and our other artists exhibiting in Venice with shows opening this week: Adriana Varejão, Wangechi Mutu and Hernan Bas. Congratulations are additionally due to Flora who gave birth to a baby girl in London two days after her exhibition at Victoria Miro Venice opened - an excellent reason for her not to be at her own opening! @flora_yukhnovich @adrianavarejao @wangechistudio @wangechimutu @hernanbas #venicebiennale #biennaledivenezia @labiennale @victoriamirogallery

A very happy birthday to Kudzanai-Violet Hwami (@hwamistudio )! The artist's painting Mamoyo and Persephone's Final Cycle, 2025, features in our forthcoming Frieze New York presentation (13–17 May, The Shed, Booth A07). Hwami was recently selected for British Art Show 10: A Chorus of Strangers, curated by @EkowEshun . Produced by Hayward Gallery Touring, it is the UK's largest recurring contemporary art exhibition, and forms a key part of the Southbank Centre's 75th anniversary national programme. See more via the link in bio - Image: Kudzanai-Violet Hwami, Mamoyo and Persephone's Final Cycle, 2025. Oil, acrylic, and pencil on linen. 230 x 172 cm, 90 1/2 x 67 3/4 in © Kudzanai-Violet Hwami. Courtesy the artist and Victoria Miro #kudzanaiviolethwami #artistbirthdays @frieze.official #friezenewyork #britishartshow10 #victoriamiro

Announcing our Frieze New York presentation — featuring new, recent, and historical works by Paula Rego, Milton Avery, Ali Banisadr, Hernan Bas, María Berrío, Saskia Colwell, Stan Douglas, Elmgreen & Dragset, Kudzanai-Violet Hwami, Chantal Joffe, Isaac Julien, Alice Neel, Chris Ofili, Celia Paul, Emil Sands, Khalif Tahir Thompson, and Barbara Walker. Paula Rego (@paularegostudio ) is the subject of the major solo exhibition Dance Among Thorns, now open at the @MunchMuseum in Oslo. Our Frieze presentation features Rego's The Death of the Blind Sister, a significant work from 2007 which offers a taste of our current exhibition Story Line, the most comprehensive survey of the artist's works on paper ever staged, on view at Victoria Miro in London. Frieze New York 13–17 May Preview days: 13–14 May The Shed, Booth A07 Tap the link in bio to preview our presentation - Image: Paula Rego, The Death of the Blind Sister, 2007. Acrylic and conté pencil on paper. 137 x 102 cm, 54 x 40 1/8 in © Estate of Paula Rego. Courtesy Estate of Paula Rego and Victoria Miro @friezeofficial #friezenewyork #paularego #victoriamiro

Work by @ConradShawcross features in our @ArtBasel Hong Kong presentation (Booth C127): 'A helical stem rises and expands as it ascends, while hundreds of gold and silver fragments disperse in precise formation,' writes the artist. 'The surface catches and releases the light, allowing the work to gleam and continually transform with the shifting hours, seasons, and atmosphere.' On view alongside works by Milton Avery, Jules de Balincourt, María Berrío, Chantal Joffe, Yayoi Kusama, Celia Paul, and Grayson Perry. Until 29 March — explore our presentation via the link in bio - Images: Conrad Shawcross, Fracture (R24G35) - Study for Enwrought Light, 2022. Painted steel, silver, gold leaf. 214 x 83 x 72 cm, 84 1/4 x 32 5/8 x 28 3/8 in © Conrad Shawcross. Courtesy the artist and Victoria Miro #conradshawcross #artbaselhongkong #artbasel #victoriamiro