Stock Grazing

SG01 — Embryoroom — ABDUCTOR “Cinematic techno in the most literal sense — music that thinks in scenes and acts rather than in drops and builds.” Black Cruciform available to stream now via Minimal Collective. ( @minimal_collective ) ABDUCTOR arrives with Escape from Telstra Tower, a bonus suite recorded after the Australia tour. Starker and more minimal, it extends the world of the album into new territory, influenced by Embryoroom and Stock Grazing’s time in Canberra. Listen to Wraith now on Bandcamp. Cassette tapes and deluxe physical editions are also available. Pre-order link in bio.. — Release date: 26 June 2026 Written and produced by Edward Quist ( @embryoroom ) Film co-produced by Stephen Rutterford ( @shadowrunnernyc ) Artwork by Edward Quist Quote by Daniel de Jongh ( @disciplinemag ) © Stock Grazing

It’s not often that cinema and sound converge in the way Embryoroom (@embryoroom ) approaches it. The New York-based artist presents his twelve-track album ABDUCTOR, released through Australian label Stock Grazing (@stockgrazing ). Developed in parallel, a feature-length film with Stephen Rutterford (@shadowrunnernyc ) extends the same system through self-generated processes, mirroring the record’s logic across another form. Nothing in ABDUCTOR is incidental. Track sequencing, typography, timing and visual language are all deliberate, with hidden references embedded throughout. Extended by a seven-track suite of more floor-facing material, the work unfolds as a continuous structure rather than a collection of tracks. Full premiere via minimalcollective.digital. Link in bio. Directed: @embryoroom Co-produced: @shadowrunnernyc Label: @stockgrazing Words: @milesmaar Design: @ozon.studio x @alllexandraab

The Embryogallery Film Festival lands in Sydney with a program at the leading edge of experimental audio-visual art. A moving archive of rare and extraordinary work, the festival brings together films from Embryoroom’s long-standing circle. This edition marks a first for Embryogallery: a dedicated section of track-length films made for movement, where multimedia artists and producer-visual collaborations take over the room. Collective Selections then extends the program into a late-night warehouse party. MADAMI premieres a new live set made for the night. Embryoroom performs an A/V hybrid live set, the first of his Australian tour. Stock Grazing co-founder Fontenoy closes with tripped-out broken techno. A first for Embryogallery, and a first for Sydney: an explosion of rich, high-impact experimental digital cinema. Limited tickets in our bio. Address sent to ticket holders day of. BYO Alcohol. @officialalanvega @nineinchnails @john.duncan.offical @autopsia_official @paulkendall @sophiefeuer @regis.dns @paytontalbott @marcosimioni @nyu_nyu_nyu @blackasteroid_official @tinmanofficial @nacho.1917 @zergonion @articlecollection @timsaccenti @joabstudio @vex_veil @lalamichmich @defasten @esstro9 @univactechdweeb @nonaetdecima @ericzimmermanla @otonospace @shadowrunnernyc @nikpanic @microcorps @karpinski.nyc @sistrasounds @paul.stein_design.viz @threatofinnocence @arschan4n @bjasamual @dirkurlich @cuatroceronueve_ @totm.bpm @iamjonsi @agneshaus

This Saturday in Canberra, Embryoroom performs a live set featuring material from the forthcoming ABDUCTOR album, accompanied by early iterations and ideas from the film. One night only at the NFSA, experience ABDUCTOR premiering as a hybrid audio-visual performance. A two-part program Part one: the Embryo Retrospective, a selection spanning 30 years of the artist’s work. Part two: ABDUCTOR, performed live as a seated, immersive audio-visual set. One night only. 5pm to 7pm. Final tickets now available in our bio. Limited seating.

A two-part immersive theatre event bringing audiences inside the dark, cinematic world of Embryoroom, dissolving distinctions between film, sound, installation, and live performance at the National Film and Sound Archive of Australia. Saturday 14 February 5–7pm NFSA, Canberra Tickets via link in bio The Embryo Retrospective (50 min): A rare curated screening tracing over three decades of Embryoroom’s practice through archival film works, many unreleased digitally or previously shown only in gallery and institutional contexts. The retrospective provides essential context for the artist’s evolving visual and sonic language. Previously screened at Leondarda da Vinci National Museum of Science and Technology, MoMA PS1, Finnish National Gallery, Los Angeles Center for Digital Art and Museo Yancuic. ABDUCTOR (50 min): A world-first hybrid audio-visual live set featuring deep cinematic techno and early material from a forthcoming feature-length film and album. The film is co-produced with Stephen Rutterford (Shadowrunner). The album has been developed with input from Stock Grazing, with visuals and early iterations of the album unfolding live as a hybrid audio-visual performance, presented as a seated, immersive experience. This is the only Australian performance to feature exclusive preview material from ABDUCTOR. We acknowledge the Ngunnawal people as the Traditional Custodians of the land on which this event takes place. We pay our respects to Elders past and present, and recognise their ongoing connection to Country. Sovereignty was never ceded.

A collaborative project between Embryoroom x Stock Grazing & Collective Selections. Dissolving distinctions between cinema, installation, and dance-floor experience. Friday 13th February.  Inner West Warehouse, BYO Part 1 (8pm-12 am) - Film Festival Curated by Embryoroom and Stock Grazing, the film festival is a one-night audiovisual presentation of immersive film and sound, suspended between dystopian and utopian futures.  The program begins with short experimental films where digital sound and moving image operate in close alignment, unfolding as a single, harmonised form. As the night progresses, the focus shifts into extended track-length films inviting movement and dance in a more physical, rhythmic experience.  Documentary works will screen outside throughout the night, offering a quieter counterpoint to the main program. Works include: Alan Vega Alex Rutterford J.G. Ballard Nine Inch Nails Pan Sonic Payton Talbott Regis/ Microcorps Sophia Feuer +more local and international film makers to be announced.  Part 2 (12am-4am) - Collective Selections makes its return after two years, hosting the dance-centric afterparty for Embryogallery Lineup:  Embryoroom (A/V Hybrid Live) as part of the ABDUCTOR tour.  Madami (Live) & Fontenoy (DJ)  Tickets via link in bio. Free tickets for First Nations people. We acknowledge the Gadigal people of the Eora Nation as the Traditional Custodians of the land on which this event takes place. We pay our respects to Elders past, present and emerging, and recognise their ongoing connection to this Country. Sovereignty has never been ceded. Always was, always will be Aboriginal land.

Warning: subliminal flash Stock Grazing presents Embryoroom Australia Four unique hybrid A/V live performances. 13 February Embryoroom Gallery Film Festival × Collective Selections powered by Stock Grazing Sydney / Eora Location TBA 14 February Embryoroom Retrospective Stock Grazing presents ABDUCTOR Canberra / Ngunnawal National Film and Sound Archive 20 February Dredge × Altar Melbourne / Naarm Altar Space 21 February turn&burn Canberra / Ngunnawal Secret Location More details to follow

ABDUCTOR 2026 Warning: subliminal flashing

12 / 21 / 21 / 12 This motion picture includes strobing effects which may affect viewers with photo sensitive epilepsy or other such conditions

VENUE CHANGE (WEATHER) The forecast for Friday is rain and sub-zero overnight temps. To keep equipment, artists/crew and you safe (and the music uninterrupted), we’re moving indoors to Shadows Nightclub, 21 East Row, Canberra. Doors 10:30pm–3:00am (was 8pm). No BYO (bar on site). As much as we wanted the open-air, this is the safest and most enjoyable option. Tickets are $25 flat. Shadows has a limited capacity, a small number remain, ticket link in our bio. If you’ve already bought a ticket, we hope you’ll trust us to deliver a unique night. We care a lot about the sound and experience. If you feel differently, DM us or reply to your Humanitix email and we’ll sort you out. 20% off all drinks until 11:30 (Huge love to Shadows). See you warm and dry on Friday. This event takes place on stolen Ngunnawal, Ngunawal and Ngambri Land. Always was, always will be Aboriginal Land. Free tickets for First Nations people. Artwork by @womtyer

Stock Grazing club night at Shadows. Friday 4th of July, 10pm to 3am Exploring the deep end with Eora-based d-grade and Canberra’s own seki. We encourage deeper connection to sound — lean in. Be considerate on the dancefloor, take loud conversations outside, and stay present (off phones). Dance and move with care and intention. This event takes place on stolen land. We acknowledge the Ngunawal, Ngunnawal and Ngambri peoples as the Traditional Custodians of the land on which we gather. Sovereignty was never ceded. Free entry is offered to all First Nations people — please DM to arrange. This is an inclusive space. We have zero tolerance for racism, transphobia, homophobia, ableism, classism, xenophobia, or zionism. Affirmative consent is the only consent. Ticket link in bio Artwork: @musongambogo Shadows — Level 1, 21 East Row, Canberra ACT 2601 @shadows_canberra

Huge thanks to everyone who made the @woodyninetytwo tour happen. To the crews, promoters, and venues across Australia—your support and hospitality made this something special. And to everyone who came out, listened, and shared in the experience, thank you for being apart of it all. This tour wasn’t just about the music—it was about the connections, old and new, as well as the moments inbetween. Seeing people come together, collaborate, and build something lasting is what makes all of this worthwhile. And Woody, thanks for bringing your sound and deep dedication to the craft. Your approach to music is inspiring, and it’s been a pleasure having you. Lastly, big appreciation to @frameworks.agency for making this happen with us.