Markus Tōll

@super.sedia

a sculptural furniture concept crafted by Markus Töll in Vienna [email protected]
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Weeks posts
254 20
12 days ago
These are not business cards. I never liked the word business. But if you are looking for my work, this is the word under which you will find me. Logotype @_michaelmarte 2022
211 16
27 days ago
@stoneisland NEW YORK 70 Greene Street, New York, NY 10012 Custom forged SUPERLETTINO for the flagship store in SoHo’s classical cast-iron building, designed to reflect the brand’s pillars of material research, community, and cultural programming. The Janus-head-shaped object has no front or backside and sees itself as a multilateral seating landscape. Architecture planned by @oma.eu with @samirbantal and his strong team. Studio shots 1,2,3,4,5,13,20 @x_haring
237 11
1 month ago
SUPERSEDIA for @rimowa
181 12
1 month ago
GIULIO for @wallpapermag Interiors @ollymason0 Photography @am_________pm Words @hugomacd Lasting Impressions: Design pieces that stand the test of time Many a designer will proudly state that their latest creation is timeless. We roll our eyes because claiming longevity before time has had its say is highfalutin. Beauty may belong in the eye of the beholder, but timelessness is born in the sands of, well, time. Defining timelessness in design is rather futile. It asks us to suspend subjective feelings and subscribe instead to a universal set of principles that underscore ‘good design’, defying time, technology, trend or taste. Timelessness is, by its nature, elusive. As an overused descriptor, it teeters on the brink of obsoletion, heading down the same rubbish chute as iconic, sustainable, classic and authentic. Hold the lid though. Beyond the hollow bombast of the word ‘timelessness’, the qualities of designing for the long-term are precisely what we need to strive for and celebrate. Call us pedantic about semantics, but if we replaced the offending word with some of its adjacent terms – circular, renewable, repairable, dismountable, adaptable, regenerative – then timelessness becomes literal, laudable and perhaps even accurate. The longer we spend grappling with the impossibility of design being anything other than extractive, the more we settle on endurance as its only viable claim of responsibility. With this in mind, timeless should describe the process and the system of design, not the product. What follows here is our selection of furniture, lighting, objects and materials that in their own ways demonstrate a commitment to longevity. Some are defiantly innovative; some are reissued; some have in-built lifetime repair guarantees from their manufacturers; some are eternally adaptable or reconfigurable. Old or new, we feel confident claiming that each has and will stand up to the test of time. Though time itself will be the judge of that.
128 2
2 months ago
+ After a year of work, I can proudly present my wish for an archival space where interested people can get lost + supersedia.com 2025 Creative Direction Markus Töll @super.sedia / Manuel Haring @x_haring Website Design @979.studio / @x_haring Web Development Michael Marte @_michaelmarte 3D Animation Valentin Haring @valentinharing 2023 Logotype, Identity @_michaelmarte
320 31
3 months ago
A familiar form, slightly softened. The SUPERDAYBED with a faux-fur headrest, so rest leans closer to comfort.
323 12
3 months ago
Italian design studio @super.sedia , founded by Markus Töll, creates furniture where every detail is shaped individually, guided by a constant dialogue between an idea and its immediate realisation. Growing up in his father’s metal workshop in Bressanone, Northern Italy, Töll was exposed to tools and materials from a young age, an experience that grounded his understanding of material, process and making. Working under the Supersedia aegis, a fusion of the Italian words for ‘superlative’ and ‘chair’, Töll describes the studio as both a name and a mission statement, creating sculptural forms that follow emotional thoughts as much as the will of the material itself. Primarily working in metal, his designs are informed by an industrial language with a futuristic soul, where raw material remains at the core of the practice. Töll credits Carlo Scarpa as an inspiration, particularly for transforming architectural detail into something almost mystical. The boldness of Supersedia’s furniture emerges through compositions of primal forms, cylinders and metal bars intersecting with rigorously cut silhouettes, resulting in pieces that are both provocative and purely functional, and part of what Töll calls building a personal cosmos. See more at the link in bio and in the January issue of Wallpaper, on newsstands now. 📷: Neil Godwin Interiors: @ollymason0 🖊️: @biscott_i
4,351 92
4 months ago
gratitude for twothousandtwentyfive — part two The latter half of the year unfolded through shared moments behind the camera with @x_haring followed by the circulation of sample pieces across continents. The work found resonance through features in @wallpapermag , @industrialkonzept , @hypeform , @regardingrelations , @designplusmag , @leibal , @homedesignmagazin and @thisispapermag ; A collaboration with @rimowa for a ongoing campaign. And finally a long-held wish took form in a hangar building - a first permanent space where thoughts begin to expand into architecture. The new webspace remains in progress; precision asked for more time than the calendar allowed. Gratitude for the quiet support of my inner circle and everyone having had interest and trust in my work. May the coming year be merciful.
350 10
4 months ago
gratitude for twothousandtwentyfive — part one I took a quiet moment to look back at this year through the lens of SUPERSEDIA and felt a deep sense of gratitude. It began with the creation of my second permanent collection, the build of some orders for private clients and the development of a bold, own screw - small in scale, fundamental in thinking. In parallel, I continued and consolidated my collaboration with @oma.eu contributing to several flagship stores for @stoneisland across Paris, Nanjing Deji, Seoul, Hangzhou, Osaka, Tokyo, Macau, Zermatt, Los Angeles, New York and Rotterdam. A collective effort with dedicated minds. Every challenge carried its own lesson, now feeding directly into upcoming projects…
393 4
4 months ago
The SUPERDAYBED — a low landscape for rest and quiet thought. Time spent horizontal. Grateful to see it featured in @homedesignmagazin alongside friends and work I deeply admire. Furniture & human portrait: @x_haring
293 24
5 months ago
the joy of tactile thinking during this November pt.II
222 10
5 months ago