Wong Pak Hang

《離開的準備》 “Preparations for Departure” 2025節點藝術進駐AIR成果展 ▎時間：2025/12/24（三）- 12/29（一） ▎開放時間：14:00-19:00 ▎地點： 台南市中西區永福路二段84號（永福國小旁） ▎藝術家：黃百亨 Wong Pak Hang ▎主辦單位：節點藝術空間 ▎《居安思危》講述表演 Lecture Performance: “Run Scared” 時間：2025/12/27（六）17:00-18:00 語言：國語 《離開的準備》以藝術家在台南一個月的駐留經驗為出發，探討日常生活中潛藏的危機與不確定性。展覽透過日常的戰鬥機聲浪、機場路途的移動視景，以及城市中那些臨時、破爛、空置的場景，建構「災難可能性」與「心理防備」之間的張力，試圖揭示個體在習以為常的環境中對安全、恐懼與逃避的感知方式。 此外，藝術家透過講述表演《居安思危》則以敘事介入，串聯戰機巡航、防災物件與記憶安全，探討在動盪世界中，個體如何為隨時的災難與遷徙，進行一場關於身心的心理預演。 Based on a one-month residency in Tainan, Preparation for Departure explores latent daily crises. By juxtaposing the roar of fighter jets, moving vistas on the road to the airport, and the city’s ephemeral scenes, the exhibition builds a tension between routine and disaster, revealing how we navigate fear and the impulse to escape. The lecture performance Run Scared employs narrative intervention to interweave fighter jet patrols, emergency kits, and the security of memory. It examines how individuals undergo a psychological rehearsal—of both mind and body—to prepare for imminent disaster and migration in a turbulent world.

節點藝術進駐AIR 🇭🇰 藝術家黃百亨 進駐時間：2025 12/01-12/31 前天香港藝術家黃百亨抵達節點開始為期一個月的駐村創作，也期待他帶來的能量，他已經觀察到節點附近的戰鬥機聲響不定期出現的聲域，此次會以聲響記錄為主的方法進行創作。 黃百亨（1995年生於香港）的創作涉獵混合媒體及數碼媒體，涵蓋攝影、錄像、繪畫及裝置藝術。他於2025年畢業於香港城市大學創意媒體學院藝術碩士課程，及2018年畢業於香港中文大學藝術系。近年作品探討現實與虛擬世界的日常經驗，並以人文關懷的視角，聚焦於外在的社會文明和內在的人性。 黃氏曾獲得香港 WMA 贊助，前往美國休斯頓參與 FotoFest 考察（2022），並獲得香港 Para Site 藝術空間的「2046 醞釀獎助金」（2022）。他在香港的錄映太奇和光影作坊的支持下舉辦了個人展覽《眼前》（2024）及《茫》（2020）。他的作品曾入圍第二十四屆 ifva 獨立短片及影像媒體比賽媒體藝術組（2019）。 Wong Pak Hang, Samson (b. 1995, Hong Kong), is an artist working across mixed media and digital media, including photography, video, painting, and installation. He graduated with a Master of Fine Arts in Creative Media degree at the City University of Hong Kong in 2025 an a fine art degree from the Chinese University of Hong Kong in 2018. His recent works explore everyday experiences in both real and virtual realms, reflecting on civilisation and human nature through a humanistic lens. Wong received sponsorship from WMA, Hong Kong, to attend FotoFest in Houston (2022) and was awarded the “2046 Fermentation + Fellowship” by Para Site, Hong Kong (2022). He held his solo exhibitions “Site Seeing” (2024) in Videotage and “ScreenSalver” (2020) in Lumenvisum, Hong Kong. His work was also shortlisted in the Media Arts category for the 24th ifva Awards (2019).

《都市光療法ガイドライン》 Compulsory Light Therapy Artist: Wong Pak Hang @pakhangs Mark Chung @markchungchingjenewein Date: (12/9 - 14/9)2025 Time: 1200 - 2000 Booth: No.14 Venue: Art Center NEW B1F, Shin-Takashima Station, 5-1 Minatomirai, Nishi-ku, Yokohama, Kanagawa 220-0012, Japan Thank you @artcenter_new for having WURE AREA at @new_platform2025 ✨ ☢️ [Guideline of C.L.T.] Compulsory Light Therapy is a completely non-invasive treatment that requires no active physical contact. This therapy is ubiquitous, allowing you to immerse yourself in a flow of highly effective positive energy at any time and anywhere. Different wavelength managements are dedicated to transforming you into a better urbanite, enabling you to maintain a vibrant, fast-paced, high-quality lifestyle until the very end. This includes: diverse illusions of meticulously engineered structures showcasing technological prowess in commercial skyscrapers (3 pieces), cinematic gunfire montages carefully curated by artificial intelligence (1 pair), dazzling fireworks close-ups indispensable to mega events/grand celebrations (A lot), and the vibrant city light reflections collectively cherished by the entire city (8 types). *Please adhere to the comprehensive urban development blueprint and regularly report to relevant authorities to ensure optimal therapeutic outcomes. 《都市光療法ガイドライン》 都市光療法は、完全に非侵襲的な治療法であり、積極的な物理的接触を必要としません。この療法はどこにでも存在し、いつでもどこでも高効率なポジティブエネルギーの流れに浸ることができます。異なる波長の管理は、あなたをより良い都市生活者に変え、最後まで活気に満ちたハイペースで高品質なライフスタイルを維持することを目指しています。 これには、商業ビルで技術力を誇示する精巧な構造が織りなす幻想的な光景、人工知能コンピューターが丁寧に編集した映画の銃撃戦モンタージュ、祝典に欠かせない輝く花火のクローズアップ、そして街全体で大切に守られる色鮮やかな都市の光の反射が含まれます。 *完全な都市開発ブループリントを遵守し、関連機関に定期的に報告することで、最適な治療効果を確保してください。 ——城市光療指引—— 城市光照療法是一種絕非侵入性的治療，期間無須主動進行任何物理接觸。相關療程無處不在，能讓你隨時浸淫於高效的正能量灌傳之中。不同的波長管理將全力讓你成為更美好的都市人，臨終前能持續保持節奏急促的優質生活。 當中包括——在商業大廈彰顯技術力的精工結構交織而成的幻影，由人工智能電腦悉心演算排序的電影鎗火蒙太奇，於盛事慶典中不可或缺的燦爛煙花連續特寫，以及全城齊心守護五光十色的繁榮倒影。 *敬請遵循完善的都市發展藍圖，並恆常與相關部門報告，以確保最佳療效。 #アートイベント #横浜 #アートフェア #NEWPLATFORM #AlternativeASIA #ArtCenterNEW #新高島駅 #9月 #wurearea #artpractice #hongkongartist #hongkongart #artwork #artexhibition #artspace #alternative #wongpakhang #markchung

Halfway through 2025 — still holding onto the documentation from “Site Seeing” at @videotage_hk few months ago. Endless thanks to @doris_pn and @johnny_auu for curating with such care. 💫 Old screens, tangled wires, soft static. Space & time are still lingering. 📺📼📹

A rare and special experience - Pollinator gave us the chance to live at West Kowloon Park for four full days. Here’s how I captured those moments. Take a look… maybe you’ll spot yourself if we crossed paths! Big thanks to Ward, Alex, M+ L&I and Performing Arts team, and the amazing tech crew for making it all happen! @freespacewestk @westklearning @westk.hk @wardmshelley @alex.schweder @florencelamsoyue @jingwongmusician @wailok.cwl @sapphireketchup

Done our third edition of Reaching this Point is the Limit at Art Central last week📹 Thank you @everhadpie @artcentralhk for the invitation! Photos: Eric Hong (@hyperic.moment ). Courtesy of Art Central.

Lecture performance by Hou Lam Tsui and Wong Pak Hang Reaching This Point is the Limit 講述表演：去到呢到就係極限 Upcoming performance at Art Central (@artcentralhk ) 29 March, 2-2:45pm Language: English Programme curated by Aaditya Sathish (@everhadpie ) Departing from their experience of wandering through a Sham Shui Po shopping mall filled with old CCD cameras and DV camcorders, the artists revisit their personal sticky memories through outdated, malfunctioning, and low-pixel electronic devices. They attempt to piece together fragments of the past, present, and future while tracing the idea of death amid the virtual, digital dimension, rethinking the impossibility of nostalgia. 從一次穿梭於堆滿舊數位相機及攝錄機的深水埗商場的經歷作為起點，兩位藝術家透過過時、失靈及低像素的電子設備，重溫黏糊的回憶，試圖拼湊過去、現在、未來的碎片，並爬梳死亡在虛擬數碼維度的存在，以及懷舊的不可能。 Previous editions at Videotage (@videotage_hk ) as part of the closing performance of solo exhibition Site Seeing; Spark Festival, presented by British Council, Videotage, Film London Artists’ Moving Image Network (together with artists Ronan Mackenzie & Aled Simons).

[#SiteSeeing] Wong Pak Hang: Site Seeing 黃百亨：眼前 🟢 Exhibition Details 展覽詳情 23.11.2024 - 5.1.2025 12:00 - 19:00 (Wed to Sun 三至日) 🟢 Opening Reception 開幕酒會 16:00 | 23.11.2024 (Sat 六) CRT televisions create images by rapidly illuminating lines of phosphors, using the persistence of vision to transform these lights into moving images. Cameras also account for the human eye, capturing action in front of the lens, frame by frame, and then connecting them into continuous sequences. Both technologies are designed to complement the human visual system, yet without an observer, they are reduced to repetitive stills and brief flashes of light. In moving images, collaboration between the human and the machine is essential for complete information transmission; only through ‘seeing’ can one ‘be seen.’ The commissioned project, Site Seeing by Hong Kong-based artist Wong Pak Hang, juxtaposes machine perspectives with human vision, exploring conscious and unconscious acts of filming and viewing. Within Videotage’s exhibition space, the artist reconnects cameras and televisions accumulated by the organisation over the years to create a field of machine interaction. Viewers wander between low-resolution lenses and colour-distorted screens, interfering with wireless signals while becoming objects of observation and merging into the image signals. The interplay between virtual and real, delay and immediacy, and engagement and feedback flows continuously along the cables, merging space, media devices, and viewers into a site-specific sensory experience. Site Seeing is the inaugural chapter of Videotage’s media archaeology project, which invites the artist to intervene in the organisation’s exhibition space and media equipment collection. In addition to the exhibition, Wong Pak Hang will extend these discussions through live performances and performance lectures in collaboration with Jonathan Kan, Ian Tang and Hou Lam Tsui. (Chinese version in comment section) Artist | 藝術家: Wong Pak Hang 黃百亨 (@pakhangs ) Curated by | 策劃: Johnny Au 歐健韋 (@johnny_auu ), Doris Poon 潘韻怡 (@doris_pn ) Visual Design | 視覺設計: Kathy Wong 黃倬詠 (@youngandtoxic.0110 ）

"Unrested Noir" looked amazing in a public space! It was shown at @goldstuecke_gelsenkirchen from October 2 to 6, 2024, at the Robinienhof in Gelsenkirchen-Buer, Germany. Huge thanks to @kunstpelz and @_gcxn for organizing, and @jenniferyueyuenyu for the invite! The GOLDSTÜCKE light art projects are organized by the City of Gelsenkirchen and supported by Sparkasse. Photo 1-2 by Lars Gonikman and 3-10 by Jennifer Braun.

Available!! Artist Book - The Folio (Vol.1): Winged Walls 🗺️🗺️🗺️ 本地印刷、自己人手製作、打孔，每本都會有唔同🙌🏼 個人製作進度緩慢⋯現時只有二十多本，歡迎dm我預留🥹 30/8-1/9 歡迎嚟我哋大館BOOKED攤位「天使的小便連在一起」 with @lau.szeman @kakiu999 @tom.and.over @sqlai @lllljllljc @lixngjixwen @ambiguity_y @taikwuncontemporary

International Open Call for Media Art Projects 2024 DIPLOPIA - What Is At Risk? Introducing one of our Open Call winners Wong Pak Hang, Samson - Unrested Noir: Collection of Destruction Scenes in Hong Kong Crime Film Wong Pak Hang, Samson is currently pursuing a Master of Fine Arts in Creative Media at City University of Hong Kong. He earned his Bachelor’s degree in Fine Arts from the Chinese University of Hong Kong in 2018. Wong works with digital and 2D mixed media, including photography, video, painting, and installation, to explore themes related to modern life and the intersection of reality and virtuality. His art reflects humanistic concerns, addressing both civilization and fundamental aspects of humanity. This artwork investigates social upheavals through the evolution of Hong Kong crime films. By curating scenes from films made between 1984 and 2020, he uses cinematic montages and video installations to metaphorically represent contemporary societal issues, such as conflicts and personal trauma. This project draws parallels between the unrest depicted in these films and current global tensions. To see all of our Open Call winners, visit our website. 2024.goldstuecke.net GOLDSTÜCKE 2024 2. OCT. - 6. OCT. Gelsenkirchen Buer Graphic: Iulia Radu Photo: Wong Pak Hang ARTISTIC DIRECTOR @kunstpelz TEAM @_gcxn @_iuliard @harnischconsulting @laras_palawa DIPLOPIA JURY Curator Gamze Can @_gcxn Jury Feyrouz Nouri @vous__me__voyez Jury Jan Herman de Boer @dr.elcagunter Jury Jennifer Yue Yuen Yu @jenniferyueyuenyu Jury Lena Weisner @evilichtungen Jury Sofia Mellino @futureruhr Jury Martina Stella @martinastellastudio Jury Lorenz Potthast @lorenzpotthast Mentor Bettina Pelz @kunstpelz Mentor Aymen Gharbi @aymen___gharbi DIPLOPIA WINNERS @paulchretienmalaba @quark97 @5oob33n @ilona_karacsony @marumashmaru @antonio_hof @pointofd @maaikart @bon_kim_art @shad.i.j @adhoc.zhro @pakhangs MORE #OpenCall #mapping #DIPLOPIA #facadeprojection #lightartfestival #digitalart #videoart #cityfestival #gelsenkirchen #buer #faiart #fairculture #mediaart #mediaartists #winners #selectedartists #juryselection

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