Won Ju Lim

What an honor it is to be included among these fabulous female artists... #greatwomensculptors by @phaidonpress /store/art/great-women-sculptors-9781838667771/

Won Ju Lim “The Sense of Complexity”, 2025

Final week: ‘Ramp’s Edge’ curated by Marissa Graziano Won Ju Lim explores themes of privacy and paranoia through her careful placement of works nestled within the confines of the gallery. Her aptly titled, Corner, is presented in its third iteration as a white model house that abuts an exposed wall of the gallery and hints at an interior space beyond the studs. Won Ju Lim, Corner, 2014, Wood, acrylic paint, and nylon powder, 23 ½ x 50 x 36 in (59.7 x 127 x 91.4 cm)

Today is the last day to see "an Artificial Place" @sidecar_gallery @nightgallery . Thank you to all that came to see the show, for your time and sending me words of appreciation and support. The exhibition talk between myself and Graham Harman @harman_object moderated by Daniel Tovar @to5ar will take place in the gallery at 2pm. A huge THANK YOU to the crew at Night Gallery. My deepest gratitude to Davida @dahveeduh for helping me realize this large-scaled project and giving it a home for many weeks in the most perfect space. And also to Amy Granat @parapetrealhumans for your continuing support, friendship, and love.

On view now: ‘Ramp’s Edge’ curated by Marissa Graziano Won Ju Lim is a Korean American artist whose multimedia practice is grounded in the interactions of sculpture and architecture. It revolves around the play of real and fictional spaces in the construction of memory, longing, and fantasy, drawing upon both empirical and imaginary constructs that we rely on to move between multiple scales of interiority and exteriority. The conceptual and formal elements in her work draw from sources ranging from Baroque architecture to the urban landscape to the domestic space. Won Ju Lim, Endoscopy, 2014, Single-channel video projection, 8 minutes, 37 seconds, looped, Dimensions variable Thurs - Sat, 12-6pm @ 53 Orchard thru Feb 22

Honored to be awarded with these fabulous artists! Thank You: @welcometolace @warholfoundation @jenyamaya @carmen.argote @jbellzamy @zarakuredjian @wonjulimstudio @calmatetupedo @na_popp @jinjabrew @revolutionordeath @kjw_praxis

“An Artificial Place” reopens tomorrow, Jan. 7, 2025 and runs through Feb. 8 @sidecar_gallery @nightgally . On-line Viewing Room: https://www.sidecargallery.ca/exhibitions/won-ju-lim2#tab:thumbnails “THANK YOU” to these lovely people for your dedication, expertise, hard work, and support in the studio and out: #amygranat @parapetrealhumans ; #jantumlir; Eric Wesley @the_bell_cahokia ; Matthew Brannon @matthew_brannon_1 ; Aaron Pennington @unforbidden_cashmere ; Walker Sayre @tindragonmedia ; Stu Goldstein @stujay18 ; Devin Wilson @devinwilsonstudio

"Casting II" will be part of my upcoming exhibition, "An Artificial Place" at @nightgallery , @sidecar_gallery . Opening reception: Dec 14, 6-8pm. Casting II, 2023 Single-channel video 39min, 4sec, looped Production support from @ocmamuseum Editor: @tindragonmedia Sound designer: @stujay18

HAPPY BIRTHDAY my Love, my Lover, my BFF. We celebrate you, #jantumlir!

/columns/jan-tumlir-jeremy-gilbert-rolfe-19452024-559160/ @jeremygilbertrolfe #jantumlir

The third and final act of Self Annihilation @parapetrealhumans presents a sculpture by Eric Wesley @the_bell_cahokia on view until September 15, 2024. My deepest gratitude to #amygranat, @jacksonhescock , @rumpusroomgallery , #jantumlir and @kernhaug.audio Self-Annihilation, Act III, 2024 Mirrored Plexiglas, vinyl, sound Dimensions variable Sculpture: "Theyseeus (1 of 30)," 2024 Approx. 6(h) x 30 x 18 inches Styrofoam, paint, rc model, rf camera, monitor Sound: Live mix by Jan Tumlir and mastered by Kern Haugh Tracks in order of appearance: Various Artists, Sounds of a Tropical Rainforest in America, Folkways Records, 1952 George Vlad, “Underwater Glacier Sounds,” YouTube Velimir Khlebnikov, “The Radio of the Future” (1921), Baku: Symphony of the Sirens, ReR, 2008 Language Removal Services, “Static Language Portrait of Marilyn Monroe” (2000), The Sound of Things, New Museum, 2007 Matthew Brannon, Gag, self-released LP, 2010 Jessika Kenney, “Crying Scene,” from Ari Aster, Midsommar (2019), YouTube Pierre Henry, “Variations pour une porte et un soupir” (1963), Messe pour le temps présent, Philips, 1989 Basil Kirchin, “Special Relativity,” Quantum, Trunk Records, 2003 Luciano Berio, “Visage” (1961), Electronic Music (2), Turnabout, 1966 Mauricio Kagel, Hallelujah, Deutsche Grammophon, 1969 Pierre Henry, “Vocalises” (1952), Deuxième panorama de musique concrèt, Ducretet Thomson, 1964 Vladimir Ussachevsky, “Wireless Fantasy” (1960) OHM: The Early Gurus of Electronic Music, Ellipsis Arts. 2000 Act I: @t_i_m_e_s_h_a_r_e Act II: @council_st

Installing Eric Wesley’s "Theyseeus" as part of "Self Annihilation Act III" in St. Louis. @parapetrealhumans @the_bell_cahokia