#rubybailey
@ruby_l00bi
Featured:
Panel 1: conveniently dehistoricized reality {Liquidation},
15in x 30in
Laser etched acrylic, m4 standoff screws
Panel 2: parallel to the - bank - empty [water],
15in x 30in
Laser etched acrylic, m4 standoff screws
Panel 3: there is a bright faraway everything {quiet},
15in x 30in
Laser etched acrylic, m4 standoff screws
Panel 4: [and here are the clouds],
15in x 30in
Laser etched acrylic, m4 standoff screws
DM flatline gallery or email
[email protected] for inquiries
Photos by
@artdocchicago
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Ruby Bailey works across film, digital media, paint, sculpture, and installation. Her work draws from two source streams held in tension: contemporary screen life and the physical world. She collects internet-native iconography and screen-derived marks alongside shapes derived from nature, her drawings, photographs, and diary entries. Over time these sources have formed a personal visual language, built from recurring signs and symbols such as her digital avatar L00bi, airplanes, grass, water, and cursors. This language lets her stage disclosure with precision. Diary language becomes floating text. Photographs are redrawn into simplified shapes. ASCII translation, embedded visual codes, and font-based masking set up a push and pull between vulnerability and secrecy, where confession becomes a practical problem of access, legibility, and risk. Two ongoing worlds structure the practice. Loobtopia concentrates visibility through dense, high-saturation composition. Ethereality is a reduced-color “nothingland” of haze and constraint, where loneliness and longing settle into a muted sublime.
Bailey is from South Africa and is based between South Africa and New York City. She has exhibited internationally, including in London, Berlin, Dubai, New York, and Hong Kong.