OFFSCREEN

📣 OFFSCREEN Curatorial Residency returns in 2026!  Valentine Umansky (@valentine.umansky ), Curator, International Art at Tate Modern, and Chrissie Iles (@chrrrissie ) Anne and Joel Ehrenkranz Curator at the Whitney Museum of American Art, will moderate this year’s cohort.  As in previous years, 24 curators from leading international institutions will participate in closed-door working sessions, public conversations and will connect with OFFSCREEN artists throughout the week’s program. Participants will award the Curatorial Residency Prize to an artistic proposal of their choice presented at OFFSCREEN. At the 2025 edition, the prize was awarded to @yaremaandkhimei for the video installation « You Shouldn’t Have to See This » (2024), presented by @galeriepoggi (France). —  📣 La Résidence Curatoriale OFFSCREEN revient en 2026 ! Cette nouvelle édition sera modérée par Valentine Umansky, curatrice de l’International Art à la Tate Modern, et Chrissie Iles, Anne and Joel Ehrenkranz curatrice au Whitney Museum of American Art. Comme les années précédentes, 24 commissaires de grandes institutions internationales, travaillant autour des pratiques de l’image fixe et en mouvement, participeront à des sessions de travail à huis clos, à des conversations publiques et à des rencontres privilégiées avec les artistes d’OFFSCREEN tout au long du programme de la semaine.  Les participant·es décerneront le prix de la Résidence Curatoriale à une proposition artistique de leur choix présentée à OFFSCREEN. Lors de l’édition 2025, le prix avait été attribué à @yaremaandkhimei pour l’installation vidéo You Shouldn’t Have to See This (2024), présentée par la @galeriepoggi (France).

At OFFSCREEN 2025, daily talks brought together leading figures from the world of culture to discuss themes related to still and moving images. Here, Madame Figaro Deputy Editor-in-Chief @josephghosn is in conversation with South African artist @SueWilliamsonartist about her practice, memory, and the enduring legacies that shape her work — in particular through two major pieces presented at OFFSCREEN — « Towards Another World » (2023–2025) and the embroidery series « Stories for Children » (2023).

As part of OFFSCREEN 2025, the daily talks brought together leading figures from the world of culture to explore themes related to still and moving images. Here, @farrerobyn , Senior Curator and Director of Curatorial Affairs at @thekitchen_nyc and inaugural recipient of the OFFSCREEN 2024 Curatorial Research Grant, presents her research on Nam June Paik’s « Good Morning, Mr. Orwell » (1984). The session included a screening of the work followed by a conversation with Linus Gratte, Curator of Performance and Programs at the @centrepompidou . 📺 Watch the full discussion online.

@offscreen_paris was proud to collaborate with @artforum to host the first Paris edition of Artforum Atelier, the live conversation series launched by Editor-in-Chief Tina Rivers Ryan on October 21, 2025. For this installment of Artforum’s Atelier series, Tina Rivers Ryan moderated a discussion on the work and legacy of Shigeko Kubota, focusing on the conceptual and material challenges of working with early analog video. The conversation brought together: - Jordan Carter, Curator & Co-Department Head, Dia Art Foundation - Erica Papernik-Shimizu, Associate Curator, Department of Media and Performance, MoMA - Margit Rosen, Head of Collections, Archives & Research, ZKM | Center for Art and Media 🖥️ Now available online. Link in bio @artforum @tinariversryan @rosen______ @e.p.shimizu @jordancartercarter @skvaf @diaartfoundation @themuseumofmodernart @zkmkarlsruhe

Back to Church! For its 5th edition, @offscreen_paris returns to the @chapellesaintlouis and presents an all-new curation of artists working with installations, still and moving images. SAVE THE DATE 📅 October 20 — 25, 2026 ✨ Vip Preview: October 19 ⛪ Chapelle Saint-Louis de la Salpêtrière — Retour vers la Chapelle ! Pour sa 5e édition, OFFSCREEN revient à la @chapellesaintlouis de la Salpêtrière et présente une toute nouvelle programmation d’artistes travaillant installations, images fixes et en mouvement. SAVE THE DATE 📅 20 — 25 octobre 2026 ✨ Vip Preview : 19 octobre ⛪ Chapelle Saint-Louis de la Salpêtrière

David Haxton (b. 1943, USA) is a filmmaker and photographer. Active in the New York City experimental scene in the 1970s and 80s, he exhibited in all of the major spaces : The Anthology Film Archives (1976), the Museum of Modern Art’s renowned Cineprobe series (1978), the Whitney (1975, 1978, 1979, 1981, 1983, 2015). In the 1970’s Haxton’s photography and films were exhibited in New York and Paris with Sonnabend gallery, the gallery renowned for bringing American conceptual and minimal art to Europe and European conceptual art and Arte Povera to New York. @davidhaxtonartist @offscreen_paris

Richard Serra at OFFSCREEN 2025 🖤📺 Three works were presented by @carrerasmugica_ — « Three Angles Prop » (1969), « Television Delivers People » (1973), and « Untitled » (1985). From forged steel to moving image and oilstick on paper, these works trace a lifelong dialogue between matter, balance, and perception. 📺 You will be able to see « Television Delivers People » again on November 28 at the @boursedecommerce , as part of the program « Cinema Minimal ». — Trois œuvres de Richard Serra étaient présentées à OFFSCREEN 2025 par Carreras Múgica — « Three Angles Prop » (1969), « Television Delivers People » (1973) et « Untitled » (1985). Du métal à l’image en mouvement jusqu’au dessin, ces œuvres prolongent un dialogue essentiel entre matière, équilibre et regard. 📺 Vous pourrez revoir « Television Delivers People » le 28 novembre à la @boursedecommerce , dans le cadre du programme « Cinema Minimal ». ©️ OFFSCREEN 2025, installation views. Chapelle Saint-Louis de la Salpêtrière. GRAYSC

The 2025 Curators’ Prize was awarded to @yaremaandkhimei (presented by @galeriepoggi , France) for their video installation « You Shouldn’t Have to See This » (2024). This silent 7’30’’ loop shows sleeping children — a tender scene that gradually reveals a deeper unease. The artists filmed Ukrainian children who had been forcibly taken into Russian territory and later returned to Ukraine. By revealing an intimate moment that should have remained unseen, the work questions the ethics of witnessing: every image of war is first and foremost evidence of a crime, and only then, possibly, a work of art — one that perhaps should never have had to exist. Launched in 2024, the Curators’ Prize is awarded by over two dozen curators from major international institutions, invited to the OFFSCREEN Curatorial Residency. — Le Prix des Curateurs 2025 a été décerné à @yaremaandkhimei (présentés par la Galerie Poggi, France) pour leur installation vidéo « You Shouldn’t Have to See This » (2024). Cette vidéo silencieuse de 7’30’’ montre des enfants endormis — une scène d’abord tendre, qui laisse peu à peu apparaître un malaise profond. Les artistes ont filmé des enfants ukrainiens déplacés de force en territoire russe puis rapatriés en Ukraine. En dévoilant un moment intime qu’on ne devrait pas voir, l’œuvre interroge l’éthique du regard : toute image de guerre est d’abord la preuve d’un crime, avant d’être, éventuellement, une œuvre — une œuvre qui n’aurait peut-être jamais dû exister. Lancé en 2024, le Prix des Curateurs d’OFFSCREEN est attribué par plus de vingt commissaires issus de grandes institutions internationales, invités à la Résidence curatoriale d’OFFSCREEN. ©️ OFFSCREEN 2025, installation views. Chapelle Saint-Louis de la Salpêtrière. GRAYSC

Words that matter. Thank you 🤍✨ #offscreen #stillandmovingimages

Thank you! Still floating after this beautiful week ✨ 12,000 of you came to the @chapellesaintlouis to discover 28 artists represented by 27 galleries from 16 countries, works from @centrepompidou and @zkmkarlsruhe , a durational performance by @mariasherranz , a concert presented by @tonofestival & talks every day — all of which made this 4ᵗʰ edition truly special. We warmly thanks the participating galleries, artists, curators, and partners, as well as all the visitors who made this edition such a success. Special thanks to AP-HP — especially to the Direction du Mécénat et de la Culture of GHU AP-HP Sorbonne Université. Merci à toutes et à tous. On est encore sur un petit nuage ☁️ 🤝 @lombardodier @diorbeauty @cultish.studio ©️Vue d’installation, OFFSCREEN 2025, La Chapelle Saint-Louis, de la Salpêtrière, photo GRAYSC @carrie_schneider @davidpeterfrancis

This edition of OFFSCREEN was Ikon-ic... Thank you all for this sublime experience in the @chapellesaintlouis . Timm Ulrichs | IKON-KINO (1969-1979). Idee: Timm Ulrichs, 19. Realisation: Rudolf Doris. acquisition 2022 © Timm Ulrichs © Musée national d’art moderne, Centre Pompidou, Paris. @enrico_camporesi

🔔You have 4 hours left to visit OFFSCREEN! 🎫 Book a ticket online or come to the welcome desk. Vue d’installation, OFFSCREEN 2025, La Chapelle Saint-Louis, de la Salpêtrière, photo GRAYSC, courtesy OFFSCREEN