Jung Hsu

我們正成為 We’re becoming @clab.tw 2026年度大展 很開心受郭昭蘭老師和吳達坤老師邀請，在C-Lab年度大展展出兩件金絲雀全球史系列作品。 「如何拯救垂死之鳥？」從礦坑裡的金絲雀典故出發，討論人類面對犧牲他者時，那種短暫而廉價的罪惡感。「鳥舍 Aviary」則從寵物鳥博覽會的田野調查切入，回望金絲雀超過五百年被馴化、繁殖與規訓的歷史，一段從未由牠們選擇的非自願共生。 Invited by curators Jau-lan Guo and Da-Kun Wu, I’m showing two works from my ongoing Canary series. Save a dying bird? sits with the guilt humans feel, brief and cheap, when another species pays the price for our survival. Aviary traces the history of canary domestication: a cohabitation driven by human interest. · · · 感謝羿瑄和所有同仁的支持與照顧 🙏 展覽持續到 8/16，歡迎大家來看看！ Exhibition runs until Aug 16, come visit! 展場圖片／C-LAB提供，攝影／嘟嚕影像工作室 Image use requires proper source attribution: Exhibition photos / Courtesy of C-LAB Photography / dulub studio

Jung Hsu – Hear Me Out 8-channel sound installation Wood, speakers, 3D prints A recording assemblage combining canary songs with spoken recitations of texts about caged birds. Canaries learn to sing through listening and imitation, yet domestic breeding often isolates them before maturity, leaving humans as their only audience. While humans cannot answer in the bird’s own voice, the canary has long inspired poetry and writing—often marked by melancholy or used as a symbol of freedom. In this work, the canary’s song may never reach other birds, but its voice has been heard by humans and transformed into text. These human-authored words, born from listening, are heard by us today. “Hear Me Out” by @junghsu_ was on view at @zwitschermaschine last weekend as part of “Groundless – Birds, Models & Plastic Songs.” photos by @zak_krevitt Groundless plays with the media of a changing world.

2025

“Collected Memory_Carve from the Fragmented Past” is part of @tfam_museum Taipei Fine Arts Museum’s OpenNet projects, @junghsu_ Jung Hsu collaborates with interaction designer @___hsiao Hsiao Yu-Tung, to show the collected, analyzed, and restored USB flash drive and files over the past two years. Archiving the processes of her digital archaeology and cultural interpretation. The web-baesd archive will continue to be updated for 3 years. Visit website fragmented-past.com Artist: Jung Hsu Web Design: Yu Tung Hsiao, Jung Hsu Web Development: Yu Tung Hsiao Technical Support: Robert Schnüll Editorial Support: Feng Hsin Translation (Spanish): Gregory THORPE BADRENA Special Thanks University of Art Berlin, Prof. Aberto de Campo, Taiwan Ministry of Education, and anonymous donners. The work was commissioned by the Taipei Fine Art Museum for Vanishing Acts, an exhibition curated by @doreenrios Doreen Ríos in 2025.

This work contains materials from online searches and files stored on a USB drive, with certain sections retaining their original wording and syntax.

The content of this work involves the investigation of personal data; in accordance with privacy and personal data protection laws, the relevant sources and sensitive information are not disclosed.

Save a dying bird At @somaart.berlin

Save a Dying Bird? Solo exhibition of Jung Hsu @junghsu_ At Soma Art, Berlin @somaart.berlin Opening: 24 Oct, 7 PM Exhibition: 24 Oct – 8 Nov Investigating the relationships between humans, animals, and technology across history while imagining what lies ahead, this exhibition centers on the canary bird as both a symbol and witness of modernity. Through video, sound, installation, and performance, it reflects on empathy, captivity, and the fragile coexistence between species. Curated by Nabi Nara @nabinaraberlin Guest curator: Erik Reinhardt, Fang Tsai @_ereinhardt @fangts_ Technical supported by @robertschnuell @orlando_helfer @lukasesser This exhibition is part of @berlinscienceweek program Exhibition visuals by Tsingyun Zhang @tsingyun_zh Erik Reinhardt @_ereinhardt

룡 슈 & 사라 우, 《관람을 위해 만들어진》, 2025. Jung Hsu & Sara Wu, MADE FOR WATCHING, 2025. 《관람을 위해 만들어진》, 2025 는 대만 출신의 두 예술가 룡 슈(대만/독일) @junghsu_ 와 사라 우(대만/영국) @sarawuihsuan 가 이번 전시를 위해 선보이는 첫 협업 설치 작품입니다. MADE FOR WATCHING, 2025, is an installation presented in <Rainbow Loop: Toward a Spectral Method>, marking the inaugural collaboration between two Taiwanese-born artists: Jung Hsu(TW/DE) @junghsu_ and Sara Wu(TW/UK) @sarawuihsuan .

Preview of participating artists Jung Hsu @junghsu_ RAINBOW LOOP: TOWARD A SPECTRAL METHOD 2025.08.09 - 2025.09.20 ARTSITE SOJE 무지개 고리: 스펙트럼적 사유를 향하여 2025.08.09 - 2025.09.20 아트사이트 소제

《무지개 고리: 스펙트럼적 사유를 향하여》의 전시 전경을 공유합니다. 전시는 9월 20일(금)까지 이어집니다. 여러분들의 많은 관심과 방문 부탁드립니다. 📍 전시장소: 아트사이트 소제@artsite_soje (대전역 도보 5분) 📅 전시기간: 8월 9일 – 9월 20일 (월·화 휴무) 🕚 운영시간: 오전 11시 – 오후 7시 *퍼포먼스 당일은 전시 오후 4시 종료 🎶 사운드 퍼포먼스 9월 6일 오후 8시: 빅터 버튼(캐나다/독일) · 플로라 인 웡(영국) @floraytw & VISIO(이탈리아/영국) @visio____ · 하쿠 승호(한국/일본) @hakusungho 9월 20일 오후 8시: 최가연 @kayonchoi · 박다함 @parkdaham 🎫 티켓: 아트사이트 소제 웹, 티켓링크, 네이버, 현장 •관람료 전시: 7,000원 공연: 15,000원 (전시 포함) We are pleased to share the exhibition view of 《Rainbow Loop: Toward a Spectral Method》 The exhibition runs until Friday, September 20, and we warmly invite your interest and visit. 📍 Venue: Arsite Soje @artsite_soje 📅 Dates: Aug 9 – Sep 20 (Closed Mon & Tue) 🕚 Hours: 11:00 – 19:00 On performance days, the exhibition closes at 16:00. 🎶 Sound Performance Sep 6, 20:00: Victor Burton (CA/DE) · Flora Yin Wong(UK) @floraytw  & VISIO(IT/UK) @visio____ · Haku Sungho(KR/JP) @hakusungho Sep 20, 20:00: Kayon Choi @kayonchoi / Park Daham @parkdaham 🎫 Tickets: Artsite Soje website, Ticketlink, Naver, On-site •Admission Exhibition: 7,000 KRW Performance: 15,000 KRW (includes exhibition)

Bi0film.net en la exposición EcoExistencias: un ensayo de pluriverso, en el @fotosintesisfestival del @parqueexplora y el @exploratoriomde en Medellín. La exposición será parte del parque hasta abril de 2026. Muy emocionadx de que este proyecto creado junto a @junghsu_ y @mutantelab esté expuesto en Colombia y junto a muchos proyectos y artistas increíbles, por invitación de @gabo_munguia , @catatorogi y @alannath_ocampo 💛 Gracias a todas las personas que hicieron parte de la organización del festival, que fue un gran espacio de encuentro y creación de otros relatos. Gracias también a @fredparrab por su apoyo para crear esta muestra. Desde nuestra instalación, tomamos este espacio para recordar que somos muchas las comunidades de organismos vivos que le podemos poner difíciles las cosas a los humanos blancos controladores, devastadores y genocidas. 🖤🔥 Foto 5 - INFRA (Análogos terrestres) de Elisa Balmaceda Foto 6 - Máquinas Salvajes de Jhonathan Torres Foto 7 - Tona Colectiva de Mauricio Vásquez y Biofilia Materia lFoto 8 - Plantas Autofotosintéticas de Gilberto Esparza

In the making of “Made for watching” by Jung Hsu and Sara Wu, for the exhibition “Rainbow Loop: Towards a spectral method” in Artsite Soje, Daejeon, Korea. Opening event: 6-11pm, 9th August, 2025

RAINBOW LOOP: Toward a Spectral Method Diego Behncke, Allan Gardner, Jung Hsu & Sara Wu, Sollee Kim, Nick Klein, oolongradio, and Makoto Oshiro 《무지개 고리: 스펙트럼적 사유를 향하여》 디에고 벤케, 앨런 가드너, 룡 슈 & 사라 우, 김솔이, 닉 클라인, 우롱라디오, 마코토 오시로 Amid ongoing shifts in global artistic practice, Rainbow Loop proposes a critical rethinking of exhibition-making. Prioritizing artist-led methodologies, collective authorship, and spatial experimentation, the project foregrounds dialogue, transformation, and open-ended engagement. 숨가쁘게 변화하고 있는 예술적 실천의 세계적인 흐름 속에서, 《무지개 고리》는 다시 한 번 협업과 과정 중심의 창작 그리고 실험주의에 초점을 맞추고자 한다. 본 프로젝트는 전시 기획에 대한 성찰과 재고를 바탕으로 기획자-창작자-관객/참여자 사이의 유기적인 대화, 끊임없는 변화, 그리고 열린 교류 방식을 지향한다. Venue: Artsite Soje (Daejeon, South Korea) 장소: 아트사이트 소제 @artsite_soje 2025.08.09 - 2025.09.20 Curation: Hyungjoong Kim, Jung Hsu, Nick Klein Design: Dominique Saiegh @dominiq.xyz Translation: Han Gil Jang @hangiljang_ Fabrication support: Third Hand @thirdhand_seoul With Support from CNCITY Foundation @cncitymaum @cncityenergy 주관: CNCITY마음에너지재단 기획: 김형중, 룡 슈, 닉 클라인 디자인: 도미닉 사이에그 번역: 장한길 제작지원: 써드핸드