yardwork presents x
@kuaaradio x
@utahmoca
present:
Walt McClements
Ian Hazel
Wednesday, May 27th, 2026
Utah Museum Of Contemporary Art
20 s West Temple
Salt Lake City, UT
7:00pm
suggested $15 donation
notaflof
@waltmcclements
Whose music has spanned genre and defied sonic gravity, creates not only an incredible soundscape in his performances, but creates a sonic landscape in which we can wander, wonder, marvel, reminisce, be still, process and integrate. His music reaches down into the earth and rises to the sky. “If you ask a poplar about redwoods, they’ll probably start talking something about faith”
Walt McClements is an accordionist, multi-instrumentalist and composer based in Los Angeles. His solo compositions focus on processed accordion, creating patient and emotional meditations that nod to drone and ambient music. His debut record, “A Hole in the Fence” was released in 2021 on American Dreams, and utilized a minimal palette of accordions processed through pedals to create glacial soundscapes and odes to hidden worlds. On his latest record, and first for Western Vinyl, “On a Painted Ocean”, he expands his sonic tools to include lush synths, droning pipe organs, and spirited horns, creating a vibrant journey from solitary stillness to community exuberance. The record also follows last year’s “Rain on the Road”, a collaborative album with harpist Mary Lattimore, released on Thrill Jockey.
Prior to releasing music under his own name, McClements had been a touring member of Weyes Blood, Hurray for the Riff Raff, and Dark Dark Dark, as well as leading New Orleans art-punk brass ensemble Why Are We Building Such A Big Ship? and one man band Lonesome Leash.
Ian Hazel
you may recall a lot of Ian’s presence in our music community maybe best remembered from his work in folk punk band Bombs & Beating Hearts, Bramble or the hardcore band Trebuchet. Navigating sincerity, raw energy and composition, Ian has re-emerged a fully composed composer, bringing in all his inspirations from classical, punk, waltz, folk, and blending them into some kind of authentic, generous and singular voice for accordion. Not to be missed
flyer
@passivetourist