otra objects

@otraobjects

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Introducing the burned cookie chair - a new piece from otra objects Dimensions: 750×580×550 Hand-carved from solid Spanish chestnut, burned cookie has a strong, sculptural presence without feeling overworked. The surface is lightly charred, giving it a deep black tone and a subtle, tactile texture that highlights the natural grain. Its curved back wraps gently around the seat, creating a sense of enclosure while keeping the form open and balanced. A hard wax oil finish seals the wood, adding durability and a soft, low sheen. Each piece carries small variations from the making process, making it as much a functional chair as a one-off object. Photo: @riandavidsonstudio The burned cookie chair is currently available to order by request
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Piedra Low table by Otra Objects. #FamilyStyle
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A sculptural balance of amber wood, granite, and aluminium, carved to follow the natural contours of the stone while preserving its weight, texture, and presence. The table exists somewhere between furniture and functional art. Inspired by the craftsmanship of @otraobjects and their exploration of organic form, material tension, and contemporary collectible design. Via @otraobjects #furnituredesign #reels #viral #sculpturalfurniture #minimaldesign
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Sign . | Nace de la necesidad de compartir desde nuestro espacio de difusión las referencias que nos inspiran. Este segundo capítulo recoge la creación de grandes artistas y diseñadores que admiramos en una visita exprés a Madrid. @holarafagarcia x @lapapa______ MANIFIESTO MEDITERRÁNEO para @madriddesignf Curado por Mariona Rubio Sabatés @mariona__rubio Coproducción @grupocosentino Artistas/Designers en las imágenes @nazaralazaro @sofia_karnukaeva @malva_office @justinemenard_ @casantillon @yoyobabcn @inoxbelo @sietesssssss @canoa.lab @sashaxsasha @otraobjects @six_dots_design @lucasmunozm @worn_studio_ Valeria Vasi @esto_estudio @adriansalvadorcandela Con especial cariño a @poof_poof que tenemos la suerte de conocer desde nuestra ciudad, Sevilla
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Sometimes I need space // an exploration of intimacy and chosen solitude This editorial begins with a simple thought. Lately, it feels like everything is getting faster and louder. The more time passes, the shorter it feels. Doing many things at once has become normal to us. But do we really enjoy functioning on automatic mode? So earlier this year, this one thought kept coming back to me: Maybe sometimes, I just need space. Space to think, to disconnect from the outside world and reconnect with my inside world. Editorial by @lais_jewelry Creative direction & photography @vanessathuille Art direction & set design @oliviaamsler Photo assist @anafardy Talent @andres_morenoe Special thanks to @thinkingmu @ardenuy_press @curatedbyshop @telita_objects @otraobjects Shot at @taula_____
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🟩 Voordat de ogen van de designwereld massaal op Milaan gericht zijn gaan we even terug in de tijd naar Madrid, naar het Madrid Design Festival. Berry Dijkstra (@berrydijkstra ) bezocht in maart vijf shows in Madrid. Hij ging opzoek naar de identiteit van het Spaanse designlandschap en hoe dit zich verhoudt tot de Nederlandse ontwerpcultuur waarin hij is opgegroeid. Berry heeft een uitgebreide longread gemaakt. Een quote: “In Spanje spelen het menselijke en het poëtische een belangrijke rol. Deze verschillen zijn geworteld in geografie, beschikbare bronnen en ja, politiek speelt een onmiskenbare rol in hoe een cultuur zich vormgeeft. Denk aan het behoud van ambachtelijke tradities en de menselijke benadering, waarden die in Nederland soms ondergesneeuwd raken door efficiëntie en technologische vooruitgang.” Hieronder de vijf shows die Berry bezocht tijdens het @madriddesignf : 1. 👉Manifiesto Mediterráneo met o.a.: 

@canoa.lab@casantillon@yoyobabcn@mariaortegalvez@lucasmunozm@todomuta@losobjetosdecorativos 2. 👉 Design in Use met André Ricard 3. 👉 Rosewood Villa Magna met @Jaimehayon 4. 👉 DOMUS NOVA met o.a.: 

@kilzi@otraobjects@plutarco@esto_estudio@labermejavidrio@laiaamigoayats@fennakosfeld@alinarotzinger@ultramarstudio 5. 👉 FORMA met o.a.:  @marcocalhaucomin@mariabandolaran Bekijk de highlights en de uitgebreide omschrijving via de link 👉 in de stories of in hoogtepunt ‘🟩blogs’! Beeld: zie tags in foto. #madrid #mdf26 #dutchdesign #design #madriddesignfestival
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Cool Furniture I found this week Part 2 featured @otraobjects @thesantaliving @teambalzwerk @alumproject @simon.lindbeeej @ikea @antworks.climbing @mk9_seoul @victorias.armoire @drxromanelli @lejoern #furniture #homedecoreideas #homedecor #architecture #design
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• PIEDRA COFFEE TABLE • DESIGNED BY: @otraobjects DIMENSIONS: • 140 x 90 x 48 MATERIALS: • Granite • Amber Hardwood • Aluminum FINISHING: • Hard Wax Oil The Piedra Coffee Table is a study in balance between raw material and precise intervention. A hand-carved amber slab-defined by its natural depth and irregularity-is held in friction between two opposing bases: solid granite and sheet aluminium. The amber is carved to match the contours of the granite block, allowing it to sit level while retaining its organic edge. The aluminium element supports the slab within a routed channel, creating a measured contrast between weight and lightness. This is a 1/1 edition, shaped by the character of the amber and the process of hand finishing. Finished in hard wax to preserve a satin, tactile surface. #apntmnts_only #minimalism #modernism #brutalism #interiordesign
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Drawn to this quiet contrast. Mother Dweller I, a light sculpture, feels almost alive — soft light, raw textures, something slightly otherworldly. Next to it, Massif brings a grounded, sculptural weight that holds the space. Two different languages, somehow in balance. Mother Dweller I — Designed by @fennakosfeld Massif — @otraobjects .. Mother Dweller I, bir ışık heykeli olarak neredeyse canlı hissettiriyor — yumuşak ışık, ham dokular ve hafifçe dünyevi olmayan bir his. Yanında yer alan Massif ise mekânı daha güçlü, heykelsi bir ağırlıkla dengeliyor. İki farklı dil, bir şekilde uyum içinde. Mother Dweller I — @fennakosfeld tarafından tasarlandı Massif — @otraobjects • #designer #interiordesigner #lightsculpture #design #interiors
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This month’s CMF trend inspirations is darker than one may expect these days of spring. A clear shift is emerging toward material-led design, where surface, tactility, and transformation outweigh the role of color. In this direction, palettes recede while materials intensify, creating spaces that feel grounded, atmospheric, and timeless. Burnt amber wood anchors the narrative. Deeply charred, with cracked and irregular surfaces, it introduces a sense of controlled rawness, bridging craft and process. This is not decorative wood, but wood as a story of heat, time, and always-changing elements. Black and its fellow darks are to be used carefully in spaces, always controlling lighting conditions yet these darks allow for textural depth that hardly any other shade can provide. Metallics evolve in parallel. Copper and bronze move away from polished finishes toward oxidized, living surfaces, warmer, darker, and more nuanced. Their role is not to shine, but to emit a quiet glow, enriching the palette with depth rather than contrast. A key emerging layer is the copper-toned woven textile, translating metal into softness. This hybrid material language introduces flexibility and tactility, reinforcing a broader shift toward sensory richness across both hard and soft applications. Mineral surfaces such as onyx and quartzite reinforce the direction, bringing geological authenticity and irregularity. Their tonal variation and rough tactility echo a desire for materials that feel unearthed rather than manufactured. Overall, this CMF direction reflects a subtractive use of color. Shades deepen, desaturate, and darken, allowing materials to take visual priority. The result is a move toward interiors and architecture that feel profound, intimate, and materially expressive, where richness is no longer chromatic, but embedded in the surface itself. #cmf #zeitgeist #trend #color With projects by @thesantaliving @otraobjects @arturoalvarez.art @solarcopper @mariogarciatorres
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'Artesanía como reivindicación de la identidad y valor cultural del Mediterráneo, y de los oficios, que podemos considerar arte.' Qué puedan convivir la tradición, lo reciclado y los nuevos materiales.' . . . @mariona__rubio @madriddesignf @grupocosentino
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