Just about 25 years ago, a tall friendly guy I had met briefly before approached me at the pool table at the Miami Bar and asked if I would be interested in playing music sometime. He later told me that seeing me play a free jazz show (The Peter Turner Tree-O) in a Husker Du t-shirt had suggested that I might have the mix of styles that he was interested in exploring. Thus began a thrilling 4 year stint with Crackpot. // As a 19-year old raised on Dinosaur Jr and the Velvet Underground, it was all too much of a dream come true to be playing behind 3 gifted rockers (Chris Burns, Simon Fazakerley, Mike Burns) all more than 10 years my senior, who could burn through endless covers, write ace material, improvise with abandon, spin long humorous yarns at epic practices and, in the case of Chris, perform seemingly impossible feats like running across all the tabletops in the bar while playing a solo. My time in the band ended only because circumstances brought me to NYC, but Chris has remained my big brother in music ever since. We have done an occasional improv duo as Glass Burns, and generally kept up the thread, though regular song-based collaboration hasn't been practical, given that we're in different cities/countries. // By some dint of fate, at the tail end of the pandemic, the drummer who had been playing in Chris' Going Concerns was unable to make a long-germinating recording session that would capture some of Chris' finest material for the ages, and I got to do the record. (Alongside Joe Chamandy on guitar and Kate Erickson on bass + fun cameos; recorded in 48 hours by old pal Thierry Amar). 10 tunes, exactly half of them from back in the Crackpot days, and half of them newer and unsurprisingly awesome. Perennially stuck in my head gems like "My Monkey's on Fire" and "Hey There Miss Castanets" alongside new heaters "Slaphappy Days" and " Arsonhole", a brave and bonkers head-on confrontation with the fire that destroyed his home over a decade ago (also, I believe, the inspiration for the album title). // Kablooey! officially came out this weekend via
@celluloidlunchrecords . Cause for celebration. It's on yer platforms and also on vinyl via their bandcamp.