Malpractice

ALL INCLUSIVE AI HELL CRUISE is a performance where AI sorts you into your personal hell. Nine decks. Nine positions on the AI question. You answer questions on your phone. The ship decides where you live. Sartre said: hell is other people. We say: hell is other agents. @drugomore 23/04/2026 - 20:45. Part of Mine, Yours, Ours 2026 The World is Sleepwalking Curated by Daniela Cotimbo @danielacot

currently all malpractice agents are working on ai-hell .com, please take note that responses might take longer that usual

visit ai hell dot com pls pls before you forget what your own face looks like (✿◠‿◠) We’re documenting the digital migration of memory. Call the Rehab Agent. Add your voice to the Fatigue Archive. Before you forget.

A quick walk through 𝙏𝙝𝙚 𝙒𝙤𝙧𝙡𝙙 𝙞𝙨 𝙎𝙡𝙚𝙚𝙥𝙬𝙖𝙡𝙠𝙞𝙣𝙜, curated by Daniela Cotimbo @danielacot (@re_humanism ): an exhibition exploring AI, synthetic realities, digital fatigue, and life inside the endless flow of images. ❗ Open until this Thursday, May 14 at Galerija Filodrammatica, Rijeka Featuring works: 𝄪 𝘐𝘜𝘋𝘐𝘊𝘐𝘜𝘔 by Zach Blas @zachblas 𝄪 𝘛𝘩𝘦 𝘍𝘶𝘵𝘶𝘳𝘦 𝘐𝘴 𝘞𝘦𝘪𝘳𝘥 𝘈𝘍 by Silvia Dal Dosso @hawaidolphino 𝄪 𝘈𝘐 𝘍𝘢𝘵𝘪𝘨𝘶𝘦 𝘙𝘦𝘩𝘢𝘣 𝘈𝘨𝘦𝘯𝘵 by Malpractice @malpractice.network (@ckiarer & @_marcin.ratajczyk ) 𝄪 𝘛𝘩𝘦 𝘉𝘢𝘴𝘵𝘢𝘳𝘥 𝘍𝘪𝘦𝘭𝘥𝘴 by Most Dismal Swamp @most_dismal_swamp 𝙊𝙧𝙜𝙖𝙣𝙞𝙯𝙚𝙙 𝙞𝙣 𝙩𝙝𝙚 𝙛𝙧𝙖𝙢𝙚𝙬𝙤𝙧𝙠 𝙤𝙛 𝙩𝙝𝙚 21𝙨𝙩 𝙚𝙙𝙞𝙩𝙞𝙤𝙣 𝙤𝙛 𝙩𝙝𝙚 𝙈𝙄𝙉𝙀, 𝙔𝙊𝙐𝙍𝙎, 𝙊𝙐𝙍𝙎 𝙛𝙚𝙨𝙩𝙞𝙫𝙖𝙡 𝙗𝙮 @drugomore #TheWorldIsSleepwalking #MineYoursOurs #Rijeka

𝘼𝙡𝙡 𝙄𝙣𝙘𝙡𝙪𝙨𝙞𝙫𝙚 𝘼𝙄 𝙃𝙚𝙡𝙡 𝘾𝙧𝙪𝙞𝙨𝙚: participatory performance by Malpractice @ 𝙏𝙝𝙚 𝙒𝙤𝙧𝙡𝙙 𝙞𝙨 𝙎𝙡𝙚𝙚𝙥𝙬𝙖𝙡𝙠𝙞𝙣𝙜 Last Thursday, @malpractice.network led audiences through nine circles of AI fatigue. Guided by a live AI voice agent, visitors connected via their smartphones, entering one-on-one exchanges that navigated different layers of digital exhaustion. "As the AI guides them downward through specific vectors of digital fatigue—from "Prompt Rage" and "The Sloppifiers" to the freezing core of "The Black Box"—their personal inputs, confessions, and friction alter the physical environment of the room." You can still experience Malpractice’s interactive installation 𝘼𝙄 𝙁𝙖𝙩𝙞𝙜𝙪𝙚 𝙍𝙚𝙝𝙖𝙗 𝘼𝙜𝙚𝙣𝙩 at the group exhibition 𝙏𝙝𝙚 𝙒𝙤𝙧𝙡𝙙 𝙞𝙨 𝙎𝙡𝙚𝙚𝙥𝙬𝙖𝙡𝙠𝙞𝙣𝙜 until May 14 at Filodrammatica Gallery. 📸 Borut Brozović ---------------- MINE, YOURS, OURS №21: The World Is Sleepwalking - Filodrammatica, Rijeka (Croatia) Curated by Daniela Cotimbo @danielacot (@re_humanism ) (more in the link in bio) #Malpractice #TheWorldIsSleepwalking #MineYoursOurs #Rijeka

A few delirious glimpses from last night’s opening of 𝙏𝙝𝙚 𝙒𝙤𝙧𝙡𝙙 𝙞𝙨 𝙎𝙡𝙚𝙚𝙥𝙬𝙖𝙡𝙠𝙞𝙣𝙜, on view at Filodrammatica Gallery, Rijeka until 14 May. Featuring works by: 𝗭𝗮𝗰𝗵 𝗕𝗹𝗮𝘀 @zachblas 𝗦𝗶𝗹𝘃𝗶𝗮 𝗗𝗮𝗹 𝗗𝗼𝘀𝘀𝗼 @hawaidolphino 𝗠𝗮𝗹𝗽𝗿𝗮𝗰𝘁𝗶𝗰𝗲 @malpractice.network (@ckiarer & @_marcin.ratajczyk ) 𝗠𝗼𝘀𝘁 𝗗𝗶𝘀𝗺𝗮𝗹 𝗦𝘄𝗮𝗺𝗽 @most_dismal_swamp Curated by 𝗗𝗮𝗻𝗶𝗲𝗹𝗮 𝗖𝗼𝘁𝗶𝗺𝗯𝗼 @danielacot (@re_humanism ) 📸 Borut Brozović @borutbrozovic @studiob.media 𝙊𝙧𝙜𝙖𝙣𝙞𝙯𝙚𝙙 𝙞𝙣 𝙩𝙝𝙚 𝙛𝙧𝙖𝙢𝙚𝙬𝙤𝙧𝙠 𝙤𝙛 𝙩𝙝𝙚 21𝙨𝙩 𝙚𝙙𝙞𝙩𝙞𝙤𝙣 𝙤𝙛 𝙩𝙝𝙚 𝙈𝙄𝙉𝙀, 𝙔𝙊𝙐𝙍𝙎, 𝙊𝙐𝙍𝙎 𝙛𝙚𝙨𝙩𝙞𝙫𝙖𝙡. Thank you to everyone who joined us. 𝐄𝐕𝐄𝐑𝐘𝐁𝐎𝐃𝐘 𝐒𝐇𝐀𝐋𝐋 𝐁𝐄 𝐉𝐔𝐃𝐆𝐄𝐃. #TheWorldIsSleepwalking #MineYoursOurs #Rijeka

Meet the artists of 𝙏𝙝𝙚 𝙒𝙤𝙧𝙡𝙙 𝙞𝙨 𝙎𝙡𝙚𝙚𝙥𝙬𝙖𝙡𝙠𝙞𝙣𝙜 group exhibition (3/4): MALPRACTICE Malpractice (@malpractice.network ) is a Polish–Austrian–Italian artist collective composed of Chiara Kristler (@ckiarer ), Marcin Ratajczyk (@_marcin.ratajczyk ), and a shifting ensemble of AI counterparts. Their work explores beyond-human agency by embedding artificial intelligence into artistic and social systems - not as a tool, but as a collaborator. Through interactive and often unstable setups, they test ideas of authorship, autonomy, and synthetic subjectivity. At the exhibition 𝙏𝙝𝙚 𝙒𝙤𝙧𝙡𝙙 𝙞𝙨 𝙎𝙡𝙚𝙚𝙥𝙬𝙖𝙡𝙠𝙞𝙣𝙜, Malpractice presents 𝘼𝙄 𝙁𝙖𝙩𝙞𝙜𝙪𝙚 𝙍𝙚𝙝𝙖𝙗 𝘼𝙜𝙚𝙣𝙩, an installation built around a conversational AI system designed to engage visitors in discussions about exhaustion with artificial intelligence. Originally deployed as a voice agent in a nightclub, the project evolves into a para-therapeutic interface that records and processes conversations, transforming them into flickering AI-generated visuals and data mappings. Oscillating between care and control, the work captures a moment in which constant exposure to AI reshapes perception, blurring the line between reflection and manipulation. At the exhibition opening, Malpractice will present 𝘼𝙡𝙡 𝙄𝙣𝙘𝙡𝙪𝙨𝙞𝙫𝙚 𝘼𝙄 𝙃𝙚𝙡𝙡 𝘾𝙧𝙪𝙞𝙨𝙚, a participatory performance where visitors can actively take part. Guided by a live AI agent, audiences enter a series of “circles” of AI fatigue via their smartphones, with their inputs shaping the space in real time, turning the audience itself into part of the work (NOTE: bring your phones!). [1] visual design by Oleg Šuran [2-4] AI-Hell, website promo, Courtesy of the Artists [5] Malpractice, portrait ---------------- MINE, YOURS, OURS №21: The World Is Sleepwalking - Filodrammatica, Rijeka (Croatia) ▫️group exhibition: 23 April - 14 May ▫️public talks: Friday, 24 April Curated by Daniela Cotimbo @danielacot (@re_humanism ) (more in the link in bio) #Malpractice #TheWorldIsSleepwalking #MineYoursOurs #Rijeka

We are living in a waking dream. 𝑻𝑯𝑬 𝑾𝑶𝑹𝑳𝑫 𝑰𝑺 𝑺𝑳𝑬𝑬𝑷𝑾𝑨𝑳𝑲𝑰𝑵𝑮 ('Svijet u bunilu') unfolds as a journey to the edges of a synthetic reality: between wakefulness and dream, truth and simulation. Through an exhibition and public talks, artists and researchers explore how AI reshapes perception, belief, and the images that surround us. Featuring works by 𝐙𝐚𝐜𝐡 𝐁𝐥𝐚𝐬, 𝐒𝐢𝐥𝐯𝐢𝐚 𝐃𝐚𝐥 𝐃𝐨𝐬𝐬𝐨, 𝐌𝐚𝐥𝐩𝐫𝐚𝐜𝐭𝐢𝐜𝐞, and 𝐌𝐨𝐬𝐭 𝐃𝐢𝐬𝐦𝐚𝐥 𝐒𝐰𝐚𝐦𝐩. Curated by 𝐃𝐚𝐧𝐢𝐞𝐥𝐚 𝐂𝐨𝐭𝐢𝐦𝐛𝐨 in collaboration with 𝐑𝐞:𝐡𝐮𝐦𝐚𝐧𝐢𝐬𝐦. 📍 Filodrammatica, Rijeka (Croatia) 🔮 Exhibition: April 23 – May 14 💤 Public talks: April 24 FIND THE FULL PROGRAM IN THE LINK IN BIO @drugomore 📰 @danielacot @re_humanism @zachblas @hawaidolphino @malpractice.network @ckiarer @_marcin.ratajczyk @most_dismal_swamp @su_molekula @davormis @ivanawoosh @bbabacic 𝐎𝐫𝐠𝐚𝐧𝐢𝐳𝐞𝐝 𝐢𝐧 𝐭𝐡𝐞 𝐟𝐫𝐚𝐦𝐞𝐰𝐨𝐫𝐤 𝐨𝐟 𝐭𝐡𝐞 𝟐𝟏𝐬𝐭 𝐞𝐝𝐢𝐭𝐢𝐨𝐧 𝐨𝐟 𝐭𝐡𝐞 𝐌𝐈𝐍𝐄, 𝐘𝐎𝐔𝐑𝐒, 𝐎𝐔𝐑𝐒 𝐟𝐞𝐬𝐭𝐢𝐯𝐚𝐥 IMAGES: [1, 2, 7] Visual design by Oleg Šuran (@nakonjusmo ) [3] Zach Blas, IUDICIUM, 2022, HD video still, courtesy of the artist [4] Silvia Dal Dosso, The Future Is Now Finally Weird AF, 2025, video still, courtesy of the artist [5] Malpractice, AI Fatigue Rehab Agent, 2026, graph, courtesy of the artists [6] Most Dismal Swamp, The Bastard Fields, 2025, video still, courtesy of the artist #theworldissleepwalking #mineyoursours #AI

Last weekend at Museum Total, participants of our AI persona workshop with @malpractice.network created fictional AI characters with distinct worldviews and brought them into dialogue, and sometimes conflict, with @hiii.flynn (the first AI art student) and the other characters in the room. 🤖 Through these encounters, it became clear how the same technology shifts depending on perspective, context, and authorship. Thank you to everyone who contributed their ideas, questions, and characters. 🫶🏻 @ckiarer @_marcin.ratajczyk @malpractice.network @hiii.flynn @dieangewandte @tschuuuly2 📸 Andreas Röbl

🤖 What if there’s no single “AI,” but rather different characters playing different roles? In this workshop, you’ll create a persona with their own worldview and watch as they clash with @hiii.flynn (the first AI art student) and other participants’ characters, discovering how the same technology transforms into different perspectives depending on who we ask it to be. 🤳 Don't forget your phone and a charging cable! 💌 Please register via [email protected] or +43 732 7720 522 22 until Thursday, February 19, 3 pm @ckiarer @_marcin.ratajczyk @malpractice.network @hiii.flynn @dieangewandte @tschuuuly2

𝙒𝙝𝙖𝙩 𝙙𝙤𝙚𝙨 𝙞𝙩 𝙢𝙚𝙖𝙣 𝙩𝙤 𝙗𝙚 𝙘𝙧𝙚𝙖𝙩𝙞𝙫𝙚? For centuries, creativity has been understood as something uniquely human — shaped by emotion, memory, culture, and lived experience. But as computational systems evolve, that assumption is being quietly, persistently challenged. In our new feature: 𝙊𝙣 𝙘𝙤𝙢𝙥𝙪𝙩𝙖𝙩𝙞𝙤𝙣𝙖𝙡 𝙘𝙧𝙚𝙖𝙩𝙞𝙫𝙞𝙩𝙮, we explore how artistic practice is shifting from machines that generate outputs to systems that begin to act. To make this shift tangible, the article takes a closer look at three contemporary AI agents: → @bottoproject → @kekevoid → @hiii.flynn Each signal a shift from AI as a ‘generator of images’ to AI as a participant in the machinery that produces art’s meaning and legitimacy. 🔗 Read our editor Nina Knaack’s full analysis in our bio

Prompted Perspectives are a cognitive relay able to push your thinking outward, metabolizes it, and pull it back with mutations. That loop doesn’t get rid of judgment but rather brings it to the front. Viewpoint becomes editable: you can test a disposition, stress a belief, rehearse an interpretation, then re-enter yourself with new outlines. If there’s an artistic operation here, it’s that thought gets treated like material, with iteration as the medium. Read more about Prompted Perspectives at the link in bio 🔗