Artist, storytelling from mythologies to science ๐ช๐ฆโ๐ฅ
New York and Seoul
AIM fellow 2025 @bronxmuseum
25/26 Keyholder residency @printshoporg
Late post๐ Glad to be part of the exhibition with friends and artists from @printshoporg โthe end of a sentence is where we might beginโ, curated by Sarah H. Cho @sarah_h_cho Please stop by the show if you are in town. The show is until May 8th!
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#keyholderresidency#thebookofmarvels
Lower East Side Printshop is delighted to announce a new exhibition, โthe end of a sentence is where we might beginโ, curated by Sarah H. Cho.
The exhibition features 12 artists connected to the Lower East Side Printshop Community Studio, through membership or the Keyholder Artist Residency. The artists in this show contend with personal, familial, cultural, structural, or philosophical narratives that foments potentiality to explore the edges of boundaries and begin anew.
Currently in the exhibition @patchoguearts _ Occupying Space 9@BAT . Thanks to be in the exhibition with great artists and curator @cino_john . The exhibition is up until May 10th.
1.Altered Existence of Ouroboros, 42x60in, mixed media on canvas, 2024
2.Entombed in Static, 36x96 in each, acrylic and water-soluble graphite on canvas, 2024-2025
3-7. Details of Entombed in Static.
We are continuing our countdown by highlighting the panel of Multispecies Ecologies Across Landscape, City, and Imagination. This session explores how multispecies ecologies unfold across landscapes, cities, and speculative imaginaries, tracing entanglements between human and more-than-human worlds.
Moderated by Oliver Kellhammer (Parsons), the panel brings together four perspectives: Juana Salcedo (University of Texas at Austin) on weaving multispecies landscapes across the Americas through a jaguar lens; Esra Sert (The New School & MEF University) on Istanbulโs urban metabolism as multispecies entanglement; Ian MacPherson (Parsons) on applying sentirpensar to generate humane and more-than-human futures; and Leekyung Kang (Parsons) on constructing speculative creatures through a contemporary Wunderkammer.
Together, these talks consider ecology not as a fixed condition, but as a layered and relational field shaped by movement, imagination, and lived environments.
Location: Hirshon Suite
How might we begin to imagine landscapes and cities as shared, multispecies worlds? ๐
This Saturday, February 7th is The 2026 AIM Convening - a professional development and community building event for artists! Learn more and RSVP for free via the link in @bronxmuseum
The Convening includes two art workshops: sculpture-making with air-dry clay and tote bag screen-printing, respectively ๐จ
The 14 artist who completed @bronxmuseum โs prestigious AIM Fellowship in 2025 and who are currently exhibiting in โThe Seventh AIM Biennial: Forms of Connectionโ collaboratively organized the AIM Convening program.
Specifically, 2025 AIM Alumni @jillcohennunez , @sacralrise , and @kleeeekart are running the art workshops part of the Convening!
Graphic 1 - Image courtesy @jillcohennunez ; Graphic 2 - Photo by @argenisphoto ; Graphic 3 - Portraits courtesy of the artists
#BronxMuseum #AIMconvening
Offstage of The Book of Marvels. I learned so much from this process. Struggling with classic mistakes including but not limited to aquatint, aquatint, aquatint.. ๐ฅน๐คฃreverse expose for photo etching, registration.. gluingโฆ anyway, this is a just beginning of my series for the marvelous journey as I plan to create more books this year!(Letโs see ๐ง) Thank you again for the artist residency program @printshoporg to provide this wonderful oppourtunity.
#behindscenes #printshop #artistbook
Late post here. The opening was a blast! Thank you so much for coming last Friday night, and the show is up until 6/29 so you still have sometime to check this out ๐
A Map of Invisible Dimensions - Nutโs, 72x72in, mixed media on canvas, 2025
At the heart of my work lies a fundamental inquiry into humanityโs evolving relationship with the unknown. I trace the metamorphosis of spiritual iconography across visual languages throughout ancient history, asking essential questions: How have our belief systems transformed from primordial shamanism, totemism, and animism into contemporary understanding? How has our speciesโ insatiable curiosity about invisible realms developed through millennia of cultural exchange, cosmological discovery, and sacred ceremony?
Drawing profound inspiration from ancient tomb and chamber muralsโthose sacred spaces architecturally defined as chambers between worldsโI visualize threshold territories that exist between the realms above and below. These liminal spaces become the conceptual foundation for works that traverse death and rebirth, examining the cyclical nature of existence through both scientific and spiritual lenses.
#painting#bronxmuseum#aim#biennial
The Book of Marvels came out to the world finally! The book was designed, printed, and bound during my residency @printshoporg ๐ฅณ๐๐ฅณ Five signed and numbered copies were produced via etching, screenprinting on BFK Rives paper. #printmaking #artistbook #thebookofmarvels #lowereastsideprintshop ๐ฉธ๐ง๐ช#ํผ๋๋๋ฌผ
In the Mag
From early summer classes to years spent orbiting the cityโs exhibitions, NYCโs sense of community and spirit of shared curiosity has strengthened Leekyung Kang's practice.
Youโll often find her in museums, studying ancient relics and visual codes shaped by ritual, traditional beliefs, and passages of time. These encounters with history, spirituality, and science ripple into her work, forging thresholds where Eastern and Western cosmologies meet, and emotional energy, vital essence, and unseen matter coexist.
As light pulses and pigments flow into in-between worlds, Leekyung inspires us to explore the forces of the universe that cannot be seen, but forever linger in the chambers of our hearts and minds.
โจ Click the link in our bio to discover more about Leekyung and her incredible works!
#vibesnvistas #artmagazine #contemporaryart #nycartist #artandscience #spiritualart #traditionmeetsinnovation
A map of interground, 42x60in, mixed media on canvas, 2025
Greek mythologies, Egyptian history, Biblical story-telling, and history of word of mouth in ancient Asian references are interrelated to one another to articulate my creative diagram. I've continuously questioned how cultural identifiers both illuminate and constrain my specific artistic vision, and I believe this residency will provide the tension which creates my exploration of ancient cosmologies and spiritual iconography. This can be situated within contemporary Asian American discourse while simultaneously reaching beyond it.
๊ทธ๋ฆฌ์ค ์ ํ, ์ด์งํธ ์ญ์ฌ, ์ฑ์์ ์ด์ผ๊ธฐ, ๊ณ ๋ ์์์์ ๊ตฌ์ ์ ์น ์ญ์ฌ๋ค์ ์๋ก ์ฐ๊ฒฐ๋์ด ๋ค์ด์ด๊ทธ๋จ์ ๊ตฌ์ฑํ๋ค. ๋๋ ๋ฌธํ์ ์ ์ฒด์ฑ์ด ์ด๋ป๊ฒ ๋์ ์์ ์ ๋น์ ์ ๋ฐํ๊ธฐ๋ ํ๊ณ ์ ํํ๊ธฐ๋ ํ๋์ง์ ๋ํด ๋์์์ด ์ง๋ฌธํ๊ณ ์๋ค. ์ด๋ฌํ ํ๊ตฌ๋ ํ๊ตญ์ธ์ผ๋ก์์ ๋์ ์ ์ฒด์ฑ์ ๋์ด ํ๋ ์์์ ์๋ฉ๋ฆฌ์นธ ๋ด๋ก ์์ ์์นํ๋ฉด์๋, ๊ทธ ๊ฒฝ๊ณ๋ฅผ ๋์ด ํ์ฅ๋ ์ ์๋ค๊ณ ์๊ฐํ๋ค.
#newwork2025#mythtoscience#๐บ๏ธ๐๐ช๏ธ๐ช