We are pleased to feature the work of Bryan Yueshen Wu – a PhD researcher in the School of Communication, RCA.
Attunement is a dub techno EP that treats sound making as an ongoing practice of listening. Developed from my research into self-listening, it approaches the phantom sound in the head as sonic material that can be negotiated, shaped, and gradually befriended. Across six tracks, breathing, sine-wave approximations of tinnitus, binaural walks through the city, and modular improvisations are composed into a restrained, pulse-driven language of chords, delays, and spatial diffusion. Dub functions here as a method of self-modulation. Through repetition and echo, the music forms a temporal space where inner sound, environmental noise, and musical intention can continually reorganise one another. The earlier pieces attend to the first emergence of the inner tone and the fragile work of coexistence. Later tracks move toward a more explicitly musical self, pushing at genre boundaries while mapping the limits of personal auditory space. The closing piece does not seek resolution through silence. Instead, it holds tinnitus within choirs, piano, and slowly dissolving reverberant fields, proposing a shift from conflict toward companionship. As a whole, the EP asks what it means to inhabit hearing when the ear never fully rests, and how dub techno’s spatial logics of repetition and delay can become tools for listening back to oneself.
Now available on all streaming platforms: Bandcamp, Spotify and Apple Music.
Released and distributed by HEM Records.
Bryan Yueshen Wu is a new media and sound artist-researcher based in London. Having a background in industrial design and experience design, he is currently pursuing a PhD in RCA Communication Research, focusing on creative listening and sonification practices. Bryan’s practice spans sound design, sonic experience, interactive sound programming, audio-visual performance, and electronic music production.
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@8ryan.w