MONICA EULITZ / ART CONSULTING

Thrilled to see this extraordinary work by Paul Gardère 🇭🇹❤️ newly installed at @icamiami following its recent acquisition into the museum’s permanent collection. Included in “Spirit-Matter”, curated by @donna_honarpisheh , the presentation thoughtfully situates Gardère’s practice within broader conversations around materiality, spirituality, memory, and transformation. Combining painting and mixed media assemblage, “Hunger” unfolds through the physical structure of a large wooden cabinet layered with mud, pigment, glitter, clay, and found materials. Gardère transformed vernacular forms into deeply personal visual and spiritual architectures that continue to feel profoundly singular, collapsing distinctions between the sacred and terrestrial, the intimate and the cosmic. As conversations around Haitian modernisms continue to expand within institutional spaces, it feels especially meaningful to see Gardère’s work so prominently highlighted at ICA Miami, marking an important institutional acquisition for the artist in South Florida. Grateful to @magentaplains and the Estate of Paul Gardère (@paulgarderestudio ) for their ongoing stewardship of the artist’s legacy, and to @stphsdl for introducing the work to ICA Miami’s Acquisition Committee. Installation views also feature Ming Fay’s suspended sculptural work “Money Tree Floating Vine 1” (1990s/2025). Paul Gardère “Hunger”, 1995 Acrylic, glitter, mud, iron hinge, wood log, and clay sculpture on wood 45 × 36 × 5 in. Collection of Institute of Contemporary Art, Miami #PaulGardere #PaulGardère #HaitianArt #ICAMiamI

@icamiami ’s Evening in the Garden auction is now live! Delighted to support this year’s gala and grateful to the generous artists and galleries who donated works to benefit the museum. This year’s gala honors Edward J. Nicoll and Helen Kent-Nicoll, and celebrates the work of artist @olgadeamaral . Presented in partnership with @christiesinc , I’m pleased to share a few of the works I helped secure for this year’s auction. Anthony Olubunmi Akinbola Shanghai Study #1, 2025 Durags on panel 36 × 36 in. Courtesy of the artist and @nightgallery Janis Provisor Say It Straight, 2024 Watercolor, water-soluble oil, pencil, and crayon on linen 60 × 50 in. Courtesy of the artist and @magentaplains Aglaé Bassens LED Swan, 2022 Oil on canvas 39 3/8 × 51 1/8 in. Courtesy of the artist and @hesseflatow Petrit Halilaj Abetare Postcard (New York) IV, 2024 Ink on acetate, found postcard, framed, with sculptural element (bronze, patina) Postcard: 4 × 6 in. Acetate: 8 1/4 × 11 3/4 in. Overall: 11 3/4 × 21 1/4 × 1 1/8 in. Courtesy of the artist and @kurimanzutto A portion of the proceeds from the sale will benefit the Hajde Foundation. Grateful to everyone who helped make this year’s auction possible. Proceeds from the auction support ICA Miami’s mission of providing free and open access to contemporary art. Looking forward to a wonderful evening and to celebrating with the ICA Miami community. Please do let me know if I can share further information on any of the works.

Starting the Year of the Horse with one of my favorites of Amon🐎💙 Wishing everyone a Happy Lunar New Year! ❤️‍🔥🐎❤️‍🔥

“GIACOMETTI / MARWAN. OBSESSIONS” at @fondation_giacometti — a collaboration between the artists’ estates, now on view in Paris. MARWAN (Marwan Kassab-Bachi) was born in Damascus in 1934 and settled in Berlin in 1957, committing to figuration against dominant postwar trends. From 1985 until his death in 2016, heads became his sole subject—an intensive, sustained practice of looking that the exhibition brings into direct dialogue with Alberto Giacometti’s own relentless returns to the head and face. This estate-to-estate pairing is precisely the kind of curatorial proposition the Institut Giacometti is built to support: a research-driven center dedicated to Giacometti’s work through exhibitions, archives, and scholarship, often opening new readings through carefully structured dialogues. Here, the shared “obsessions” are figuration, repetition, and drawing as a daily engine—unfolding across painting and sculpture. Installation views of “GIACOMETTI/MARWAN. OBSESSIONS” Institut Giacometti © Succession Alberto Giacometti / ADAGP, Paris, 2025 #giacometti #marwan #fondationgiacometti #estates

Sarah Miska’s “Twin Braids:” is upcoming in @nightgallery ’s presentation at @fogfair San Francisco. A cropped view of a rider from behind: braided hair, the exposed back of the neck, a crisp pale blue band of fabric cutting across the skin. Control, regimentation, discipline. Stray hairs break the silhouette, loosening the image’s surface polish. The detail registers the tensions of maintaining appearances while in the saddle. In this new painting, Miska continues her ongoing interrogation of equestrianism and its codes of perfection, using technical precision to underscore the limits of total order. Sarah Miska, “Twin Braids,” 2025, acrylic on canvas, 16 x 20 in (40.6 x 50.8 cm). Photography by Nik Massey. Courtesy of the artist and Night Gallery, Los Angeles. #sarahmiska #nightgallery #fogfair

The stunning new @princetonuniversityartmuseum , designed by Adjaye Associates. 1. Rodin, “The Age of Bronze,” 1876. 2-5. Nick Cave’s monumental commission for the entrance - “Let me kindly introduce myself. They call me MC Prince Brighton” - seen from the forecourt and one of the galleries. 6. Frank Stella’s beautifully installed “River of Ponds II,” 1969. 7. Tuấn Andrew Nguyễn commission over a Roman imperial mosaic from Antakya, Turkey. 8. Mary Weatherford, “Santa Ana,” 2016. 9. Icons: Warhol’s “Blue Marilyn” of 1962 and a late 14th century Virgin and Child by Florentine Giovanni di Tano Fei. 10. Robert Heinecken, “Fractured Figure Sections,”1967. 11. From left, Albers, Suki Seokyeong Kang and El Anatsui. 12. Gorgeous cabinet-style display of small-scale objects—from Southwestern tourist ceramics and Chinese snuff bottles to Japanese tsuba, netsuke, and European and Japanese enamels. 13. Monet on moiré. 14. Another Roman mosaic found in Turkey set into a brilliant floor display with Sean Scully above. 15. Exhibition of ceramicist Toshiko Takaezu. 16. From left, Balthus; Joan Mitchell’s “Aires Pour Marion,” 1975-76; and a pair of landscapes by Albert Bierstadt and Arthur Dove. 17. Mitchell detail. 18. Façade. #augusterodin #andywarhol #giovanniditanofei #claudemonet #balthus

Now on view at @le_grand_palais , a first look at one of the most anticipated commissions of 2026: Claire Tabouret’s stained-glass cycle for Notre-Dame de Paris. In “D’un seul souffle,” Tabouret turns the Grand Palais into a working studio, unveiling full-scale monotype maquettes for her six stained-glass windows for the south aisle of Notre-Dame. Created in collaboration with the master glassmakers of Atelier Simon-Marq, these radiant compositions explore the theme of Pentecost through a balance of rigor and spontaneity—fifty hand-painted pieces per window, assembled into luminous, seven-meter-high designs. Conceived in the wake of the cathedral’s 2019 fire, the commission forms part of the broader restoration effort, inviting a contemporary voice into a site of immense historical and spiritual weight. The exhibition offers a rare glimpse of this landmark project as it takes shape. Tabouret’s stained-glass will be installed at Notre-Dame at the end of the year. Photography © Simon Lerat pour le GrandPalaisRmn, Paris, 2025. Courtesy of the artist and @nightgallery . #clairetabouret #ateliersimonmarq #nightgallery #grandpalais #notredame

Explaining to Amon that we are finally leaving the Year of the Snake 🐍 and heading into the Year of the Fire Horse. Happy New Year to all — looking forward! 🔥🐎 #AmonVdHorst

Wishing everyone a joyous holiday season from New York. Grateful for the artists, collaborators, clients, and friends who made this year so inspiring - from exhibitions and installs to the many conversations that shape them. Pictured, of course, is a New York classic: the Christmas tree with its 18th-century Neapolitan crèche at @metmuseum , a layered city of angels, street vendors, animals, and ruins gathered at the foot of the tree each year. #metmuseum

School of things: Kishio Suga’s beautiful exhibition, now on view in Beacon at @diaartfoundation . Since the late 1960s, the Japanese artist associated with Mono-ha—literally the “School of Things”—has arranged unaltered materials like wood, stone, rope, wax, and concrete into what he calls “situations”: temporary balances where each element, and the room itself, quietly holds the others in place. Works such as “Diagonal Phase” (1969/2012), “Parallel Strata” (1969/2025), “Soft Concrete” (1970/2025), and “Abandoned Situation” (1971/2025) unsettle how we expect these materials to behave, turning familiar construction matter into charged encounters in space. Later works including “Placement of Condition” (1973/2025), “Fieldology” (1974/2025), and the translucent room “Concealed and Enclosed Surroundings” (1997) grow out of Suga’s live “activations,” in which he builds and shifts these arrangements over time. At Dia Beacon, the exhibition emphasizes this sense of contingency so that the space around each work becomes part of its “surrounding”—a zone where the meaning of things stays open and newly perceptible. Images: © Kishio Suga. Photos: Don Stahl #kishiosuga #diaartfoundation #diabeacon

During Miami Art Week, CORE: art curator @monicaeulitz welcomed Members to @thekampong for an afternoon with artist Naomi Fisher (@naomi_jellyfishrrr ) and her site-specific exhibition Rootwork, featuring new works developed in direct response to the garden’s living ecology.

The London home of Maja Hoffmann, designed by India Mahdavi, photographed by François Halard in 2018 for AD. Hoffmann - daughter of pharmaceutical pioneer Luc Hoffmann - began collecting in 1980s New York with theater director Werner Duggelin, focusing on Schnabel, Basquiat, and Warhol. In 2017 she opened LUMA Arles, a Frank Gehry-designed contemporary art and research center. 1. The terrace set for outdoor dining. 2. A Taryn Simon in the entry. Velvet curtains by Mahdavi. 3. Works by (from left) Gilbert & George, Franz West, and Betty Woodman greet visitors. 4. Olafur Eliasson illuminates the stairwell. 5. In a living room, sofas by Mahdavi; Pierre Jeanneret chairs. 6. Nymphenburg porcelain sculpture by Karen Kilimnik below an embroidered canvas by Alighiero e Boetti. 7. Works (from top) by Richard Prince and Warhol. Carlo Mollino table and chairs. Jean Prouvé swing jib lamp and console. Floor lamp by Pierre Paulin. 8. Vintage Jean Prouvé table and chairs in the kitchen. 9. Franz West-designed table and chairs in a dining/meeting room. 10. Olafur Eliasson’s “Hot Spring” series (left) lines the wall. A Doug Aitken LED artwork is over the mantel; Jorge Pardo game table. 11. Mahdavi designed a custom banquette for the small dining room. Jean Royère chandelier over Martino Gamper table; works by Jim Hodges (left) and Elad Lassry. 12. Vintage Mathieu Matégot chairs and a Jean Royère floor lamp in a bedroom. 13. Sigmar Polke (above mantel) and Rirkrit Tiravanija (right) adorn a drawing room. Jean Royère armchairs and sofa; Franz West floor lamp. #indiamahdavi #andywarhol #tarynsimon #gilbertandgeorge #franzwest bettywoodman olafureliasson pierrejeanneret karenkilimnik alighieroeboetti richardprince carlomollino jeanprouve pierrepaulin dougaitken jorgepardo martinogamper jimhodges eladlassry mathieumategot jeanroyere sigmarpolke rirkrittiravanija