New campaign taps into @jacquemus identity origins as ANONYMOUS MODEL is photographed in nebulous states and questionable prints whilst engaging in acts of compromising f*ggotry
Aun on Camcorder during the realisation of Réquiem (2025) at Hembrugterrein last year. Upcoming Sunday, Réquiem will have its London premiere at @icalondon as part of Inferno Summit curated by @lewisgburton . Unfortunately I won’t be able to attend myself but I wholeheartedly recommend seeing this beautiful work if you’re in town.
Réquiem (2025)
The desire of a body that has crossed death multiple times to achieve the perishable freedom of its existence is also a dance of a body trying to stay upright. A dream painted by the narrative of belonging and the possibility of finding a safe place. Where it is necessary to rearrange the meanings of life through iconoclasms that bleed — choreographed by the birds that twist themselves as they die.
Director and Performer: Aun Helden @aunhelden
Cinematographer and Editor: Niké Danae Huiberts @nikedanae
Composer: Andreas Tegnander @andreas.tegnander
Lighting Designer: Doris Dobbenberg @doris_dobbenberg
Curator: Aleksandra Wojt @aleksandra.wojt
Assistant Curator: Victória Mazzone @vicmazz
Conceptual Advisor: Joy Bomer @artificial.joy
Producer: DOOR Foundation @doorfoundation
Realised in the framework of DOOR Foundation Artist-in-Residence Programme
Me as a blonde + some excerpts of my @genderlanguage newsletter, a theoretical exposition of ‘incorporation’ through the work of psychoanalysts Nicolas Abraham and Maria Torok while situating language within the Lacanian framework. This contribution was meant as a conceptual lens for my earlier published short story ‘The Appetiser’.
Eat it!
Aris / Jelle on film in her ginger era
Since I’m using my analogue cameras a little less frequently it takes a while to get the film developed. This was NYE 2022-2023
