Not(es) for later

@notes_for_later_

Design exhibition Curated by @manon.viratelle n @fannie.tomas Part of Collectible from 11 to 14 March At Cloud Seven: Quai du Commerce 7, Brussels
Followers
258
Following
6
Account Insight
Score
20.18%
Index
Health Rate
%
Users Ratio
43:1
Weeks posts
. NOT(ES) FOR LATER Design exhibition This exhibition imagines a near future — a gentle, satirical utopia in which professional power dynamics have shifted. Echoing the dual identity of Cloud Seven as both an exhibition space and a coworking venue, the scenography takes the form of a meeting room frozen in time: abandoned desks, cooled coffee, handwritten notes, glowing screens… The office becomes the archive of a world that operates differently. — A work of fiction used as a critical tool to question our present realities. From March 11th to 14th Opening hours : 2 pm - 6 pm Vernissage: March 12th, 6 pm - 10pm With: @ali_coptere @alice.pandolfo @amandine__david @barbora_zilinskaite @chloearwy @clabesnard @claerira @cogneemma @gabriellebarbe @cornettehanne @heloise__colrat @honorinepardon @d.enifesoj @juliette_amigues @justinedesignguichard @laurence_x_marion @lolamayeras @luciana.lsch @manon.viratelle @maudrondot @naomi.elser @naomigilon @olg.fl @paulinepastry @prisca_rz @rosedhr @sarahespeute @sophia__taillet @studio_co_pain__ @suzannecorcessin @studio_axrdoo @_rayeonsu @zorabeyeler Graphic design @ascp.studio Curated by @fannie.tomas n @manon.viratelle @cloudseven.be Quai du Commerce 7 1000 Brussels Off Program – @collectiblefair 2026
220 30
2 months ago
. A look back in images at the exhibition _NOT(ES) FOR LATER_ Realized with the support of Collectible, Cloud Seven and ASCP Studio. Thank you all for coming in such great numbers to question and critique the world we live in. With a deliberately humorous tone, the exhibition offers an indirect critique of the structures of our society, opening up a reflection on work as a key element in its organization. Each piece presented tells a story and resonates with these themes: power, economy, care, invisibility, hierarchies, and class, as well as questions of production and the importance of practices centered around reuse and craftsmanship. With this boss ladies: @ali_coptere @alice_pandolfo @amandine_david @barbora_zilinskaite @chloe_arrouy @clara_besnard @clara_scheweers @emma_cogne @gabrielle_barbe @hanne_cornette @heloise_colrat @honorine_pardon @josefine_dransfeld @juliette_amigues @justine_guichard @laurence_boire @lola_mayeras @luciana_schutz @manon_viratelle @marion_paquette @maud_rondot @naomi_elser @naomi_gilon @olga_flor @pauline_pastry @prisca_razafindrakoto @rose_daher @sarah_espeute @sophia_taillet studio_co_pain @studio_axrdoo @suzanne_corcessin @yeonsu_na @zora_beyeler Curated by @fannie.tomas and @manon.viratelle Credit photo: Marion Paquette (@marion_paquette )
87 8
1 month ago
Last chance this Saturday to discover the exhibition NOT(ES) FOR LATER Realized with the support of @collectiblefair and @cloudseven.be This exhibition imagines a near future — a gentle, satirical utopia in which professional power dynamics have shifted. Echoing the dual identity of Cloud Seven as both an exhibition space and a coworking venue, the scenography takes the form of a meeting room frozen in time: abandoned desks, cooled coffee, handwritten notes, glowing screens… The office becomes the archive of a world that operates differently. A work of fiction used as a critical tool to question our present realities. Curated by @fannie.tomas and @manonviratelle Credit photo: Luciana L. Schütz (@luciana.lsch ) Juliette Amigues (@juliette_amigues ) __ Cloud Seven Quai du Commerce 7, 1000 Brussels Off Program of Collectible fair
524 9
2 months ago
. NOT(ES) FOR LATER Design exhibition 📁 Artists Presentation — Part 8/8 [1] Honorine Pardon (France), Radiante #2, 2024, pine, lampshade, neon lights ©️ Amber Vanbossel. @honorinepardon [2] Yeonsu Na (South Korea), Emerging Absurdity, 2025, aluminum ©️ Dahui Jeon. @_rayeonsu [3] Zora Beyeler (Swiss), Lamp 01, 2024, assembly of reused materials ©️ Justine Willa. @zorabeyeler [4] Maud Rondot (France), Le drapé, 2026, wood, fabrics. @maudrondot From March 11th to 14th Opening hours : 2 pm - 6 pm Vernissage Thursday 12 March, 18:00 - 22:00 Free entry Curated by @fannie.tomas n @manon.viratelle @cloudseven.be Quai du Commerce 7 1000 Brussels Off Program – @collectiblefair 2026
47 2
2 months ago
. NOT(ES) FOR LATER Design exhibition 📁 Artists Presentation — Part 7/8 [1/2] Studio Axrdoo (Belgium), Vette Indruk, 2025, leatherworking.©️ Kaatje Verschoren. @studio_axrdoo [3] Studio CoPain (Belgium/France), The T65 vase, 2025, bread sculpture. @studio_co_pain__ [4] Sarah Espeute (France), Rideau-Chemise en Lin, 2025, silhouette sewn in 100% linen ©️ Maxime Verret. @sarahespeute [5] Héloïse Colrat (France), Pichet-trompeur, 2023, hand blown borosilicate glass. @heloise__colrat From March 11th to 14th Opening hours : 2 pm - 6 pm Vernissage Thursday 12 March 6pm - 10pm Free entry Curated by @fannie.tomas n @manon.viratelle @cloudseven.be Quai du Commerce 7 1000 Brussels Off Program – @collectiblefair 2026
36 1
2 months ago
. NOT(ES) FOR LATER Design exhibition 📁 Artists Presentation — Part 6/8 [1] Sophia Taillet (France), Dots Mirror, 2024, glassblowing & silver. @sophia__taillet [2] Juliette Amigues (France), Sortie d’usine, 2026,artist’s book made from original sketches, unique copy. @juliette_amigues [3] Manon Viratelle (France), 161185-1915125912*A01 Pare-Soleil serie, 2025, slatted blind, 1 passe wall coverings ©️ Luciana L.Schutz. @manon.viratelle [4] Suzanne Corcessin (France), CONTINUOUS, 2025, metal braid. @suzannecorcessin [5] Hanne Cornette (Belgium), Alu coat rack, 2021, hammered aluminium. @cornettehanne From March 11th to 14th Opening hours : 2 pm - 6 pm Free entry Curated by @fannie.tomas n @manon.viratelle @cloudseven.be Quai du Commerce 7 1000 Brussels Off Program – @collectiblefair 2026
31 5
2 months ago
. NOT(ES) FOR LATER Design exhibition 📁Artists Presentation — Part 5/8 [1/4] Lola Mayeras (France), Tailoring chair, 2025, textil ©️ Bram van Dijk. @lolamayeras [2] Naomi Gilon (Belgium), Delicate Paw — Ashtray 1, 2022, white stoneware ceramic ©️ Andy Simon. @naomigilon [3] Justine Guichard (France), Horloge 504, 2026, paper and wax. @justinedesignguichard [5] Rose Daher (France), Ma chère Tartine, 2026, bread and laser engraving. @rosedhr From March 11th to 14th Opening hours : 2 pm - 6 pm Free entry Curated by @fannie.tomas n @manon.viratelle @cloudseven.be Quai du Commerce 7 1000 Brussels Off Program – @collectiblefair 2026
45 1
2 months ago
. NOT(ES) FOR LATER Design exhibition 🩵SAVE THE DATE🩵 Vernissage_Thursday 12 March, from 18:00_22:00 This exhibition imagines a near future — a gentle, satirical utopia in which professional power dynamics have shifted. Echoing the dual identity of Cloud Seven as both an exhibition space and a coworking venue, the scenography takes the form of a meeting room frozen in time: abandoned desks, cooled coffee, handwritten notes, glowing screens… The office becomes the archive of a world that operates differently. — A work of fiction used as a critical tool to question our present realities. 📁 With: @ali_coptere @alice.pandolfo @amandine__david @barbora_zilinskaite @chloearwy @clabesnard @claerira @cogneemma @gabriellebarbe @cornettehanne @heloise__colrat @honorinepardon @d.enifesoj @juliette_amigues @justinedesignguichard @laurence_x_marion @lolamayeras @luciana.lsch @manon.viratelle @maudrondot @naomi.elser @naomigilon @olg.fl @paulinepastry @prisca_rz @rosedhr @sarahespeute @sophia__taillet @studio_co_pain__ @studio_axrdoo @suzannecorcessin @_rayeonsu @zorabeyeler Graphic design @ascp.studio Curated by @fannie.tomas and @manonviratelle @cloudseven.be Quai du Commerce 7 BRUSSELS Off Program – @collectiblefair
51 2
2 months ago
. NOT(ES) FOR LATER Design exhibition 📁 Artists Presentation — Part 4/8 [1] Alice Pandolfo (Italy, France), Double Torsion, 2022, reinforced polyethylene tarpaulin and synthetic stuffing fibers, ©️Antoine Grenez. @alice.pandolfo [2] Clara Besnard (France), Eyewear, 2024, old eyeglass frame. @clabesnard [3] Naomi Elser (Germany), First Thing in the morning, 2023, Stainless steel. @naomi.elser [4] Chloé Arrouy (France), Next door chair, 2023, metal. @chloearwy [5] Luciana L. Schütz (Argentinia), Control room, 2025, photography inkjet print on cotton paper. @luciana.lsch From March 11th to 14th Opening hours : 2 pm - 6 pm Curated by @fannie.tomas n @manon.viratelle @cloudseven.be Quai du Commerce 7 1000 Brussels Off Program – @collectiblefair 2026 »
47 0
2 months ago
. NOT(ES) FOR LATER Design exhibition 📁 Artists Presentation — Part 3/8 [1] Olga Flór (Nertheland), Ciseaux, 2022, casted aluminium using lost wax technique. @olg.fl [2/3] Pauline Pastry (France), WORK&DIE, 2025, aluminium. @paulinepastry [4/5] Josefine Dransfeld (Germany), im Büro, 2026, bobbin Lace / klöppel spitze. @d.enifesoj [6] Alizée Loubet (France), Les poteaux Territory Theory, 2024, leather rubalise on queue barrier posts. @ali_coptere From March 11th to 14th Opening hours : 2 pm - 6 pm Curated by @fannie.tomas n @manon.viratelle @cloudseven.be Quai du Commerce 7 1000 Brussels Off Program – @collectiblefair 2026
51 1
2 months ago
. NOT(ES) FOR LATER Design exhibition Artists Presentation — Part 2/8 [1] Laurence x Marion (Canada), Optimus, 2026, nylon weavings. @laurence_x_marion [2] Clara Schweers (Germany), Entangled Mirror, 2023, glass. @claerira [3] Gabrielle Barbé (Belgium), Sealed notebook, 2024, weaving. @gabriellebarbe [4] Prisca Razafindrakoto (France), MORPH LAMP, 2025, stainless steel, ©️Tristan Herrbach. @prisca_rz From March 11th to 14th Opening hours : 2 pm - 6 pm Curated by @fannie.tomas n @manon.viratelle @cloudseven.be Quai du Commerce 7 1000 Brussels Off Program – @collectiblefair 2026
48 4
2 months ago
. NOT(ES) FOR LATER Design exhibition The exhibition unfolds as a fictional narrative set in a near, utopian and satirical future, centered on the question of work. Playing with the dual identity of Cloud Seven as both a coworking space and an exhibition venue, the scenography draws on the aesthetics and codes of the workplace. The exhibition takes the form of a meeting room frozen in time, abandoned mid-action: unoccupied desks, objects left in use, handwritten note-style labels resembling hastily taken notes, cooled coffee and screens and display supports evoking presentations and working documents that reveal an idyllic future in which equality is no longer a struggle but an inheritance. The office becomes the archive of a world that operates differently. Fiction here is not a refuge, but a critical tool. At its core, the project reflects on creative labor — daily, often invisible, and frequently overlooked. Artists Presentation — Part 1/8 [1/5] Barbora Žilinskaitė (Lithuanian), Duties of Laziness, 2024, wood dust, ply, pigment, PVA binder, varnish. @barbora_zilinskaite [2] Emma cogné (France), Friendship stool, 2025, carpet tiles hardware. ©️Hugo Boutry. @cogneemma [3] Amandine David (France), Weaving Code, 2021, cotton weaving, PLA 3D printing, ©️Emile Barret. @amandine__david [4] Olga Flór (Nertheland), Carreaux Oubliés Forgotten Tiles, 2022, casted aluminium using lost wax technique. @olg.fl From March 11th to 14th Opening hours : 2 pm - 6 pm Curated by @fannie.tomas n @manon.viratelle @cloudseven.be Quai du Commerce 7 1000 Brussels Off Program – @collectiblefair 2026
51 2
2 months ago