So this is a little recap. Honoured to have presented this paper (w. @serouzengg ) about embodied sonification at @evostarconference rethinking about creative cross-cultural co-adaptations. Thanks to all for your kind support, winning the best paper still feels unreal 🤍
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#embodiment #sonification #soundart
𝒮𝓊𝓈𝓊𝓇𝓇𝓊𝓈,₂₀₂₆
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𝒮𝓊𝓈𝓊𝓇𝓇𝓊𝓈 is an immersive sound installation that explores self-presence as a fleeting, relational phenomenon. As visitors move through the space, their bodies disturb the surrounding air and the sound field, leaving sonic traces and making presence audible through its entanglement with material.
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𝘚𝘵𝘦𝘳𝘦𝘰 𝘚𝘰𝘶𝘯𝘥, 𝘊𝘰𝘯𝘵𝘢𝘤𝘵 𝘔𝘪𝘤𝘳𝘰𝘱𝘩𝘰𝘯𝘦, 𝘗𝘰𝘭𝘺𝘵𝘩𝘦𝘯𝘦 𝘚𝘩𝘦𝘦𝘵, 𝘓𝘌𝘋, 𝘔𝘰𝘥𝘶𝘭𝘢𝘳 𝘚𝘺𝘯𝘵𝘩𝘦𝘴𝘪𝘴𝘦𝘳, 𝘐𝘯𝘧𝘪𝘯𝘪𝘵𝘦 𝘋𝘶𝘳𝘢𝘵𝘪𝘰𝘯
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Created by Phases @8ryan.w@pppunko
📷 Colouring by Sunghoon @sung_hoooon
Recording a generative drone patch for a new work ‘Susurrus’ with @pppunko
Combining live recordings, real-time manipulations, noises…Coming soon💨
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#soundart #modularsynth #experimentalmusic
Phantom V4 is about exploring the way to externalise and share my tinnitus listening through experimental graphic scores and collective improvisation.
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Scores & Drone: Bryan
Drums: @zeenew_sun
Piano: @figlettee
Fills: @martacqt
Performed at Murmur Collective Intelligence Ensemble
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#soundart #experimentalmusic #improvisation #graphic
💨 A bit of coding support and spatial sound for @sung_hoooon ‘s new working exhibited at ’Unfolding Narratives’ LCC the annual PGR exhibition.
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Combining digital and physical forms, we reimagined and represented wind. Building upon Hoon’s ‘grounded digital’ philosophy, for me, when I design the sound, I feel it closely connected to my listening to wind, almost like a therapeutic experience to mask the unwanted sound by shifting attention to the auricle vibrated by wind. Through digital reconstruction by coding and sounding, such an embodied, attentional practice becomes shareable and collective; somehow I position this as self-sonification practice, a way to share my listening through sounding.
Come and check it out if you’re around.
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Time: 11th - 20th March, 10am to 5pm Mon to Fri
Location: LCC SE1 6SB
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#installationart #soundart #digitalart
Some ideas I’ve been testing and collaborating on these days… thinking about sound as data and turning them back to sound, presence and embodiment, hopefully coming out soon 🔉
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#sound #experimental
My first EP “Attunement” is now out on all platforms, find it on Bandcamp, Spotify and Apple Music. If you type in “Attunement + Bryan,” they should pop up.
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A bit of boring background and motivation:
A dub techno EP that treats sound making as an ongoing practice of listening. Developed from my research into self-listening, it approaches the phantom sound in the head as sonic material that can be negotiated, shaped, and gradually befriended. Across six tracks, breathing, sine-wave approximations of tinnitus, binaural walks through the city, and modular improvisations are composed into a restrained, pulse-driven language of chords, delays, and spatial diffusion. Dub functions here as a method of self-modulation. Through repetition and echo, the music forms a temporal space where inner sound, environmental noise, and musical intention can continually reorganise one another.
The EP asks what it means to inhabit hearing when the ear never fully rests, and how dub techno’s spatial logics of repetition and delay can become tools for listening back to oneself.
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Released by @the_hem_records and artwork by @juliaaaaa71
Happy listening! Hope you enjoy them.🔉🤍
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#techno #dubtechno #electronicmusic #experimentalmusic
Generative sound design for @pppunko ‘s work Bodying & Breathscend, at the exhibition “Tangent Experiment.” Part of the 4th Culture & Arts Festival“CATS” (Culture Arts Technology & Science).
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An exploration of sounds of body’s boundaries, interior and exterior.
At TC101 SPACE, CUHK-Shenzhen
19 Nov - 25 Dec 2024
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#soundart #installationart #experimentalsound
I’m very thrilled to share my first ever EP “ATTUNEMENT” with you guys 🔉
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This is a six-track dub techno EP shaped by inner sound and self listening. Breathing, traces of tinnitus, and city sound walks drift through chords, delays, and wide, slow-moving sonic space. The record follows a shift from tension toward coexistence, letting the phantom tone remain present, yet held gently inside the music.
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Reworking and developing the second track, “Phantom” into a live audiovisual performance with @sung_hoooon at @_white____noise_ and RCA sound elective adds another layer of joy. Thanks for all the support from @bleepsworld@mattlewis.mattlewis@joe_hirst@laura_selb
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The EP is now pre-released on Bandcamp by @the_hem_records I’m putting the link to this in my bio if you’re interested before it goes on all streaming platforms🖤
Artwork by @juliaaaaa71
Video & still by @sung_hoooon
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Happy listening!
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#dubtechno #electronicmusic #dub #dancemusic #experimentalmusic
“Oceanosmos” at Pingshan Exhibition Gallery, Shenzhen, from 4th July 4 to 3rd November 2025. As part of the exhibition of “Digital Islands: Digital Aquarium.”
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The work explores “oceanic feeling,” a state of dissolving boundaries between self and world, inspired by Romain Rolland and Freud.
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Exhibition curated by QiuTong Zhang & YuYang Zeng, project co-created by @littlesnowmeimei@zhao_jiajing_@pppunko and myself, voice performance by Li Yuran.
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#installationart #generativeart #contemporaryart #digitalart #newmediaart
My new ambient single ‘Sequence’ is out on all streaming platforms, you can now find it on Bandcamp, Spotify and Apple Music. If you search ‘Sequence + Bryan’, it should pop up. This is my very first time composing based on hardware modular patches and nonlinear thinking, centring around voltage generations, hope you enjoy it. Happy 2026, happy listening!🤍
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Released by @the_hem_records
Cover by myself
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#hemrecords #music #electronicmusic #experimentalmusic #ambientmusic
It’s been a great pleasure to have produced music and sound alongside @zhao_jiajing_ for the theatre show ‘Until I Found You 鸟寻得’ written and directed by Xuan Ma @m.povoq
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当童话成为我们唯一能掌握的母语，一个孩子开始了她的重构工程。母亲是逃向森林的野莴苣，父亲是手握黑色塑料袋的王子，而家中上锁的柜子里，住着一个永远长不大的幽灵。《鸟寻得》不仅是一个寻找的故事，更是一场关于我们如何通过叙事来确认自身存在的仪式。
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When fairy tales become the only mother tongue we can master, a child begins her reconstruction project. The mother is a wild lettuce fleeing into the forest, the father is a prince clutching a black plastic bag, and in the locked cupboard of the house lives a ghost that never grows up. ‘Until I Found You’ is not just a story of searching, but a ritual about how we affirm our existence through narrative.
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After its success in Beijing Fringe Festival 2025 at National Theatre of China, it will be on show again at Beijing Fengchao Theatre on 5th and 6th January. If you’re around, let’s witness together how this “pirated fairy tale” illuminates real life. Tickets are now on sale at Damai.cn.💫🖤
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Thanks again for all the creatives involved, and the trust from Jiajing and Xuan.
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#theatre #fringefestival #sound #sounddesign #theatresound
