Viviana Bonura | Graphic Designer

BRAND MANUAL DESIGN for🍷 Corvo (@corvo_vini ) (Version 2.2)🍷 A brand manual is a comprehensive document that turns precious creative work into a cohesive visual system. This manual serves as both a practical guide, detailing how to apply a new visual identity, and a visual essay, narrating how Corvo’s long history with wine-making was reinterpreted through design. Designing a brand manual is, in itself, an act of storytelling: it’s about explaining how a system works by creating a system that embodies it. The main challenge lay in organizing a visual identity applied across a wide range of contexts — from social media to printed advertising to packaging — ensuring coherence while allowing flexibility across Corvo’s many wine lines. 📂 See more about the project on (link in bio) — Category Brand Manual Design, Branding — Client Corvo Vini — Team Ovrll. (@ovrll ) — Graphic Designer Viviana Bonura, Ruggero Pane — Visual Designer Carolina Ardizzone — Project Coordinator Ruggero Pane — Additional Brand Manual Updates Giorgio D’Anna — Year 2024

Il mio lavoro di tesi “𝐄𝐜𝐨 𝐌𝐚𝐠𝐚𝐳𝐢𝐧𝐞 – 𝐍.𝟎” è ora disponibile in versione digitale e integrale nel link in bio. Il self-publishing è un’impresa faticosa quanto appagante e nell’attesa di avere i mezzi affinché questo progetto possa arrivare ai vostri occhi in forma cartacea, ho pensato che il “numero zero” potesse essere fruito liberamente come gesto simbolico, specie dopo tutto il tempo e l’impegno che ci abbiamo messo con le persone che hanno collaborato. Dentro ci sono sedici articoli tra progetti, conversazioni e rubriche che credo debbano essere conosciuti e letti adesso per cominciare a costruire una nuova narrazione del mondo delle arti visive: più sostenibile, equa, accessibile e finalmente collettiva. Grazie al prof.re Giovanni Zuccarello (@giovannizuccarello ) e alla prof.ssa Francesca Torelli (@francesca.franga.torelli ) per essere stati i relatori migliori di sempre. Grazie ad Eva Venzo e Grace Martella (@grace_martella ) che sono un pò i genitori di questo progetto come me. — Photography Paolo Peloso (@paolope85 ) — Contributors @claudiamatruda @ludovica_anzaldi @manuchefacose_ @frances.fool @doriana_br @aiyana.palermo @besikciali @samuel.cimma @vittorio.tommasi @williamlakin @martha_micali @mieledimillefiori @alesrollo @mariasiorba @leonardotaddei_bkp @you_is_photograph — Printing C.P.R. Tipolitografia di Luca Ciccia (@cpr_tipolitografia_lucaciccia ) — Cover Printing Grafiche Fioroni — Cover Lasercut Casa degli Artisti (@casa_degli_artisti ) #ecomagazine #selfpublishing #editorialdesign #bathesis #contemporaryphotography #visualarts #ecodesign #magazine #zine #digitalarchive

Throwback to this visual identity proposal for the @ortobotanico.palermo my classmate @federica_fresta and I made for the Graphic Design 3 class at @aba_palermo . We re-designed the whole visual identity of the Botanic Garden of Palermo, a museum and educational-scientific institution, an historical and iconic green space of our city that hosts more than 12.000 different plant specimens. This proposal starts from the vision of the Botanic Garden of Palermo as both a well-established institution and a public space for the community to experience nature and learn about botanical sciences. We wanted to truthfully represent the importance and the cultural relevance of such space. We adopted a contemporary approach with bold colours and appealing shapes to bring the institution to the present day and make it look vital and vivacious as it really is. 🔗 Link in bio for more or /gallery/163329309/Orto-Botanico-di-Palermo-%28Proposal%29-Visual-Identity #visualidentity #redesign #rebranding #botanicgarden #ortobotanicopalermo #digitalarchive

COMPANY PROFILE 2025 for 🍻 Beer Bubbles Craft Beer Festival (@beerbubbles_craftbeerfestival ) 🍻 A company profile tells who you are, what you believe in, and how you present yourself to partners, sponsors, and audiences. Beer Bubbles – Craft Beer Festival, reaching its ninth edition in 2025, needed a company profile to do just that — but why make it just a document, when it can be a visual story? Born in 2016 to promote the national craft beer and food sector, Beer Bubbles has since evolved into an event that enlivens the historic center of Palermo. Thanks to its strong connection with the territory, it offers an experience that blends taste, tradition, and tourism, promoting Sicily on both a national and international level. 📂 See more about the project on (link in bio) — Category Company Profile Design, Branding — Team Utopìa – Communications & Events (@utopia_communicationevents ) — Year 2025

A little bit more of my BA Thesis “𝐄𝐜𝐨 𝐌𝐚𝐠𝐚𝐳𝐢𝐧𝐞 – 𝐍.𝟎” ✨ Eco Magazine brings together photographers and visual artists who use the image as a social and political means of exploration. It’s built on a collective approach and aims to collaborate on creating a new narrative of the art world: more sustainable, equal, and accessible. This thesis is a starting point that defines the magazine’s intentions and includes a theoretical compendium that reflects on this means of communication. The magazine contains a curated collection of images, constellated by words and conversations created from the contribution of twenty international protagonists of the art field. This magazine further aims to actualize in the cultural institution and in the social imagination the importance of interaction, contamination, and dialogue contained within the image. It wants to create a conscious visual imagery that spreads according to unconventional methods. It wants to institutionalize photography and all media among the possible means for authorial, artistic, and experimental research. 🤍 Huge thanks to everyone involved in this 🤍 🔗 Whole magazine in .pdf format is available for consultation in the link in bio. — Supervisor Prof. @giovannizuccarello — Co-supervisor Prof. @francesca.franga.torelli – Art direction @vivianabonura — Contributors @claudiamatruda @ludovica_anzaldi @manuchefacose_ @frances.fool @doriana_br @aiyana.palermo @besikciali @samuel.cimma @vittorio.tommasi @williamlakin @martha_micali @mieledimillefiori @alesrollo @mariasiorba @leonardotaddei_bkp @you_is_photograph @grace_martella @evavenzo #editorialdesign #ecomagazine #graphicdesign #digitalarchive

PROGETTI Eco Magazine di @vb___graphics è disponibile sul sito di Pittogramma nella sezione progetti. — PROJECTS Eco Magazine by @vb___graphics is now available in the projects section of the Pittogramma website. #pittogramma #digitalplatform #graphicdesign #italia

Brand Manual from the visual identity proposal for the @ortobotanico.palermo  my classmate @federica_fresta  and I made at @aba_palermo in 2023. We had so much fun and we sweated a lot 💦 while designing cut-outs, acetate and inserts pages but this manual deserved to be a never-ending surprise. Plus, listing guidelines doesn’t have to be boring. Moreover we re-designed the whole visual identity of the Botanic Garden of Palermo, a museum and educational-scientific institution, an historical and iconic green space of our city that hosts more than 12.000 different plant specimens. 🔗 More about this project in the link in bio. P.s. we want to make this project happen irl, can you help us get it to @ortobotanico.palermo 🙏🏻🍀? #visualidentity #redesign #rebranding #botanicgarden #ortobotanicopalermo #digitalarchive

More from the visual identity proposal for the @ortobotanico.palermo  my classmate @federica_fresta  and I made for the Graphic Design 3 class at @aba_palermo . Here we designed two manifestos for some special events hosted at the Botanic Garden of Palermo. Moreover we re-designed the whole visual identity of the Botanic Garden of Palermo, a museum and educational-scientific institution, an historical and iconic green space of our city that hosts more than 12.000 different plant specimens. This proposal starts from the vision of the Botanic Garden of Palermo as both a well-established institution and a public space for the community to experience nature and learn about botanical sciences. We wanted to truthfully represent the importance and the cultural relevance of such space. We adopted a contemporary approach with bold colours and appealing shapes to bring the institution to the present day and make it look vital and vivacious as it really is. 🔗 Link in bio for more or /gallery/163329309/Orto-Botanico-di-Palermo-%28Proposal%29-Visual-Identity #visualidentity #redesign #rebranding #botanicgarden #ortobotanicopalermo #digitalarchive

Editorial design and layout for the second volume of “Almanacco delle artiste di Sicilia” published by Edizioni Kalós (@edizionikalos ) for the Accademia di Belle Arti di Palermo (@aba_palermo ). — ”Almanacco delle Artiste di Sicilia” creates a historical-critical reconstruction of the journey of Sicilian women in the art field. This volume is curated by Contemporary Art History professor at Accademia di Belle Arti di Palermo Emilia Valenza, and includes texts by both talented students and renowned critics in the educational institution. — Publisher Edizioni Kalós (@edizionikalos ) — Curator Emilia Valenza (@emiliavalenza ) — Design Project Coordinator Giovanni Zuccarello (@giovannizuccarello ) — Texts Doriana Bruccoleri, Marcello Carriero, Carlo Corona, Marina Giordano, Giulia Gueci, Marcello Nocera, Laura Poma, Sonia Priulla, Francesca Renda, Martina Sanzeri, Emilia Valenza — Features Daniela Balsamo, Gigia Zamparo Corona, Sylvie Clavel, Maria Grazia Inserillo, Stefania Galegati, Noemi Mirata, Alba Rizzo, Stefania Romano, Roberta Sucato, Maria Vittoria Trovato, Stefania Zocco #editorialdesign #layoutdesign #digitalarchive

Some discarded proposals I made for the second volume of “Almanacco delle artiste di Sicilia” during the early stages of the project. Typography in use “CirrusCumulus” by @velvetyne_type_foundry , “Pexel Grotesk” by @supernulla and “Switzer” by @itfoundry . #editorialdesign #layoutdesign #graphicdesign #digitalarchive

Manifesto per l’evento e raccolta fondi “Artisti per la Palestina” a favore dell’associazione “Amici della Mezzaluna Rossa Palestinese”. Felice di aver curato la grafica di questo progetto. Vi aspettiamo numerosi domenica 17 dicembre H 17–00 presso @nuoveofficinezisa . Organizzazione e coordinamento @vitadalsottosuolo Con la collaborazione di @arcipalermo , @fateh_hamdan_alquds_palermo e @nuoveofficinezisa “Dopo la guerra dei sei giorni nel 1967, Israele proibì l’esposizione della bandiera palestinese e dei suoi colori a Gaza e in Cisgiordania, e si dice che l’esercito israeliano arrestasse o molestasse chiunque avesse tentato di farlo. Come forma di protesta, si racconta, gli attivisti avrebbero allora portato in giro fette di anguria. […] Un rapporto del New York Times dell’ottobre 1993, settimane dopo la firma degli accordi di Oslo tra Israele e l’Organizzazione per la liberazione della Palestina – che diedero vita all’Autorità Palestinese e che revocarono anche il divieto sulla bandiera – fa un breve accenno agli arresti legati all’esibizione della bandiera-frutta. «Nella Striscia di Gaza, dove una volta i giovani che trasportavano fette di anguria – mostrando così i colori palestinesi rosso, nero e verde – venivano arrestati, i soldati stanno a guardare, mentre le processioni marciano sventolando la bandiera una volta vietata»”. Fonte: pal.it/come-languria-e-diventata-un-simbolo-della-resistenza-palestinese/amp/ @cicaredda @_visiondivision @hadamsore @caldoinverno_ @la_regina_elis_a_vrenzola @chris_obehi @esdra_____ @notasadstory_ @santamarea.band @roberto_crino @preziosasalatino