Abraham Tettey

@master_ab

Serial CuraTor: mediator of conceptual bridges. Producer @othernetwork.io
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We were excited to welcome you to the opening of Daniel Tetteh Nartey’s “Nyame Nsa” exhibition in Accra, Ghana. - Come join us experience “Nyame Nsa” - open from now until 20th December, 2025. RSVP via the link in our bio! - Curated by Douglas Opoku & Katharina Link Co-curated by Abraham Tettey Assisted by Nancy Agyei Celestina - Photographed by @ambitiouskojo
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5 months ago
After a successful show in Kumasi, we’re bringing “Nyame Nsa”, an exhibition by @odanlab ’s artist-in-residence @narteydaniel7 , to Accra. - This series of surrealist paintings explores the connection between people and their environment, inspired by Daniel’s exploration of Kumasi and its history. - Join us on Thursday, November 27th, and let’s explore Nyame Nsa. - Curated by Douglas Opoku (@dopo.ism ) & Katharina Link (@katharinablum ) Co-curated by Abraham Tetteh (@master_ab ) Assisted by Nancy Agyei Celestina (@divaakoto ) - Opening: Thursday 27 November, 2025 Closing: Saturday 20 December, 2025. - RSVP with the link in our bio.
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5 months ago
⏳ Last few days to see the exhibition... When the Drum Fades open until Thursday, November 19.2025 at FCA-Ghana @fca_ghana , 1st Circular Ra, Cantonments - Accra Entry is FREE _____ ‘When the Drum Fades’ An exhibition by Isaac Gyamfi Assumeng, presenting a constellation of monochrome photographs printed on foamboard. Created around the one-year remembrance of Madam Christiana Akosua Odi, a trader, caretaker, and the first landscape of his childhood—the work gathers Gyamfi Assumeng’s meditations on loss, remembrance, and the fragile intimacies of love. Through Madam Akosua Odi’s life, the images trace the quiet echoes of memory and the tenderness held in what remains. _____ Curated by: Abraham Tettey @master_ab Photo © 2025 Isaac Gyamfi A.
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6 months ago
The world feels heavy.⁣⁣ We are all carrying something unnamed: love that has shifted shape, loss that hasn’t fully settled.⁣⁣ ⁣⁣ 𝐈𝐬𝐚𝐚𝐜 𝐆𝐲𝐚𝐦𝐟𝐢 𝐀. carries the memory of Madam Christiana Akosua Odi — a trader, a caretaker and the first landscape of his childhood.⁣⁣ ⁣⁣ 𝐖𝐡𝐞𝐧 𝐭𝐡𝐞 𝐃𝐫𝐮𝐦 𝐅𝐚𝐝𝐞𝐬 traces her life through objects, gestures and memories that continue to shape his everyday.⁣⁣ ⁣⁣ Join us on November 6 from 5:00pm to remember together — to sit with what lingers and observe how love continues after loss:⁣⁣ in routines, in muscle memory,⁣⁣ in the everyday gestures that carry those before us.⁣⁣ ⁣⁣ 𝘊𝘶𝘳𝘢𝘵𝘦𝘥 𝘣𝘺: 𝘈𝘣𝘳𝘢𝘩𝘢𝘮 𝘛𝘦𝘵𝘵𝘦𝘺 ⁣⁣ ⁣⁣ 🗓️ Thursday, November 6, 2025⁣⁣ 🕰️ Conversation — 5:00pm | ⁣⁣ Opening — 6:00pm⁣⁣ 📍 FCA - Ghana, 1st Circular Road, Cantonments — Accra⁣⁣ ⁣⁣ Entry is free.⁣⁣ The exhibition runs through November 19, 2025
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6 months ago
𝘸𝘦’𝘷𝘦 𝘴𝘦𝘦𝘯 𝘢𝘯𝘥 𝘩𝘦𝘢𝘳𝘥 𝘵𝘩𝘪𝘴 𝘴𝘤𝘦𝘯𝘦 𝘢𝘯𝘥 𝘴𝘰𝘶𝘯𝘥 𝘣𝘦𝘧𝘰𝘳𝘦 — 𝘮𝘢𝘺𝘣𝘦 𝘵𝘰𝘰 𝘮𝘢𝘯𝘺 𝘵𝘪𝘮𝘦𝘴 (𝘢𝘯𝘥 𝘵𝘩𝘢𝘵’𝘴 𝘵𝘩𝘦 𝘱𝘰𝘪𝘯𝘵).⁣⁣ ⁣⁣ The jokes were loud, the crowd knew every punchline before it landed. It was our internet before the internet. ⁣⁣ ⁣⁣ 𝐂𝐨𝐧𝐜𝐞𝐫𝐭 𝐏𝐚𝐫𝐭𝐲 was Ghana’s traveling theatre turned TV phenomenon; part improv, part satire, part social commentary.⁣⁣ ⁣⁣ It made laughter political, turned gossip into philosophy and performed the everyday. This Saturday, October 25, we rewind the tape. 📍 @perfocraze_international Artists Residency 🕒 3:00 PM Curated by @master_ab @ex.cesses in collaboration with @digitalarchiveprojectgh @perfocraze_international @wahu.mag Supported by @othernetwork.io @ifa.visualarts @cookies_architecture
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6 months ago
The tapes are rolling, the wigs are big and the archives are loud again. On Saturday, 25 October, we gather to watch and remix — from Ghallywood and Concert Party’s VHS tapes to today’s deepfake delusions. Between laughter and distortion, we trace how our screens have shaped what we desire, fear and forget. What stories did those homegrown films tell us about who we were becoming? And what stories are the algorithms telling about us now? Bring your memories, your laughter and your questions. We’re throwing an archive party 🎉 Come for the nostalgia, stay for the glitch. Free but strictly by registration: link in bio 📅 Saturday, 25 October 2025 📍 @perfocraze_international Artists Residency 🕒 3:00 PM Curated by @master_ab @ex.cesses in collaboration with @wahu.mag @digitalarchiveprojectgh @perfocraze_international Supported by @othernetwork.io @ifa.visualarts @cookies_architecture 🤖 📼 🤖 📼 #archiveparty #deepfake #wahumagazine #othernetwork #concertparty
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7 months ago
Yenko Nkoaa: from Ghallywood to Deepfakes - invites you to an archive party to reimagine how we inherit the image and how the image, in turn, inherits us. From Ghana’s 90s homegrown film industry, Ghallywood, and the beloved Key Soap Concert Party — a televised mix of comedy, drag-like theatre, and moral satire — to today’s AI illusions, we trace the continuum of how media script our desires, anxieties and silences. Through screenings, conversations and zine-making, we gather as both witnesses and storytellers, revisiting the images that shaped a generation and asking: How did they define our sense of gender, morality and belonging? And what happens now, when deepfakes begin to dream for us? Join us for a part reflection, part celebration and part reclaiming of how we look, remember and imagine together. Saturday, 25 October 2025 📍@perfocraze_international Artists Residency ⏱ 3:00 pm 🎥✨ 🎥✨ Curated by @master_ab @ex.cesses in collaboration with @wahu.mag @digitalarchiveprojectgh @perfocraze_international Graphics design: @f451.studio Supported by: @ifa.visualarts @othernetwork.io
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7 months ago
Abraham warmly invites you on Thursday to an exhibition tour, exchanging on the remittances spaces opened, envisioned, cared for: 〰️✨CLOSE TO HOME. REMITTANCE SPACES BETWEEN ARRIVAL AND RETURN ✨〰️ 25.09.2025 17:00 TOUR IN ENGLISH With Abraham Tettey @master_ab →  No registration, no fee, but a little donation makes us happy The project is funded by Hauptstadtkulturfonds. IMAGE of Abraham during the mounting of the exhibition by @shayc1738
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7 months ago
🔉➿ If migration is a choreography of bodies, gestures, objects, and memory, then sound is perhaps its most faithful companion. We invite you to listen closer to sonic remittances in two forms in the framework of CLOSE TO HOME: 🔊 The Sonic Remittance Booth in the exhibition invites you to contribute a song that carries you home, however and wherever home exists. Each offering becomes part of a collective playlist, a living archive of voices, rhythms, and textures, reverberating throughout the exhibition. 🔊In the Sonic Remittance Listening Session, we wonder: What does home sound like? A mother’s whisper, the hum of a familiar street, the crackle of a fire, a rooster’s crow, temple bells echoing at dawn. Sounds that travel, accumulate and linger in the spaces we inhabit and those we long for. You are invited you to share a sound that holds home: a song, a spoken word, a rhythm. Please bring the songs or other tunes you would like to share – on your phone, with your voice and memory, on vinyl, on a memory stick, ... Together, we will explore how these vibrations travel, carry memory, and sustain relationships, weaving them into a collective sonic archive of care and the traces of belonging. Both, booth and listening session, are curated and held by our current curatorial fellow, Abraham Tettey. ➿🔊SONIC REMITTANCE🔊➿ LISTENING SESSION  27.09.2025  19:00
WITH  Abraham Tettey FREE ENTRY  Donations welcome
ACCESS  Our space is accessible by wheelchair FUNDING  The project is funded by Hauptstadtkulturfonds. IMAGES of the sound booth by Marvin Systermans @marvin.systermans , of Abraham sharing tunes during SAVVY’s Circular Listening Session at Refuge Worldwide, August 2025, by Matthew Hansen @mjhansen3
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7 months ago
#repost Sonic Kitchen is live @strandedfm Tune in!!
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8 months ago
𝗠𝗲𝗲𝘁 𝗮𝗻𝗱 𝗚𝗿𝗲𝗲𝘁 𝘁𝗵𝗲 𝗙𝗶𝗲𝗹𝗱𝗠𝗲𝗮𝗹𝗡𝗲𝘁𝘄𝗼𝗿𝗸 𝗮𝗻𝗱 𝗷𝗼𝗶𝗻 𝗶𝗻 𝗳𝗼𝗿 𝗮𝗻 𝗢𝗽𝗲𝗻 𝗞𝗶𝘁𝗰𝗵𝗲𝗻 𝘀𝗲𝗿𝗶𝗲𝘀 𝗼𝗳 𝘄𝗼𝗿𝗸𝘀𝗵𝗼𝗽𝘀 𝗮𝗻𝗱 𝗱𝗶𝗻𝗻𝗲𝗿𝘀, 𝗼𝗿𝗴𝗮𝗻𝗶𝘇𝗲𝗱 𝗯𝘆 𝘁𝗵𝗲 𝗯.𝗔𝗦𝗜𝗖 𝗮.𝗖𝗧𝗜𝗩𝗜𝗦𝗧 𝗸.𝗜𝗧𝗖𝗛𝗘𝗡 𝘄𝗶𝘁𝗵 𝗠𝗮𝗿𝗶𝗻𝗮 𝗠𝗼𝗻𝘀𝗼𝗻í𝘀 (𝗕𝗮𝗿𝗰𝗲𝗹𝗼𝗻𝗮), 𝗚𝗶𝘂𝗹𝗶𝗮 𝗢𝗿𝗹𝗮𝗻𝗱𝗶 (𝗕𝗲𝗿𝗹𝗶𝗻) 𝗮𝗻𝗱 𝗔𝗯𝗿𝗮𝗵𝗮𝗺 𝗧𝗲𝘁𝘁𝗲𝘆 (𝗚𝗵𝗮𝗻𝗮). The b.a.k. is proud to introduce you to their extended international sporulation of collective food practices called the FieldMealNetwork. They are a tentacular network of kitchens located in museums and cultural institutions. The individuals who are part of this network cook, collaborate, and engage in culinary spaces that are institutional, para-institutional, underground, autonomous, cooperative, and self-managed.    The FieldMeal kitchens are shaped by the following axes of learning, research, and practice: migrant and diverse agroecology, food sovereignty, the re-transmission of glocal knowledge related to food, place-based pedagogies, transgenerational approaches, and the dynamization and creation of collective kitchens with a DIY (Do It Yourself) hybrid attitude, fostering communal joy.    Although the defined issues permeate these kitchens located in Berlin, Utrecht, and Barcelona, each of them is characterized by having deeper focuses on one or more of these aspects.  The network sees hospitality as a tool for social change and caring for each other in a time of social and cultural disruption.  Durig these three days we will share food, soundtracks, skills, crafts and strategies to sustain each other’s food practices and Community Kitchen networks.      #FieldMealNetwork#UnlearningHospitality#RelearningHospitality#CookingUpCommunity#With-in/With-outInstitutions  𝗧𝗵𝗲𝗿𝗲 𝗮𝗿𝗲 𝗹𝗶𝗺𝗶𝘁𝗲𝗱 𝘀𝗽𝗼𝘁𝘀 𝗳𝗼𝗿 𝗲𝗮𝗰𝗵 𝗼𝗳 𝘁𝗵𝗲𝘀𝗲 𝘄𝗼𝗿𝗸𝘀𝗵𝗼𝗽𝘀, 
𝗺𝗮𝗸𝗲 𝘀𝘂𝗿𝗲 𝘁𝗼 𝗿𝗲𝘀𝗲𝗿𝘃𝗲 𝘆𝗼𝘂𝗿 𝗽𝗹𝗮𝗰𝗲 𝘃𝗶𝗮 𝗷𝗼𝗶𝗻𝗶𝗻𝗴@𝗯𝗮𝗸𝗼𝗻𝗹𝗶𝗻𝗲.𝗼𝗿𝗴 
𝗧𝗼 𝗽𝗮𝗿𝘁𝗶𝗰𝗶𝗽𝗮𝘁𝗲, 𝘄𝗲 𝘀𝘂𝗴𝗴𝗲𝘀𝘁 𝗮 𝗱𝗼𝗻𝗮𝘁𝗶𝗼𝗻 𝗯𝗲𝘁𝘄𝗲𝗲𝗻 €𝟳-𝟮0 𝗳𝗼𝗿 𝘁𝗵𝗲 𝘄𝗼𝗿𝗸𝘀𝗵𝗼𝗽 𝗮𝗻𝗱 𝗱𝗶𝗻𝗻𝗲𝗿 poster by @bbombarius
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8 months ago
🥭🌺This Monday at 15:00, I would be sharing fragments of my practice: projects I have worked on, the ideas that keep me up at night, the questions that drive me and why archives and algorithms keep crossing paths in my work. We will talk about memory, technology, and the messy beauty of building new worlds from what’s left behind. 🍋💻 Come through for thoughts, questions and ideas worth peeling back.🪴🥭 @savvycontemporary
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8 months ago