[Federal Heights, Salt Lake City]
Entry Way
The entry was the beginning of the project with Julia. It’s a small footprint, but one of the most interesting architecturally, with the original curved staircase setting the tone. It didn’t need much, just a few pieces that could stand on their own and feel at ease there.
The January Bench was my first commission with Luke Malaney
@lukemalaney , a friend whose work I’ve come to really value. Visiting his studio in Red Hook, I was drawn to the honesty in how he works. His background in carpentry gives his pieces strength, but it’s his sculptural instinct that leads. There’s a playfulness to what he makes, a sense that each piece has its own character. The bench has become one of the most used pieces in Julia’s home, especially by her kids.
We also included work by London Matthews
@londonmattthews , another friend and an artist whose practice feels very open and searching. Her charcoal pieces are loose and emotional, and she has a sensitivity to how art lives within a space. There’s something very grounding about her work. It doesn’t try to be too finished, which gives it a sense of wild that makes it feel alive.
We finished the space with a custom stair runner in a soft eucalyptus green
@starkcarpet , a 1920s deco light fixture I found in Brooklyn, the Pium Sconce from
@pinch_london and a vintage umbrella holder mounted on the wall.
And a homage to Julia’s grandmother with her portrait on the wall, Susan Mary Alsop who was a notable American writer who worked for Vogue, Architectural Digest
@archdigest , and wrote “The First Americans In Paris”.
The entry is a simple, welcoming space, a quiet entry point into the rest of the home.
Photos
@austinleis
Styling
@bartoshesky
@pollensource