Andec Film Berlin

New beginnings: Andec Cinegrell becomes Andec once again – with full dedication to our craft, new services, and new partners. Over the past years, we’ve grown as part of Cinegrell Berlin, developed our lab, realized wonderful projects, and expanded our services. All of that remains – and we’re excited to grow even further. As of today, we are Andec Filmtechnik GmbH, reconnecting with a history that goes back to 1957. After the restructuring of Cinegrell Postfactory, Cinegrell has ended its direct presence in Germany and is focusing again on Switzerland. We’ve welcomed most of the former Postfactory team and are building a new, streamlined postproduction & restoration department at Hasenheide 9 – featuring Baselight & Resolve grading, Avid & Premiere editing, Diamant Restoration, plus two ARRISCAN XT scanners (one with Wetgate) that perfectly complement our high-end SCANITY HDR scanning. This allows us to offer a globally unique spectrum: traditional film lab services, analog & digital restoration of historical works, and modern end-to-end workflows for feature films, commercials & content. We’ve already completed restoration projects for Arsenal, the German Film Archive Foundation, the Saxon State Archive, the SLUB, and the Estonian National Film Archive – and will be fully operational in restoration & postproduction by January 2026. New: collaborations with @_mystic_collective_ in Copenhagen and @lenso.filmservices in Madrid. And we’re thrilled to welcome Richard Muller (Virtual Production Supervisor for Wes Anderson’s Phoenician Scheme) who will strengthen our workflow, colorimetry & image science. We look forward to continuing to develop, scan, grade & preserve film with you – for high-end productions as well as artists and hobbyists. Long live film! Ludwig Draser & Ludwig Hagelstein (Image) Chief Film Nerds and Co-Owners

WALLS & WAVES An exploration of how space becomes meaningful through presence. Shot on 35mm Kodak Full Film on Vimeo Director @darryl.oswald DP @philipp___hafner Styling @__jmalin Hair @rosakarl___ Make-Up @nil__makeup Gaffer @oskar.ott Sound Design @mmisii_ Colorist @maticprusnik Title Design @wokeuplikelis Talents@deriandunterweger @yung.terik @luselmann @zzzorazz 1st AC @georgraphie Gaffer Assistant @fritzendso Styling Assistant @rene.co Director’s Assistant @marieluise.baumschlager & @mirzadzu Production Assistant @e.t.phonehome___ Location @funkhaus_official Lab @andecfilm @ludwighagelstein @kodak_shootfilm @kodak

E-6 isn’t easy, but that’s part of the magic. A true positive image, beautiful colours, and a process that still needs real care and experience. We’re happy to keep 35mm E-6 alive as the only motion picture lab in Europe offering this process (also for Super8 and 16mm). And even happier to see it shine in films like “Poor Things", where we developed 45,000 meters of 35mm E6.

New work for the Danish Road Safety Council: “Helmet Has Always Been a Good Idea - 1676” Shot by @kasperwinddp Directed by @torefrandsen Prod Co @newland.tv Film Lab @andecfilm #mysticcollective

All’indomani di un misterioso disastro, i pochi sopravvissuti scoprono di non poter più garantire la continuità della specie. Ogni speranza è riposta in cinque donne, depositarie di una tecnologia per la gestazione extracorporea. Le ricercatrici non riescono tuttavia a trovare un accordo sull’opportunità e sulle modalità di diffusione della scoperta: nel vuoto lasciato dal dissenso, scelgono di dedicarsi interamente allo studio del piacere. Guarda “Erogenesis” di Xandra Popescu @xandra.popescu al link in bio. Questo cortometraggio è stato prodotto da Premium Film Sales e sviluppato da Andec, dop: @maayanebouhnik .

My first roll of 16mm ever! Got myself a K-3 and a roll of 250D Here’s some test footage from a cozy Sunday

Can Gu private villa x @impactarchitecture_ scanned & developed at @andecfilm Berlin

Nella Germania di un futuro non troppo lontano le persone queer sono sempre più emarginate e minacciate. Omar esce di prigione l’ultimo giorno d’inverno e, senza annunciarsi, va a far visita ad Ava. Link in bio per guardare il cortometraggio “Slimane” di Carlos Pereira @cermpereira . Il cortometraggio è stato prodotto da DFFB in coproduzione con Angst & Drang e sviluppato da Andec @andecfilm .

Impresiones de Andalucía en Super-8 #super8 #retro #kodak #canon514xls #sevilla

// Arctic Monkeys @arcticmonkeys – Opening Night (Visualiser) – HELP(2)// Processing and Scan done at Andec. Director : Jonathan Glazer Executive Producer : Medb Riordan Producer : Tom Cartwright DoP : Alex Barber @abphotographical 1st AD : Marc Wilson @marcwilsonphoto Actor: Dylan Fotso Service Company : Twentyfour Seven @twentyfourseven_______tv Managing Partner : Gordon MacKinnon Producer : Luna Llados @luna_llados Edit : The Quarry Editor : Sam Jones Edit EP : Tor Adams Colour : Company 3 Colourist : Jean-Clement Soret Colour EP : Ellora Soret Colour Producer : Chris Anthony Post : One of Us Post Producer : Emma Moffat Art Director : Alex Breuer Sound Designer : Johnnie Burn All proceeds from this album support @warchilduk to protect, educate, and stand up for the rights of children living through conflict.

Restaurant Aure reopening tomorrow - @restaurant_aure Team Aure: Nicky Arentsen, Emma Nørbygaard, Mathis Bugel, Kristense Moy, Cille Bunk, Matteo Espiau, Patrick Jensen Alessio Di Iorio, Fiona Bilek, Marcus Corey, Emma Toftegaard Director: @ludvigft Dop: @sophuswolf 1st AC: @acvillads Gaffer: @viggogrumme Colorist: @colorbywilliam Sounddesign: @sense__sound @aberg.audio @sebastiantsegay Music: Jens Bjørnkjær @pederfromdenmark @uprightmusiccph Lab: @andecfilm @ludwighagelstein Rental: Speerhead Special thank you: @torefrandsen @lillesara @benjas0l Shot on @kodak_shootfilm

// Sunny Point // by Wolf Vogel - Germany 1995 Retrospective @berlinale Restoration done at Andec together with @deutschekinemathek